This book is so effective because it teaches us how to honestly evaluate our thoughts and behavior. It inspires us to want to change for our own happiness and for the sake of others, without self-condemnation. Tackling destructive thoughts and behavior becomes exciting work. It teaches us how to look to a higher power to do this. Because of the universal truths involved in spiritual battle as described by Grant Schnarr, we can use the book and still feel true to our personal religious faiths. It also will greatly appeal to readers for whom traditional religions haven't worked. Anyone who feels something is missing in their life, who feels disconnected from others by depression, anxiety, or boredom or who needs a fresh approach to personal growth will love this book. I see it as especially useful for young men because it engages the masculine mind to do spiritual battle in a way that inspires the best that is within them. This, in turn, brings a sense of connectedness to other people, fulfillment and a sense of peace. It can be very effective for everyone, but I think this book is ground breaking for men who have been looking for the right approach--creative and active--to personal growth.

A Guide to Inner Peace based on Sun Tzu's Art of War? Well think about it--this is a world of paradoxes. What is the biggest obstacle to achieving inner peace? Perhaps it is our own self. What if we waged a war against our inner negativity, our doubts and our fears? Could we use the optimal book on war to conquer our inner demons and establish a beachhead for a state of personal bliss? This book gives detailed advice on how to view your internal dialogues as potential enemies and allies and finding peace. Remaining always aware and alert to how we think and believe is great advice. The book realigned how I view my personal commitment to self improvement.

Michael Peter Langevin Publisher of Magical Blend Magazine Issue # 73 through Nov. 2000

I've read a lot of spiritual warfare books, and also Eastern warrior philosophy. What is different about this book is that it draws from all sides of the issue. The Eastern discipline is here, and the best of Sun Tzu, Lao Tzu, Buddha, and the others, but you can definitely see Schnarr's Christian leanings about the battle against the "dark forces" and about the conflict between devils and angels. What this does is instead of alienating one side or the other, the book appeals to the best in all. Whether it's the Holy War of Islam, the conquering of self of Eastern philosophy, or the bold fight against the forces of evil in Judeo-Christian terms, it's all there, and all are called to battle. I also like that the battle starts with the individual, and is not some sort of call to change the world and forget about your own problems. He says if you want to change the world, begin with yourself. It's the best book on spiritual warfare I have ever read.

My sensei is telling us all to buy this book because it helps us keep track of our tournaments and belt tests. Really cool! Great art, too!

The book was exquisitly written and magnificently edited. It is imperative that every student who wants to excel at the martial arts should own this book.

This book really is a MUST HAVE for any student of Martial Arts! It is exceptionally valuable in helping the student keep track of their growth and progress! It is well organized, well written, and contains everything a student of the Martial Arts could possibly want! Clearly the author has exceptional expertise in the Martial Arts and has provided this wonderful book as a tool to encourage others towards excellence! I've also read his Ultimate Jujutsu: Practices and Principals, and I look forward to additional titles.

Mark Robert Waldman has put together a real gem in THE SPIRIT OF WRITING, and it's my absolute pleasure to have been a small part of it. It's amazing to read classic essays on the subject of writing by such luminaries as Twain, Faulkner and Steinbeck and contemporary pieces by such diverse scribes at Stephen King and Erica Jong. I particularly loved reading Janet Fitch's "The Capes of Anais Nin," which takes us into her mind well before her WHITE OLEANDER was an Oprah Book Club selection. To read that she thought at one point that "there was a very distinct possibility I would never sell anything as long as I lived" and to realize the success that came her way is refreshing and reminds us all that being a writer is not for sissies! More folks will tell you to quit than will encourage the pursuit. But, if you love words as I do, you'll understand what Fitch was saying...and you'll keep THE SPIRIT OF WRITING nearby to forever inspire you!!

"Writers love language. They play with words, rolling them around on the page, arranging and rearranging them until they come alive. The meanings are stretched and changed, and if the writer is successful, he or she will lure the reader into that mysterious world where fiction and reality blur."
These words were penned by Mark Waldman, who edited this amazing collection of literary gems. Written by award-winning writers and poets, and several as-yet-unknown new talents, these authors open their hearts to the reader, sharing the most intimate adventures of their lives, moments that are frequently filled with vulnerability, pain, and ecstasy. The Spirit of Writing exemplifies the writer's life in a way that inspires us to write and read, and then to write some more. In many of the stories, you will witness how a writer's life unfolds. You'll roam through childhood memories, nostalgic and sometimes trajic, discovering what inspired them to write. These authors write lyrically, playing with subtle nuances of tone. And for those who want to write better, there are mountains of literary advice.
Humor also abounds in this delightful collection of essays. From Mark Twain's hilariously brutal attack upon poets to the wild and sexy muse of Henry Miller, I laughed my way through the pitfalls and pratfalls that plague a writer's life (in Hamilton's essay, she literally gives birth to a six pound book). Even the classic essays by mixed pathos with humor, as in Joseph Conrad's monologue with his pen that drives him mad. And imagine what the poet Peter Joris must suffer through when the letters and words keep falling off his page (Joris' story is one of a half-dozen experimental pieces that demonstrate the cutting edge of creative writing today).
One story, "Clawing at Stones," touched me deeply. It was written by Sindiwe Magona, a well-known black author who calls herself "a migrant worker," a South African woman who lives in the Bronx and works for the United Nations. "I am convinced," she writes, "that it is only by probing both the joys and woundings of time that we might be blessed and empowered to affect the future." She talks about the dangers that women of color face, especially if they write about the atrocities they see. Through such memoirs, we begin to understand the darker forces that guides a writer's pen. Several other stories in this anthology, like Lia Scott Price's "Without Wings," also illuminate the suffering that have driven many women to write.
Perhaps we are all "clawing at stones" and "fighting without wings," living with our stories inside. And with the memoirs that this unique anthology holds, perhaps it will inspire more people to write. About the truth, the pain, and joy that fills our lives.

I just finished reading Without Wings by Lia Scott Price and decided I had to write to say how much I enjoyed the story. While reading it, I felt the pain, the anguish, the pure and raw emotions from her characters. I am so greatly impressed. To finally stumble upon a writer with a gift for storytelling, I would just like to say congratulations on this, what I consider to be a masterpiece of a story. I hope to read more of her works! --A new found fan.

The following is an article that appeared in the National Post, Toronto, May 11, 2000

(Headline: Photography book award, by Finbarr O'Reilly, National Post)

Vancouver-based photographer Art Perry has won the second Roloff Beny Photography Book Award for The Tibetans. The country's top photography book award, presented last night in Toronto, earns Perry a cash prize of $30,000. His American publisher, Viking Studio/Penguin Putnam, also gets $20,000, while two runners-up, Courtney Milne and Linda Rutenberg, get $5,000 each. Perry, who is a lecturer at the Emily Carr Institute of Art and Design, spent five years travelling throughout Tibet and the exiled Tibetan communities in India and Nepal, documenting with a camera the people he met along the way - monks, nomads, city dwellers. Through the Dalai Lama, Perry gained access to seldom-visited monasteries in remote regions where he captured a traditional way of life that is being threatened by the Chinese occupation of Tibet. In a current project, the Ottawa-born Perry has been documenting in both writing and photographs the fractured cultures of Northern and Southern Ireland. The project, which he began in 1998, is a lifelong dream of Perry, whose family is from Belfast. The award was created in memory of Roloff Beny, a world-renowned photographer who was born in Medicine Hat, Alta., and is intended to encourage excellence in photograph publishing.

The following is a review of Art Perry The Tibetans: Photographs that appeared in The Toronto Globe and Mail, April 8, 2000.

(Headline:"Turning the spotlight on photography books," by Martin Levin.) For many years, B.C. writer and photographer Art Perry has documented threatened cultures, including the Nubians and the Mayans. Here he turns his attention, and his fine black-and-white photographic sensibility, on Tibetans, the world's most famous enigmatic people. Perry takes us to remote monasteries, up the Chang Tang Plateau and to the Tibetan exile communities in India and Nepal. The whole conveys a powerful sense of meaning - and loss.

The following article appeared in The Vancouver Sun, May 10, 2000

'Tibetan images snag major prize for local photographer' by Michael Scott, Sun Visual Art Critic

Vancouver photographer Art Perry has won a major international award for his large-format photographic book The Tibetans: Photographs. Perry, an instructor at Emily Carr Institute of Art and Design, becomes the second winner of the $30,000 Roloff Beny Photography Book Award at a ceremony in Toronto. (Magnum photographer Larry Towell received the first Beny Award for his book El Salvador.) The publisher of Perry's 1999 book, Viking Studio (an imprint of Penguin Books), will share in the award, receiving a $20,000 prize of its own. Perry spent five years collecting images of Buddhist societies in the Himalayas, working primarily in Tibet, but travelling also to Ladakh and Nepal. Last year, the Washington Post named his book one of the year's 10 best. A Vancouver Sun reviewer wrote: "Perry takes us from the slightly familiar markets and brothels of Lhasa clear through to the monasteries and mountaintops that have not been otherwise documented. The text is as clear-eyed as the pictures, but the message it contains is not entirely pretty. Though Buddhism practiced by the Tibetans will certainly endure, Tibetan Buddhist culture is very much under attack, perhaps by we western cultural imperialists, certainly by the country's Chinese occupiers. Read it, or just look at the pictures, and those Free Tibet bumper stickers will seem a lot more immediate." Here in Vancouver, Perry teaches a multi-disciplinary course at Emily Carr on the history of bohemianism - a course that covers film, punk rock and jazz as well as visual art. (I start by telling my students to stay up all night before coming to class," he jokes.) Perry also teaches a course in contemporary literature, a field that has sparked his interest in his own Irish roots. He says he will spend part of the Beny prize money on a sabbatical year in County Monaghan in northern Ireland. Perry plans to pursue both writing and photography during this time. "I have to say I am very, very honoured to be receiving this award," he says. "My father had some of Roloff Beny's big books and I grew up handling those incredible pages. There aren't people in those images, but they were lush and magnificent." Expatriate Canadian photographer Roloff Beny made an international name for himself in the 1970s and early 1980s chronicling a world of sensual beauty, with major large-format books on subjects such as pre-revolutionary Iran and Italy. He died in 1984.

This book is creatively crafted by Peter Cunningham and Robert Mickey. It is a great primer on the basics of kickboxing and chapters include information on conditioning, getting started, striking techniques and much more. The book isn't just full of photos teaching the reader how to make each movement. No, this book is much more. There contains much information on the ends and outs of this sport.

This book reads at a ninth grade level which widens the appeal to teenagers who have had some karate training and may be looking to expand their knowledge into the sport aspects of kickboxing. Adults in the martial arts (like myself) should enjoy this book as well. Cunningham has done a great job and deserves a lot of credit for this publication.

Like most martial artist, I did some soul searching before I found my art. I bought a lot of books, on many styles. I ordered this one, and it made my mind up for me. This is a THE book for anyone interested in kickboxing.

This book is a must for those people who are interested in doing kickboxing, whether they are newcomers to the sport or intermediate fighters looking for great knockout techniques. The book is written in an easy to understand format with photos showing how to execute the kicks and punches. Before I read this book I knew nothing about fighting. But within two weeks of practicing these techniques I felt confident that I could defend myself if the need arose.

Great book for all levels.
Ina and Allan Marx run a great faux finishing school that has spawned this great book. Complete
and through it a bible for novice to expert painters. Not only do they teach you the technique, but alos
how to "look and see" the item you are painting from nature. They are true professionals and
above all both are excellent teachers. I have taken their classes, and as there is no substituion for
taking one of their classes, this book is a great how to guide if you can't take one.
Excellent. Their knowledge of teaching and superb knowledge of faux painting marry in this books.

I have a library full of books on painting techniques but this and the Finklestein book are the two that I consider "must haves." While most new books on decorative finishings repeat and repeat and repeat . . . the same pedestrian information on faux treatments, these give much more indept information on the techniques involved.

This is a wonderfully thorough book on creating the highest quality specialty painted finishes. It is advanced enough for the serious decorative painter while the instructions are detailed enough to allow the amateur or novice to try these techniques with outstanding results. The interior designer will also find it to be a valuable source book for fresh exciting design ideas.

Overall, the projects are more sophisticated and time-consuming than those in most books. A great deal attention is paid to tiniest details that make these finishes really stand out. The instructions are excellent, showing you how to create each finish step-by-step with a complete text description and demonstrative photos. Complete material and supply lists and recipes accompany each project.

The book starts out with the basics such as materials, safety, surface preparation and finishing coats. The glaze section is next with information on multi-layer glazing, novelty effects and techniques for glazing in small and large areas. There is great chart of problems and solutions and another on how tools affect glazing as well.

The simulation of marble and stone follows. Here the author talks about the formation and replication of stone before going on to the projects, which include fifteen marble and stone types such as malachite, granite, red levanto and French grand antique.

The section on graining is fantastic. It contains the most in-depth information on graining I have found anywhere. There is an analysis of patterns, a discussion of color, techniques for creating knots, troubleshooting section and color swatches of straight gained wood styles. There are over 20 wood types covered. Some include American oak, Brazilian rosewood, orientalwood, burl and birds-eye maple.

The final section of the book talks about setting up a professional practice. It contains financial planning, estimating, sample-making and much more. The appendix gives a great list of sources, lists English and metric equivalents and has a nice glossary of terms. If you want to create truly professional looking finishes, this is the book to get.

Those of you who know Robert Taylor's art work will know what to expect from this book. Those of you don't, then you will be treated to some superb sketches and paintings which mainly focus on World War 2 aviation scences. Taylor has an excellent eye for detail and realism and researchs his subject(s) to ensure that his paintings are more than just realistic, they are factual. In this book he talks about how some of his paintings were done, along with comments from some of his subjects such as Adolf Galland, Townsend, Johnnie Johnson etc. The book includes 24 of his paintings, including some of my favourites "Dambusters","JG-52", "Victory over Dunkirk" all of which are on good quality paper. This is a quality book which displays the master's work and the master at work and highly recommended, although some may find the price a little prohibitive.

If you don't have the money to buy an original painting of Robert Taylor, but you want to see his works, this book is absolutly fantastic.
You can look to the prints for hours, using your fantasy how it was/is to be a combat pilot.
But, do not not expect it to be a book with a lot of prints.
This is just a selection of one of the most beautiful prints.
This is really a book you can look in from time to time and turn yourself into another fasinating world.

This is to clarify the actual status of Taylor's Vol. 1-4 volumes of terrific aviation art.

All volumes are still available through several aviation art dealers. ( NW Aviation Art/Leisure Galleries) I do not know why Amazon lists many of these as out of print. They are NOT!

The new Volume 4 is out as of Sept. 2000.

Wish Amazon stocked them all.

Lacking knowledge of the Architectural issues involved, I had to approach "Athena and Eden" with my experience of ancient and classical Greek literature. I was shocked by the strength and cogency of Mr. Johnson's arguments. Though not yet fully convinced of all of the conclusions Mr. Johnson has reached, "Athena and Eden" has definitely given me some ideas to chew on while Mr. Johnson writes his second volume.

Many near eastern/mediteraenean cultures exhibit shared memories of a common prehistory. From Gilgamesh in Mesopotamia to early tales of Osiris in Egypt, echoes of the Genesis and Flood stories abound. If Mr. Johnson is correct, than Greek mythology is a very twisted (possibly Satanic) retelling of the fall of Man.

As far as particulars--

I found his arguments about the true identity of the Zeus figure extremely compelling. Yet the Athena/Hera division is still a little muddled in my mind (probably more my fault than the author's).

Overall, "Athena and Eden" is a very intriguing book that deserves a lot of attention. It gets my recommendation.

The focus of Greek civilization, the Parthenon captures viewers imaginations even as it conceals its true meaning. In his ground breaking work, Robert Bowie Johnson, Jr. author of ATHENA AND EDEN: THE HIDDEN MEANING OF THE PARTHENON'S EAST FACADE demonstrates that when Athena is seen to be Eve, then Greek mythology becomes narrative art. Consequently, the marble sculptures on the east pediment of the Parthenon relate the story of the origin of mankind, matching the Genesis account in detail.

Johnson asserts that scholars have previously been unsuccessful in identifying most of the figures in the east pediment because they have failed to connect Athena with Even and the story of Eden in the Book of Genesis. Through careful research, Johnson demonstrates that we do have the literature and art to serve as a source of reconstruction. Painstaking comparison demonstrates shows that the sculptures of the eastern pediment depict the Garden of Eden, the birth of Eve, the Great Flood. Furthermore, the goddess Athena, whom the Greeks worshipped as the one who brought the serpent's wisdom, is the same person the Book of Genesis calls Eve.

Johnson, a West Point graduate, author, teacher and public speaker based his research on surviving sculptures, the ancient writings of Homer, Hesiod, Pindar and others, plus myths, vase art and the work of numerous experts. His controversial approach will certainly garner attention from all who are interested in the classics, religion, art, and mythology. Indeed, Johnson's unique perspective will provoke avid discussion among academics for years to come, yet is easily approachable by any who hold an interest in our origins.

Athena And Eden: The Hidden Meaning Of The Parthenon's East Facade by author and educator Robert Bowie Johnson, Jr. offers the non-specialist general reader a unique, accessible, and provocative look at classical artwork and human spirituality. Athena And Eden focuses on the majesty of the Parthenon and its mystical connection to the Book of Genesis. Illustrated with numerous black-and-white photographs of Greek artistic treasures, sculptures, and pottery, Athena And Eden is an original, seminal, ground breaking, unforgettable, and highly recommended perspective that will be of particular interest to students of Hellenic art, architecture, mythology, and religion.

I bought this book sight-unseen on the basis of reviews and, honestly, was a little disappointed. This book is basically a collection of the author's own pictures he has taken in his years of travelling the world and visiting bridges. I think the personality of the book will win you over because he really does have a wonderful appreciation of bridges. But if it was cloudy the day he visited that bridge, you get a picture on a cloudy day. I also thought the printing was not great quality.

I'm a giver of books: novels, poetry, cookbooks, and more than any other single book, this one: "Bridging." It has art and love, form and metaphor. The beautiful images and the metaphor of "bridging" -- and the personality of the recipient and the occasion for the gift -- make inscribing the book for a friend a pleasure.

I grew up with the Mississippi bridges of St. Louis and have lived for decades with the bridges of New York City -- so I feel that the photographer is a kindred spirit and made this book for me. Cortright awakens the eye and mind to the beauty of bridges -- from all angles and in all weathers. These are not promotional postcards, but lovingly composed and arranged photographs that give us not only the settings but the personalities of these bridges.

See the Civil Engineering review below for a fine appreciation of bridge builders' and Cortright's achievements -- technically and aesthetically. Better yet, take a look at the book.

"CIVIL ENGINEERING" PROCEEDINGS OF THE INSTITUTION OF CIVIL ENGINEERS LONDON, NOVEMBER 1998

Bridging - discovering the beauty of bridges

This is a little book (235 x 187 x 13mm) in metric measurement, but it is a very big book when one considers the quality of its construction and the quality of its contents. Its stitched signatures contain 283 glossy full colour bridge photographs from 16 North American and European countries. The photographs selected for publication were of bridges constructed throughout the last 20 centuries, including 20 stone structures of Roman construction. The book consists primarily of photographs, with a brief introductory text for various book divisions, and brief and generally interesting photo captions. The book appears to be a labour of love for Mr Robert S. Cortright, a retired banker, and his patient and supportive wife Kathy who initially were

'enthusiastic tourists, thrilled with all of the sights encountered in travel. Gradually [their] focus of attention and the focus of the camera began to be concentrated upon bridges. Ultimately, that concentration escalated to the level of an obsession.'

This obsession, supported and guided by a perceptive eye and an intuitive appreciation for the conceptual genius and exceptional craftsmanship displayed by early bridge builders, and by the time, patience, and persistence to locate suitable perspectives, resulted in a portfolio of over 4,000 bridge photographs from 20 countries. Of these, nearly 300, considered by Robert Cortright to be his best, now grace the pages of this fine publication.

Unfortunately, the editors, in an apparent effort to achieve page format variety, an effort that has generally succeeded, spoiled a few of the larger photographs by superimposing caption text directly on the photographs. However, this one fault diminishes the overall quality of the book only slightly.

Bridging will make a suitable companion to Fritz Leonhardt's Bridges: aesthetics and design and to the Highway Agency's The appearance of bridges. It should be in the personal library of all bridge engineers, architects and other fine bridge enthusiasts. For those interested in this book, copies should be obtained as soon as possible, since the modest cover price of $29.95 suggests that its first edition may not be available for long. M. P. Burke

LONDON CITY SECRETS is a little book of good places to visit the next time you're in England. The authors describe their book as a "highly subjective" collection of recommendations, not an all-inclusive list of places to eat, sleep, visit in London. The folks making the recommendations are artists, writers, historians, and others who live and work in London. They share favorite spots to eat; favorite paintings, sculptures or museums; favorite walks, historical houses and other spots discovered over the years.

LONDON CITY SECRETS is divided into 13 areas: 1/ Trafalgar Square, Soho and Covent Garden; 2/ St James, Westminster, & the Embankment; 3/ Hyde Park & Chelsea; 4/ Oxford Street and Mayfair; 5/ Regent's Park & Camden Town; 6/ Bloomsbury & King's Cross; 7/ Islington & Clerkenwell; 8/ The City (of London); 9/ The South Bank; 10/ Notting Hill & The West; 11/ Hampstead & The North; 12/ The East End & Beyond; and 13/ South of the River.

Because the selections are subjective, the National Gallery and the Victoria & Albert Museum are mentioned, whereas the National Maritime Museum is not. Fortnum and Mason is included, Mark's & Spencer is not. Scrubb's prison is listed, the Tower of London is not. Plenty of good places to eat are listed, no good places to sleep are included. Never thought you'd visit Islington? You might find yourself eating at the Smithfield Market, Moro's, or the Quality Chop House. Think the East End is a dump? You might discover a science fiction ride on the nighttime tube.

Symbols are placed next to sites with London Underground stops and places to eat. Plenty of bars, pubs, and other assorted oddball watering holes are included. The various authors, artists, etc. also recommend plenty of additional reading material about favorite spots. LONDON CITY SECRETS is eccentric, esoteric, and entertaining.

LONDON, of the City Secrets series of travel guides, is a little gem that will easily fit into a pocket of your travel vest as you set out to explore what is arguably the world's greatest city.

This volume, small in size but rich in information, divides Britain's capital into thirteen areas according to a scheme that escapes me. However, no matter. Each area, e.g. Hyde Park & Chelsea, The City, Oxford Street & Mayfair, or The East End & Beyond, is preceded by a map on which is marked each point of interest included in that section. And what you will find are both famous and little-known museums, historic buildings, art galleries, libraries, shops, pubs, churches, eateries, parks, squares, streets, memorials, and gardens. Each includes, at least, an address or location and the name of the nearest Underground or rail station. If relevant, there's also a phone number and/or the date the place was founded or constructed. The core of each listing is a short descriptive commentary by a contributing journalist, architect, philosopher, playwright, professor, author, historian, poet, curator, or some other professional of similar dignity. At the end of the book are an Index of Recommended Reading and an Index of Contributors. What you won't find are budget hotels, American fast-food franchises, newsagents, or 24-hour chemists (pharmacies) reviewed by backpacking college students, traveling salesmen, lorry drivers, or tourists from the Midwest. This is a genteel publication.

LONDON is a delightful and uncommonly intelligent sightseeing resource for those of us who've been to the city often enough to have exhausted the usual tourist activities and are left with making silly faces at the Buckingham Palace guard to try and crack his reserve. And besides the information that might be considered usual for each of the listings, the contributors also provide tidbits of arcane information that the casual visitor would likely not know or learn, as in the following example.

Regarding Oxford Street: "Plans drawn up in 1972 to transform Oxford Street into 'a tree-lined paradise' must have fallen down the back of somebody's sofa, because the busiest street in Britain can still ... make you lose the will to live - mainly at Christmas, when bright-eyed shoppers ... spill out of the ground at Oxford Circus and congeal in a fog of bus fumes and freshly roasted caramel nuts ... Nick Leonidas, blinded by yellow fever as a child, has busked here since 1981: five days a week, 52 weeks a year, 11am to 7pm with a half-hour break at three."

LONDON in hand, I'm ready to return to my favorite city - now.

This new series is indeed a revelation: I bought "City Secrets London" after being most impressed with "Rome" and "Venice, Florence and Italian Cities", and London edition did not disappoint.

In the world where simplification is all the rage, these little books seem like a welcome greeting from a bygone era. "No nonsense" books they are not: some people may call these guides unashamedly elitist. Most of the contributors seem so knowleadgeable that many readers may feel the whole content is too high-brow for them. I would be disappointed if this impression were to scare readers off. However, author's decision not to dumb down anything has to come at a cost, and if that cost is losing readers who expect a dumbed-down quick cheap-and-cheerful guide to London of Beefeaters and "Buckin'-Ham" Palace, so be it.

Please do not mistake this for a proper guide which will give you general getting-around, hotels, eating-out and tourist highlight guidance. For this, you'll be better off with Eyewitness London. City Secrets is for people who basically know the city but want to find out little quirky things that other people miss (quite predictably and justifiably, because not everyone has time for in-depth look).

City Secrets is all about the stuff that all really good human guides use: nuggets of information, crafty access to places, best-view routes and other things which make all the difference between an average guided tour and a really memorable experience.

Contrary to what many casual travellers believe, London - although not blessed with relaxed Parisian charm or haunting and menacing spell of Florence - can be very cosy, friendly and pleasing to the eye and to the soul. If you think you like London and if you are likely to visit the city more than once in your life, you'll definitely need this book.