Keith had a fascinating life... although he and I went to the same school, I feel everyone will identify with his message. Read it!

I did not understand nor really enjoy Keith Harings work until I read his journal. His thought processes that develope in the book talk about what he was trying to acomplish with his work. Knowing the angle that he was working from gave me a much deeper appreciation for his work. I think this is a very valuable book in understand Keith's views and philosophies behind his work.

Keith Haring is unbelievably talented. He is one of my favorite artist's--and in his journals I got to understand where some of his compositions came from---If you like his work and you want to know where some of his ideas came from. Check out this book!!!!!!!!!!!!!!!

I read this book after receiving it at a conference that Lenka Peterson spoke at. In reading the book, I realized that she had put most of the information covered in an 8-hour session plus enough to fill another week of 8-hour sessions. The book truly takes actions and in-person teaching lessons and makes them readily available to anyone anywhere.

In this wonderful new book, Lenka Peterson and Dan O'Connor draw on more that 30 years of experience to reveal how to teach and direct plays with children. Their sophisticated yet accessible guide covers everything form the basics of acting to mounting and staging a production. It includes plenty of child-friendly sample scenes and relaxation techniques for kids. Perfect for established children's theater groups as well as churches, schools and camps, Kids Take the Stage shows how we can help kids realize their creative potential...and, in the process, create a new generation of theater lovers.

This is a magical book, full of exercises and anecdotes that teach children to celebrate what they have to offer as potential artists, but mainly as human beings. I recommend it to anyone who wants to introduce children to acting and the theater. It is joyful, rewarding, wise and a lot of fun to read. Bravo/Brava!

I have followed the work of Ed Roth and the late "Von Dutch" since 1953. The word Pioneer doesn't even begin with the work these men have done over the last 45 years. Dutch started the trend of "Free Form" pinstriping, along with painted "figures" and some very unique "Flame Painting" back in the 1950s. Roth started building some very unique vehicles, way ahead of their time. He called himsef a "speed striper" which was a rapid form of pinstriping i,e, "no following around with fine details" yet the work was quite good. This book shows the best examples of both Roth and Dutch, and contains photos that we all thought were lost years ago. "Von Dutch" (a.k.a. Kenneth Howard) was a very underrated man, who was filled with talent and skills that would revel most of today's artists. It was a tragic loss when he died a very lonely man. Roth did a Video of Dutch in the late 1970s, which really showed the "methods to his madness."

I personally have given a tribute to both these men by building a copy of the sign painters box (made in 1919) given to Dutch by his father. Roth has pinstriped a few of these for his charity auctions. This book is a treasure to the art of pinstriping and the "Kustom Kulture" movement.

While being a big fan of "Big Daddy Roth", I still appreciate his hot-rod artwork. Shortly after finishing the book, I gave it to "Big Daddy Dean Paulsen", the man who taught Ed Roth everything he knows. Paulsen was pleased to know his understudy is still alive and well.

If you ever wanted to learn about the masters of hot rod art, this is a good place to start. While not the difinitive history of Ed "Big Daddy" Roth,Von Dutch or Robert Williams, this book delves into the rude awakenings of this all American art form. A damn good read.(I just looked at the pictures!!!!)

A wonderful yet small collection of reproductions of Manet's last works. A very great artist, at the end of his days, paints exquisite small works of flowers. What else could you want?

As an art student studying the techniques of the masters, this little book has been invaluable to me. This is for anyone who seriously wants to experience Manet's genius. His little florals leap off the page! The printing is good, too. Faithfully shows detail and tone well. While nothing replaces seeing these works in person, this book is one every artist should have.

During the last months of 1882 Edouard Manet was gravely ill. This was to be the last year of his life. He no longer had the strengh for large ambitious work. With frequent rest periods, he had just completed "A Bar at the Folies-Bergere."

Due to his ebbing energy he began to paint on a smaller scale, simple bouquets of flowers in a variety of glass vases. Often these were the flowers friends brought to the convalescing artist.

"The Last Flowers of Manet" is a little gem of a book presenting 16 of these elegant, magical paintings. There are ethereal white lilac blossoms and slashes of pink peony petals shimmering before rich, black backgrounds. There are roses and tulips in warm, golden shades.

Just as Matisse in his last days could not make a false stroke when creating his cutout compositions, so Manet brings total mastery to these exquisite, soulful still lifes.

This is a very handsome book - of great interest for architectural buffs or historians. It pairs two great architects - Robert Venturi and Irving Gill - in a unique, engaging, and informative way. The Museum of Contemporary Art San Diego (in La Jolla, California)is one of the finest small museums in the country, well worth a visit to see outstanding architecture as well as cutting-edge contemporary art.

This is an outstanding book for anyone interested in the work of two great architects - Robert Venturi and Irving Gill. The combination of their work at the museum in La Jolla is masterful, and this book gives a fascinating look into the museum's history and Venturi's thought processes as he sought to restore the historic "Scripps House" while expanding and modernizing the Museum of Contemporary Art. A great find - makes me want to visit La Jolla and see it for myself!

Buy this book even if you've never been to the La Jolla museum it describes. If you've been to the museum, it's worth buying to give you pause to reflect on what you've seen. This book offers both the history and theory behind Venturi's reshaping of a wonderful museum in an attractive location. Those of us who remember the museum in the old days have got to be impressed with what Venturi has done. Although this text is all too brief, it provides the illumination needed to appreciate more fully this California classic.

Weiss's book mirrors the combination of seemingly unforced flow and attention to focus that are characteristic of good qualitative interviews. I appreciated that it tackled delicate questions of ethics, editing and developing analysis in a way that bolstered the reader's confidence in their ability to develop good judgment, while never minimizing the risks. The use of excerpts of transcripts showing exactly where interviewers' decisions had affected outcomes, and of specific examples throughout, made this book a compulsive "read" -- I wish that more authoratitive publications managed its grace and energy.

Learning From Strangers is the best introduction to how to do qualitative interviewing that I know of, and it's one of two books that I assign in my course on qualitative research methods (the other is Corrine Glesne's Becoming Qualitative Researchers). It is very readable, but also deeply insightful and informed by Weiss's many years of interviewing. The most valuable part of the book, and one thing that sets it apart from most other books on qualitative interviewing, is that it includes lengthy excerpts from actual interview transcripts, with Weiss's detailed commentary on what worked well and what didn't. The book also has excellent advice on developing interview questions, selecting interviewees, analyzing interview data, and writing the final report.

Probably the most valuable work I will read on the practical problems of designing and executing a qualitative interview study. It is usable as an outline and checklist for designing any study of this type. Weiss covers all the bases with a wealth of pertinent examples from his experience. He has managed to take a dry subject and create a readable, interesting piece.

I cannot say enough about this book. Starting his investigation the day after her death, Robert Slatzer is a wonderful friend of Marilyn's. Very indepth. A perfect companion to this book is The Marilyn Files also by Robert Slatzer.

I wish this book would be reprinted. At the time it was first published it caused a lot of controversy. It has stood the test of time. Many people were "leery" of the assertions that Marilyn Monroe had been murdered,but since this author's long and trying efforts to show the real facts of what happened to Marilyn, many of the real facts he presented to the public in 1974 have been made public. Many people did not want or know whether to believe Slatzer's accounts of Monroe's keeping a diary, and recording her accounts of "what Bobby Kennedy told her". Recently released and published FBI & CIA documents "PROVE" that Slatzer was INDEED RIGHT ABOUT MARILYN & THE KENNEDY BROTHERS. A recently de-classified CIA DOCUMENT BOLDLY STATES THAT IN 1962, "THE CIA WAS AWARE THAT MARILYN MONROE KEPT A SO-CALLED DIARY THAT RECORDED CONVERSATIONS SHE HAD WITH THE THEN ATTORNEY GENERAL, ROBERT F. KENNEDY. THE CONTENTS OF HER DIARY DISCUSSED AMOUNG OTHER THINGS; THE PLOT TO KILL CASTRO; THE FACT THE CIA/GOVERNMENT HAD MAFIA HOODLUMS ON THE PAYROLL;etc. At least this author personally knew his subject and has made countless efforts to clear the smeared reputation the executives at 20th Century Fox Film Corp., gave her, as well as the Los Angeles District Attorney's Office, and The Los Angeles County Coroner's Office placed on her. The Studio at the time of her death, did not make an effort to state they had in fact re-hired MM for "Something's Got To Give", along with the fact they had given her a raise in salary. The Coroner,The D.A.'s Office,and certain higher ups in the LAPD have kept closed mouthed about the truth of her murder and continue this ridiculous behavior today. Even former Deputy District Attorney, John Miner, who witnessed her autopsy,now admits, as Slatzer had written in 1974, that Monroe did not in fact, commit suicide, and DID in fact, have relations with the Both John & Bobby Kennedy and made recordings at the suggestions of her psychiatrist, Ralph Greenson, of said relations. This author is probably the most well informed and possibly the last remaining close confident that Marilyn Monroe had. If there are any more Biographies written on Marilyn Monroe, I hope that Mr. Robert Slatzer is the author.That way, we can set the record straight once again, and hopefully forget about the mis-information that people have been writing for the last 16 or more years.

I read this book years ago and used to quote whole passages from it. The argument that Marilyn was murdered is very strong, and this book came out at a time when the murder/cover-up conspiracy argument was still considered alittle far-fetched.

More information has come out since this book was published, such as her housekeeper admitting that Robert Kennedy HAD been to Marilyn's house the last day of her life. When Slatzer's book came out, the housekeeper was still denying it. But Slatzer had an eye witness account from a neighbor of Marilyn's who had seen Kennedy there that day.

Time has only proven that Robert Slatzer was on the right path, as far as there being a cover-up. As for Marilyn being murdered, you be the judge.

this book is both beautifully written and illustrated. Los trully captures New York and all of it's energy.

I had to buy two of these, one to cut out the pages to frame.

It's so refreshing to see a solid children's book about great artists. The illustration is really hip and colorful. I bought this book as a gift, but then got another copy for myself.

I bought this book to get the basics of machine design and I am very happy with it. It has the basic stuff that you need to design mechanical devices. It covers the material very thoroughly and it does not blow you away with advanced math. Highly recommended.

Before read this book my work at a company where i work used to be so slow. I've read other books but this is the best one for designers. Thank you Mr. Mott your book made my job actually profitable!

This book is excellent becouse can easily explain the features, theory and practice in a very understandble way. Thank you Mr. Mott, now my work in my company is really profitable!

For years.The fans of Abbott & Costello wanted to find out how their most famous film parody of horror movies"Abbott & Costello Meet Frankenstein!"came about.A few books have come to light in recent years:"Movie Comedy Teams"by Leonard Maltin,"The Abbott & Costello Book"By Jim Mullholland and:"Abbott & Costello In Hollywood!"by Ron Palumbo & Bob Furnemack.Now..As a companion to These three manuscripts is the paperback edition of the film's script.Film historian Phil Riley has found an early draft of the script that shows us all scenes and dialogue that never appeared in the final release print:"Oh Oh! And Up Pops The Devil","You're not going to leave me with all of this work"."You're not suppose to throw away all of that fat wasite".etc in terms of the film's dialogue.There is one scene that was never used in the film and sadly.It prohibieted Poor Lou from using his improvational skills as a true movie clown.The scene has "Dracula"(Bela Lugosi)using his hyponotic powers to lure poor"Wilber Brown"(Costello)back into the castle for the brain transplaint.Lou keeps trying to run away.But the power of the evil vampire's spell is so strong that he is constantly being pulled back into the castle via the cave entrance.He finds a rock and sits there."Dracula"(Bela) by now is getting madder than hell! And he says to "Wilber"(Lou)"I Said Come Back!"."Wilber Brown"sits on the rock and says"'No! I'm sitting right here and I'm not going back!".Until both Lou and the rock are zipped back into the cave and into the evil clutches of "Dracula"(Bele Lugosi) and "Dr.Sandra Morney"(Lenore Aubert).The book also shows some photos from the film and some wonderful behind the scenes candid pictures from the cast members,the film's director(Charlie Barton),The film's producer(Bob Arthur)and Dialogue Director(Norman Abbott..Bud's newphew)and the members of the Abbott & Costello families.There are also some thoughts about the making of the film from the team's family members and the true story of how this classic parody was conceived and filmed by the book's author:Mr.Riley.For fans of horror movies and for fans of classic comedy movies.This is one book to have in your collection.Bravo Phil! Kevin S.Butler.

This is a great treasure for Abbott and Costello fans as well as Chaney, Lugosi, or Universal fans. The pictures alone are worth the price of the book. The script is still titled "The Brain of Frankenstein" and includes deleted scenes which further add to the story. As someone who has seen the film many times the added info gives new insights as to the characters performances.

Classic horror film stars meet legendery comic duo make for great film and great book. behind the scenes info with rare photographs and insight into the relationships with all protagonist's. Also critic's reviews and posters and billboards from the orginal time of film's release.