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You will find an awesome view looking up through the trees to the sky, and the beautiful azure color of the Colorado River contrasting against white and rust colored rocks. Views of waterfalls, snow-capped mountains, autumn leaves and desert sands will take your breath away. Natural rock formations and cactus plants are seen in a new light as they become elegant sculptures. Endless, brilliant blue skies are captured against fields, mountains and red rock formations. Close-up of photos vibrant pink cactus flowers and sunny yellow poppies will brighten your day. You also get an occasional glimpse of lush green trees and plants.
As with all of Muench's books this one is printed on quality glossy paper with the highest of production values doing justice to the photography. As a Muench fan this is a treasured addition to my library.
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He did this by creating new KINDS of poems; the cadences (particularly in his later books) are singularly his, and tonally the poems can be elegaic, or funny, but they're not just "feelings put on paper." His poems aren't merely glib, vague confessional prose broken up arbitrarily into lines, as seems to be trendy lately. Tonally they might vary from the elegaic to the absurdly funny--but they are all part of a deep exploration by Levis of human experience. He is often rooted in regional soil (the hardscrabble California vineyards of his childhood) but he is not a "regional" writer; in other words, whatever his experiences in life might be, he uses poetry as a way to transform them, merely than just describe them. He can write a poem about Belgrade, and have the same type of unbounded imagery, rhythms, and lyrical force than he has writing about "home."
Perhaps the greatest poems here are the Elegies from his last book, in which the elegies themselves become kind of semiautonomous creatures in of themselves (the titles say much to this regard: "Elegy with a Thimbleful of Water in the cage," "Elegy with a Petty Thief in the Rigging," "Elegy with an Angel inside its gate," etc), and are probably the best sequence of poems I've seen in a long long time.
In short, this is a fine introduction to Levis's work--but if you're hooked, you're going to want all of his books anyway (most of which are thankfully in-print by both Pittsburgh and Carneige Mellon). It has been awfully hard to pin down in words what makes his work so special, because in many ways, just like his poems, it defies easy categorization. His poems don't necessarily provide nice morals at the end; they aren't sugar-coated. But I can't think of another poet--even Sylvia Plath, whose work I love--who I regret (grieve, really) had died an early death. With any luck a hundred years from now people will be reading, passionately, Levis's work.
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My daughter loved this and has asked us to read it to her many times. It's delightful for parents, too, which is always a plus for the story-reader!
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Collectible price: $17.00
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While a co-worker was spending hundreds of dollars to
learn AutoCad at the local collage, I learned as much at
the same pace at home with this fine book. It should be sub-titled as a tutorial. The book begins assuming you know nothing about AutoCad,
and carefully explains in a straight-forward method all you need to know. Everything is done in sequence so each excercise teaches
new commands to be used in following drawings. It is a great primer
for new users learning 2-D basics, and I have shared it with experienced users at work as a reference manual for 2-D
and 3-D drawings. The book comes with a disk with programs
to help you learn which was a real time-saver for me. I would recommend this book to all beginning and professional
AutoCad users. I have other titles from The New Riders Publishing Company, and they have all been a very good investment.
learn AutoCad at the local collage, I learned as much at
the same pace at home with this fine book. It should be sub-titled as a tutorial. The book begins assuming you know nothing about AutoCad,
and carefully explains in a straight-forward method all you need to know. Everything is done in sequence so each excercise teaches
new commands to be used in following drawings. It is a great primer
for new users learning 2-D basics, and I have shared it with experienced users at work as a reference manual for 2-D
and 3-D drawings. The book comes with a disk with programs
to help you learn which was a real time-saver for me. I would recommend this book to all beginning and professional
AutoCad users. I have other titles from The New Riders Publishing Company, and they have all been a very good investment.
Used price: $142.86
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Prior to the holidays, I received a great gift, a copy of the beautifully produced three-volume study A Land So Remote, authored by Larry Frank and Skip Miller, and published by Marianne and Michael O'Shaughnessy of Red Crane Books, Publishers, Santa Fe.
Creation of a successful publication of this magnitude can only be accomplished by many who work in concert, in this case scholar, editor, publisher and, of course, those who are willing to share their treasures with anyone wishing to turn the pages in this landmark study. Frank and Miller have devoted a large percentage of their lives carefully studying and painstakingly handling objects-some of religious importance, powerful images that were the subject of daily devotion, while other objects that served a useful function in the lives of hundreds of thousands attempting to make their lives easier. To the Hispanic, Native American, and the Anglo, these objects were an integral part of daily life-whether as an expression of their spirituality, their intense religious devotion-- or to enable them to perform certain physical tasks-- cutting wood or baking bread.
The authors, in concert with photographer Michael O'Shaughnessy, have treated each object sympathetically, whether it be a santo or bulto, or packsaddle or carreta wheels, with the same level of care, even reverence. The real joy is in seeing so many diverse objects fashioned out of wood and other materials in significant numbers. How often have we had the opportunity of examining page after page of images beautifully organized and described. The authors, of course, treat us to a display of work by lesser known santeros, as well as the most celebrated, notably José Rafael Aragon. Volume two devotes pages 288 to 377 to some of the most powerful religious images by Aragon and his followers that the reader will ever experience.
Since 1974, I have been a frequent visitor to New Mexico and have written a few books on the Anglo painters. After reading Miller's and Frank's essays, I said to myself, "I wish I had written these words. Both scholars write with conviction and authority. They also write in a style I have labeled "an easy read." They have organized their material so that it makes sense. You understand why the objects were created, who created them and importantly, how they were created. Happily, these objects, some still in the churches in Ranchos de Taos, Chimayo, Taos, and chapels throughout the Southwest, others in museums and private collections, have been "gathered" and presented to the reader and viewer in a beautiful and effective manner (I was tempted to use the phrase elegant but refrained).
All reviews of the publication praise A Land So Remote for its visual appeal, handsome photographs," fascinating account of the history and culture of Hispanic New Mexico," scholarship, a major contribution to Hispanic studies. One critic even suggested that, before being placed in a glass case [with other rare books], it might serve as a coffee table book. Never! If anything, it will be a banquet table book, and will be the scene of great feasts-visual and literary. But their words, like mine, fail to express the impact this handsome three-volume study will have on you-the participant. This study will, like the objects that it treats, transcends time. Secure your copy. I can assure you that it will never gather dust (although it will go out-of-print).
Dean A. Porter, Ph. D.
Director Emeritus, The Snite Museum of Art
Professor of Art History
University of Notre Dame
Larry Frank is remembered for "The New Kingdom of the Saints" (1997), while Skip Miller is curator and director, Taos Historic Museums.
With 842 stunning color photographs and 848 pages A Land so Remote surely holds the most comprehensive and accessible information on this subject. Many of the photos included are of rare objects gleaned from nine museums and a number of private collections. Carefully selected for the part each plays in this artistic corpus, photos are accompanied by concise essays that enhance knowledge while still piquing an interest to know more.
Volumes I and II beautifully present the growth of religious art during a period of over 125 years. It was a time when in order to undergird their faith Spanish settlers turned to santos, visual representations of saints. Thus was born an art form unique to America which once was of great import in churches, communities and homes.. Santos were, if you will, incarnations of the hopes and dreams of these immigrants.
"Rightly understood," author Frank remarks, "santos are a kind of 'liberation theology' written in the language of wood, plaster, and paint, an understanding of Christianity that empowers the poor to free themselves from unjust socioeconomic and cultural structures in the larger world and within themselves.
Volume III centers on wooden objects, such as tools, furniture, toys, and domestic utensils. These objects testify to the influence of the Spanish on the traditions of the indigenous inhabitants of this region.
Photographer Michael O'Shaughnessy described his task as a "...wonderful, often awesome, experience of having such close contact with material that radiates the love and importance that their makers brought to their creation."
Such is the case with readers as they leaf through the pages of these landmark volumes.
- Gail Cooke
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Cover all parts in aircraft development's, from the USAF requeriment's for a new nuclear fighter-bomber, passing for prototype, F-105B,D,F & G; also the the F-105 cancelled projects and their roll in Combat speciality in the Vietnam War.
This book have a good reference of technical details with good explanation in the diferences between F-105A,B,D,F,& G and others projects.
Contains many photos and detailed technical drawings that can help to understand the past existence of this aircraft in the USAF.
Highly recommended for modelers.