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The lead part of the Mama Rose is often considered the musical theatre equivalent of Lady MacBeth or Hedda Gabler. Lucky is the woman who gets to play her. Three women have played her on Broadway: Ethel Merman (in the original production), Angela Lansbury (in a 1970's revival) and Tyne Daly (in a 1990's revival). Lansbury and Daly both won Tony awards for their perfomances. Merman lost in 1960 to Mary Martin in "The Sound Music." She was robbed!
Musical highlights of the show include the character defining "Some People," the desperate "Ev'rything's Coming up Roses" and the tour-de-force finale, "Mama's Turn." A majority of the songs are Mama Rose's, the result, apparently, of Ethel Merman's ego. Nevertheless, it works brilliantly.
If you are looking for a version of this show on video, AVOID the Rosalind Russell version from the early sixties, in favor of the recent Bette Middler version. Not only is the Middler version more faithful to the original play, Bette does her own singing (Lisa Kirk sang for Russell) and her performance rivals Merman's.
If you love musicals, you will love this book. Read it yesterday!
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Undoubtedly this is one of Verne's greatest works, if not the greatest, and definitely deserves to be read much more. But, you can form your opinions too---if you read the book.
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The modern action novel has its English antecedents in the books of Robert Louis Stevenson, and, it turns out, its French antecedents in those of Jules Verne. This short and exciting novel could be described as Die Hard with pirates. On an Island on the southernmost tip of South America a lighthouse is built and three men are left behind to tend it. The island is also inhabited by pirates, who capture a damaged schooner, bring it into the port with the lighthouse, and immediately kill two of the lighthouse keepers. The third escapes and must survive on his wits and attempt to stop the pirates from leaving the island until a group of soldiers come to relieve him. Pretty gripping stuff.
I highly recommend this for those interested in seeing the roots of the modern action novel (who would have thought that the literary path to Alistair MacLean and Robert Ludlum would have passed through Jules Verne), as well as anyone interested in lighthouses (the descriptions of the island and the function of the lighthouse are great) and, of course, Jules Verne. It is also great to compare this to Robert Louis Stevenson's seafaring novels, especially Treasure Island, Ebb-Tide and The Wrecker.
The writing in this translation is a bit simple. I suspect that this is due to the translator, who was not an artist but a mechanic. Based on a brief comparison with a French text of the novel, however, the translation seems accurate, and it is definitely readable.
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Splendid evocation of week-ends along the river (Seine) in the thirties. The atmosphere is close to the impressionism.
You have to read this novel !
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Do get the memoir Gypsy by Gypsy Rose Lee. It's amazing to see how much of this show was taken directly from the pages of her autobiography. Rose and Herbie were somewhat romanticized in the show, as was Tessie the stripper and many other aspects of the story -- hey this is Broadway! There can't be *too* much misery! But the cow really did come to Rose in a dream and really did get them on the Orpheum Circuit. They really did bleach a gaggle of girls' hair blonde. Both books are great reads.