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Another book I read like this was Crash. They were similar because they both were trying to pick up girls.
I liked and disliked this book. I disliked this book because the story moved slowly. I did like this story because I believed that Darnell was not a loser. He finally finds a homeless person who he helps by writing an article to help the others think beyond their own world.
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From one enthusiast to another - great job Frank.
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THE TUTOR starts out strong. The pace is fast, the details interesting, the characters memorable. The middle isn't so bad either. But the ending bombs inexcusably -- perhaps because as the story progresses it becomes more and more out of this world. Peter Abrahams has created here a portfolio of surreal characters, more caricatures than flesh and blood people. Each one represents a certain weakness which Julian exploits to the hilt, although Julian himself has weaknesses, as every good villain must. There's a blurb on this book's jacket from Stephen King praising the author, and while Abrahams's style may briefly remind you of King's in the way it comes across as not quite on the level, Abrahams doesn't hold a candle to King's way with words. THE TUTOR is reasonably well written and contains some excellent descriptions, but most books are reasonably well written. Little here stands out.
Horror fans, be warned. You may not be horrified (unless snakes deeply upset you). But THE TUTOR is a stylishly crafted if skewed nailbiter tale, and as such should have a case with suspense fans.
THE TUTOR walks an extraordinary stylistic tightrope between spine-tingling suspense and dark horror...a tour de force combination of taut plotting and brilliant characterization that captured and held me spellbound. Peter Abrahams careful attention to the 'whys' of their behaviors made me not only understand the Gardners as fallible human beings, but care deeply about them, especially young Ruby who is probably one of the most enchanting fictional children that I've encountered in my recent reading. His talent makes the bizarre seem believable, and I found it impossible not to accept the complete plausibility of his nightmarish premise. This is not an easy novel to read, but it is one that the reader will not readily forget...a totally gripping literary experience and a benchmark for the genre.
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I was going to write about what was wrong with the book, but in the end, all I'm going to say, is that when I finished reading the book, I was glad I did not have to read it anymore. It's a shame because if this book would have had decent editors it would have been a classic.
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However, even in the short space, the characters are quickly developed and a pretty good read. It is a no-brainer. Entertaining enough, with some interesting, although completely absurd plots.
I have been to the Hamptons - so your guess is as good as mine about the main characters. I don't see it.
I was a little disappointed in Patterson's recent novel, The Beach House. Usually, his novels are rich in plot and character development. This was rudimentary and positioned at a 6th grade reading intellect. I hope Patterson takes his critiques to heart: you are no Dr. Suess. Know your readers and bring back a thicker plot please.
The Neubauer's are Jack's girlfriend's parents and they do not like him at all. Peter supposedly drowned, but his corpse was found covered in bruises.
And why would Peter, who was hired to park cars, go in the water on a dark and stormy night??
Well, Jack digs in and tried to come up with some answers. Local police officer, Frank Volpi, is of no help as he stonewalls Jack's efforts to uncover the truth.
Jack uncovers some nasty secrets of the rich and famous, involving sex, blackmail, and includes an interesting cast of characters.
Patterson writes an interesting tale and is a rock-solid read!!!
The formula of this book is no different than any other by this author or any in the genre. Someone's murdered, someone's going to investigate it, the person investigating it is going to have an edgy flirtation with the person who comes along to help with the investigation (usually a cop or PI) and using creative and completely illegal means, the original crime will be solved.
In this case, the victim is the brother of the main character, the "bad guy" is richer than words can describe, the love interest a female PI, and, as always, the police are inept and can't see a crime where one exists.
It's all about as formulaic as most of the reviews (seriously - how many book endings have literally "shocked" you?) but it's what Patterson does best. I've found these are great books to read on flights and while waiting in airports - great way to capture your attention, kill a few hours of time, and enjoy a storyteller's ability to draw you into their world where good eventually wins.
In his amateur attempt to create he has plagiarized the work of Fellini's satyricon. His use of the Guggenheim reflects these cheap tricks by the way he uses the spiral ramp with the vaseline flowing down it. An extremely arbitrary move, and a move that many amateurs make frequently when they don't know how to take an idea and transform it into a form.
Ideas are a dime a dozen, but if the end results or form is as cheap as mattew barney's work is then the idea was not translated well. Simple garbage is the only way one can explain his work. I am glad to see there are many puppets out there and less masters.