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Practice: Challenge the process
Commitments: (1) Search for opportunities and (2) Experiment and take risks
Practice: Inspire a shared vision
Commitments: (3) Envision the future and (4) Enlist others
Practice: Enable others to act
Commitments: (5) Foster collaboration and (6) Strengthen others
Practice: Model the way to the desired objectives
Commitments: (7) Set the example and (8) Plan small wins
Practice: Encourage the heart of everyone involved
Commitments: (9) Recognize individual contribution and (10) Celebrate accomplishments
Those who conduct "360 Feedback" programs could do much worse than to base evaluations on criteria suggested by these practices and commitments. They provide the thematic infrastructure of the material which Kouzes and Posner present within seven Parts. The first introduces key concepts and terms: "Knowing What Leadership Is Really All About." Each of Parts Two-Six is devoted to one of the five Practices. Kouzes and Posner conclude with Part Seven, "The Beginning of Leadership', followed by two appendices which enable the reader to complete "The Personal Best Questionnaire" before reviewing "The Leadership Practices Inventory."
There are dozens of outstanding books on leadership and this is one of the best. I am especially impressed by the balance Kouzes and Posner maintain throughout between theory and practice. More specifically, they introduce and explain various core concepts and then draw upon real-world situations to illustrate those concepts. Obviously, "Encouraging the Heart" (Part Six) introduces ideas which Pouzes and Posner develop in much greater depth in a sequel volume which bears the same name. They conclude this book as follows: "We have said that leaders take us to places we have never been before. But there are no freeways to the future, no paved highways to unknown, unexplored destinations. There is only wilderness. If you are to step into the unknown, the place to begin is with the exploration of the inner territory." Those who agree (as do I) with these final remarks are urged to check out David Maister's Practice What You Preach, Tim Sanders' Love Is the Killer App, David Whyte's The Heart Aroused, and Larry Davis' Pioneering Organizations.
(I also recommend "West Point: Character Leadership.." by Remick, if you want to get your arms around what "leadership" is)
Central to this is anger'a theme that pervades not only Socrates' life, but that of those around him. Throughout the book, Socrates bubbles with an undefined rage at his surroundings, and ultimately he must find some way to accommodate that rage without letting it consume him. Even so, the good side of Socrates is always plainly evident: he's a father figure to a young boy, cares for his two-legged dog, and saves the life of a drunk. That's not to say that he's a "good" person, because he has killed people, but he is a man that's trying to do good things with life despite his past and despite the turmoil within him. Through his interactions with a neighborhood discussion group (a somewhat clumsy device) and a self-styled revolutionary, Socrates comes to discover that he has a right to be angry, but it's how that anger is channeled that will decide his fate. This is played out in a rushed and melodramatic final story that fits thematically with the rest of the book, but is kind of jarring.
Ultimately, the book's message is reasonably clear. Black men need to translate their anger into productive action and free themselves of the mental shackles that keep them from fulfilling their potential. For every person, this means something different, but even those who have committed the greatest sin can live a moral life. Which is not to say their aren't evil people in the world'or in their own community'but just because one lives in a ghetto doesn't mean the only solution is to leave. Rather, stay in the community and try and make it better'even though the man is trying to keep you down.
WALKIN' THE DOG is actually an interrelated short story collection that works because Walter Mosley makes each story show growth in Socrates. Nothing is sacred especially society's major social, political, and racial issues as the star of the book lives up to his more illustrious namesake with a street corner philosophy. Readers will enjoy this anthology and want to read the first Socrates story (see ALWAYS OUTNUMBERED, ALWAYS OUTGUNNED) as well as demand from Mr. Mosley a follow-up tale that shows what happens to the lead protagonist at the crosswalk of life.
Harriet Klausner
Socrates Fortlow is an ex-con who is just trying to survive. His dreams are haunted by memories of his small cell and the murder he committed that placed him there. The book opens to find him operating like a future butterfly in its cocoon. He is constrained by his violent feelings, his distrust of progress and good fortune, and his discomfort with people. Like many who have sinned (all of us), he has many good qualities. He is mentoring a teenager he works with, will do more than his share of the work required, quietly endures mistreatment by white people, and cares for a badly handicapped dog who has only two legs. His great strengths are that he is interested in controlling his own actions (rather than just striking out in blind anger) and making the best moral choice (taking full responsibility for his actions).
Throughout the story, Socrates develops and finally emerges from his cocoon, and begins to seek out new opportunities and experiences. As a result, he grows as a person and as a moral force. Gradually, he begins to lose the mental bonds that hold him back from fulfilling his mighty potential.
The book is filled with much violence, hatred, and inhumanity. That backdrop will disturb many readers. Yet, for many people, life is like a battleground, and what is portrayed here is realistic in terms of inner city life for many black people.
On the other hand, the book is filled with much love, generosity, and caring. Seeing how these positive and negative forces confront and affect each other is extremely interesting in the plot that Mr. Mosley has developed. You will find it difficult to anticpate what will happen next, because of Mr. Mosley's inventiveness.
Like the Greek Socrates, Socrates Fortlow asks many questions and his questions help others to find their own solutions, as well. You will find yourself pondering the questions, long after you close the book.
The dog, Killer, is an astonishing metaphor for Socrates' life (and indeed our own), and will help every reader to appreciate the nuances in this story.
As much as I enjoyed the Easy Rawlins series, this book vastly transcends those fine books to move into the rarified air of great literature. Many will see the obvious similarities to Les Miserables, but I found Socrates Fortlow to be a greater creation than Jean Valjean was. Also, Mr. Mosley does a better job of character development with Socrates Fortlow than Victor Hugo did with Jean Valjean.
After you finish this story, think about where pessimism has stolen choices from you. What else can you choose to do that will set you free from the limitations of your mind? Like Killer, realize that you may need some help from others in order to accomplish everything you potentially can.
Choose to live free of your preconceptions!
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I like the way the Author deals with the prophecies about the three asteriods which will rain death and destruction on the earth. He doesn't brush over their impacts on our planet, but uses scientific data to estimate how many people would die and just how much destruction would occur based on speed and mass of the object. However, I should say that BeaquSeigneur doesn't let the story get bogged down by this; he gives just enough facts to make it interesting but doesn't drown you in minutiae.
Finally, we see the reappearance of some characters we haven't seen much of lately. I also found the authors ability to write believable characters to be undiminished. Unlike some other novels about the End Times (whose names shall remain unspoken) these characters do not suddenly change. When they do, they do it slowly over time, just as we all do. The best thing is that, for the most part, none of the characters are written as Arch Types.
As the Book comes to a close the reader will certainly find himself/herself desperately awaiting the arrival of book 3. This is always a sign of a well written book. Rating 4.5 Stars.
In the prologue (which is actually the final chapter of the first book of the trilogy, "In His Image"), BeauSeigneur brings you up to speed on the story, as the significant elements of that first book are touched upon here. He also acquaints you with the protagonists, former journalist Decker Hawthorne, now a press secretary for the U.N., Robert Milner, a former Ambassador to the U.N.; and Ambassador Christopher Goodman, the man cloned some thirty years earlier from the dermal cells of Jesus, taken from the Shroud of Turin by scientists during an expedition in 1978.
What makes this such an engrossing read (and it is-- thoroughly), is the detail, precision and logic with which BeauSeigneur presents his story. Approximately the first one-third of the book is a detailed account of the cataclysms which befall the Earth and it's inhabitants, and the devastating effects thereof. It begins with the discovery of three asteroids whose trajectory may bring them into contact with the Earth, which threatens the very existence of the planet; but there are also plagues and widespread madness called down upon the people of the Earth, many believe, by two religious fanatics-- one of whom claims to be the Apostle, John.
It soon becomes clear that if life on Earth is to survive, if there is ever to be a New Age at all, it must be through the intervention of someone or something which can prevail against the forces of the devastation currently ravaging the planet. And it just may be that Christopher Goodman, the clone of Jesus Christ, could be the one; it could, perhaps, be the reason for which he was born.
And once BeauSeigneur has laid the groundwork, which he does with exceptional acuity, the novel picks up steam until finally, after about two-thirds of the way through, it becomes impossible to put the book down. The last thirty pages or so are absolutely spellbinding; it is inspired writing through which the images presented spring vividly to life and veritably awaken the senses. And you experience the sights and sounds, colors and scents as if you were actually there, right up to the somewhat shocking, breathtaking finale.
Realizing the full impact of all that happens, of course, is contingent upon having read the first book of the series. "Birth of an Age," however, stands well enough on it's own, especially in light of the astounding ending. But be prepared; once you have finished this one, you won't be able to get to the final installment, "Acts of God," quickly enough. Have it on hand and ready to read, because-- believe me-- you're going to have to know what happens next. And you are not going to want to wait.
In the prologue (which is actually the final chapter of the first book of the trilogy, "In His Image"), BeauSeigneur brings you up to speed on the story, as the significant elements of that first book are touched upon here. He also acquaints you with the protagonists, former journalist Decker Hawthorne, now a press secretary for the U.N., Robert Milner, a former Ambassador to the U.N.; and Ambassador Christopher Goodman, the man cloned some thirty years earlier from the dermal cells of Jesus, taken from the Shroud of Turin by scientists during an expedition in 1978.
What makes this such an engrossing read (and it is-- thoroughly), is the detail, precision and logic with which BeauSeigneur presents his story. Approximately the first one-third of the book is a detailed account of the cataclysms which befall the Earth and it's inhabitants, and the devastating effects thereof. It begins with the discovery of three asteroids whose trajectory may bring them into contact with the Earth, which threatens the very existence of the planet; but there are also plagues and widespread madness called down upon the people of the Earth, many believe, by two religious fanatics-- one of whom claims to be the Apostle, John.
It soon becomes clear that if life on Earth is to survive, if there is ever to be a New Age at all, it must be through the intervention of someone or something which can prevail against the forces of the devastation currently ravaging the planet. And it just may be that Christopher Goodman, the clone of Jesus Christ, could be the one; it could, perhaps, be the reason for which he was born.
And once BeauSeigneur has laid the groundwork, which he does with exceptional acuity, the novel picks up steam until finally, after about two-thirds of the way through, it becomes impossible to put the book down. The last thirty pages or so are absolutely spellbinding; it is inspired writing through which the images presented spring vividly to life and veritably awaken the senses. And you experience the sights and sounds, colors and scents as if you were actually there, right up to the somewhat shocking, breathtaking finale.
Realizing the full impact of all that happens, of course, is contingent upon having read the first book of the series. "Birth of an Age," however, stands well enough on it's own, especially in light of the astounding ending. But be prepared; once you have finished this one, you won't be able to get to the final installment, "Acts of God," quickly enough. Have it on hand and ready to read, because-- believe me-- you're going to have to know what happens next. And you are not going to want to wait.
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He writes of woolly mammoths being hunted by early man through the mammoths' eyes, and then the following chapter through the perspective of the hunters. Michener conveys the struggle of survival from both sides with great emotion. He follows the speculative history of early nomadic tribes following their food supply across the Bering Strait.
Mr. Michener then reveals early voyages from people such as Captain Cook and how they survived harsh winters while their ships were frozen in the Alaskan seas.
Then Russian explorers establish military forts and desire to "save the barbaric savages" they discover when they arrive. Following are the bloody battles they fought with them.
The book unfolds further with Seward's Folly and the Gold Rush and of how the United States government persuaded some of its more adventuresome citizens into creating a new life in the last American frontier. This book also reveals the continuing struggle between the "progress" of corporations using Alaska's natural resources such as fish and oil and how it affects the Native inhabitants and how companies in Seattle "the gateway to Alaska" took advantage of it's close proximity at the expense of the Alaskan people.
The late Mr. Michener writes through the unique perspectives of the characters he creates and borrows from history. If I continue, this will be as long as the book!