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What is also apparent as a feature of this book is that Gnedenko often notes the details of history. He spends a 70-page-appendix for this purpose besides many little footnotes. The author often integrates historical evidences as a part of the treatment. I believe one still benefits a lot from this historical notes, even if already familiar with the subject.
This book has chapters on the author's specialty topics: limit theorems and infinitely divisible distributions. This book also has a chapter on stochastic processes and elements of statistics, the latter which Feller's first volume does not touch. However, these brief treatments are only for introductions to each subject.
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The plot mostly traces the life of one "stalker", Red Schuhart, who goes after this stuff at various periods over several years. While the storyline is not really a nice tidy recounting of how he starts out and how he ends up, it provides a very allegorical account of the oppressive conditions in Soviet Russia (early 1970's). Indeed, the real meat of the book is the discussion of issues about life and freedom expressed indirectly through tracing the development of the lead characters.
The book is not really a typical sci-fi thriller that entertains with weird beings, strange places, and made-up gimmicks. Rather, this is a thought-provoking probe of a (to us) foreign way of living and a controlling society that governs everyday social interaction. That the authors could pull this off 30-some years ago, in a tightly censored environment, makes the book all the more amazing. For sure not a light reading session, "Roadside Picnic" may not entertain as much as some might like, particularly with the fairly abrupt ending, but insight into the human condition awaits.
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I know that Charles Finney's novel "The Circus of Dr. Lao" is a cult classic and loved by many, but I have to offer the other side of the coin, as the book was a huge disappointment to me. The basic plot has a mysterious asian man appearing in the town of Abalone, AZ, to put on the strangest circus the residents have ever seen. Far from being populated by clowns, acrobats, and animals, Dr. Lao's circus is full of mythological beasts that provide insight into human nature. We are introduced to a cast of cardboard locals who, while serving as a vehicle to introduce the oddities of the circus they attend, play no worthwhile part in the story. Finney's writing style is uneven in the extreme - there are a few bits of brilliance that completely overshadow the predominantly unpolished text. It's almost as if the book is a collection of notes for what would have been a much larger novel, and it could be a work of art if expanded upon and given some direction. As the story is only ~100 pages, expansion would have been appreciated instead of the pointless appendix of characters, creatures, items, and study questions (!) which is oddly in-depth for a story with such lightweight content. The ending of the story is very abrupt and has no real explanation. Nothing is solved, and there is no conclusion: did anyone learn anything from their encounters? We never know.
As a final note, think twice before throwing this one at your kids: this is not a book for children, and while some of the situations may seem somewhat tame by today's trash novel standards, it's obvious that the objective was to titillate readers in 1938. So, if you want something with real focus and a message, I recommend that you view the movie "The 7 Faces of Dr. Lao" instead of reading the source material. The only reason I hold on to this book is because of my love for the movie, as well as the beautiful illustrations by Boris Artzybasheff.
This is a truly fantastic book. It's amazing that something written so many years ago can make such an engaging read today. The relevance and staying power of this intriguing book is a testament to the author's brilliance. In fact, there are few contemporary American authors I have read that can match Finney's skill and mastery of the English language. The subtleties in the dialogues, the multi-faceted characters, and Finney's brilliant economy of words make it difficult to put this book down.
The story is a timeless one, it is set in an unknown small Arizona town but Finney brings the events magically to life.
I found this a brilliant work that doesn't necessarily fit the modern science fiction genre. It's a refreshing and intellectual break from tired "classics" like Lord of the Rings, Harry Potter, and Star Wars.
I first read "The Circus of Dr. Lao" as a teenager and it's characters and events have stayed in my mind all these years. I'm very pleased to see it in print again, and I hope to see more of Finney's works on the shelves soon. He obviously deserves to take his place among the "greats" of American literature.
The book develops as the residents of the small town visit each of the exhibits. Each exhibit opens up a world of magic. The author attempts to satirise the residents of the town by contrasting their mundaneness with a world of passion and mystery.
The one exception to this is a dialogue between a sea monster and an office clerk. The sea monster is so large that it could destroy any other creature with a flip of its tale. Its power is dwarfed by the power of the clerk who is unremarkable but representative of the power of humanity as a collective mass.
The climax to the book is one of the most humours pieces of writing in science fiction. This book is now sadly out of print and will probably never be published again. Yet it is a work that deserves to endure for ever.
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Also, did anyone notice the shocking similarities to Thomas Harris' Red Dragon & Silence of the Lambs? The Killer hanged one of his victims exactly like in "Silence," Red's marital woes, exactly like in "Red Dragon," the leaving of the silver spoon in the victim's mouths (In "Silence" it was a butterfly).
Anyway... this was a fantastic, intelligent read.
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Akunin is a wonderful writer in Russian, and the first one in the long time who created wonderful stories that are both enterteining and intellectual. Other books in the series are great. They do a great justice to the world of pre-revolutionary russia as seen through the modern eyes. Each novel has a different theme (one of the follow ups is based on anti-tzar terrorists active in 19th Russian -- the subject rarely discussed in Russian literature either contemporary or modern).
Definetely worth a read.
Also, a good book to learn about Czarist Russian.