A real treasure for any history buff!
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You'll find in this book an impressive amount of details about Dau himself, about his world wide famous style as a physicist, his school on theoretical physics, the theoretical minimum, the relationship with his pupils, etc..
Above all, and the most important, you will find Dau own advice about what, when and how to study to become an eventual theoretical physicist in Landau's high professional tradition. It is a very nontrivial advice!
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Nick Dylan weds Clair Atherton in a marriage of convenience--he fulfills a stipulation in his father's will, and Clair gets her beloved Federal era house back. All they have to do is look convincingly married for one year. Trouble is, Nick's father was the one who who repossessed Clair's parents' home.
Nick is not like his father, but can he make prickly Clair understand? And can he make his vengeful mother love him as a son?
Strong emotions and strong reasons for those emotions are at the heart of this complex story about two needy people. Well-drawn characters and a great page-turning plot make this a book not to be missed.
The sight of the Atherton house at foot of his family's estate always produces pangs of helpless guilt in Nick. Derelict and forgotten, the Federation era house once known as The Oaks slowly decays. Jeff only bought the mortgage and closed on it to wound the Arthertons. It was Jeff's way to take vengeance on the man who'd married Sylvia Atherton, the only woman he had ever loved. Nick sees Sylvia's daughter at the way to right the past. In return for marriage, he'll give The Oaks back to Clair.
Their family history seems an insurmountable barrier between them. His father the Senator defines Nick's identity to their small town, and no one seems to understand that his name has nothing to do with who he really is. They can't talk about the things that really matter without inflicting pain. Coming from a loving family, Clair Atherton can't possibly understand how his existence embarrassed his mother Leota and father Jeff. Yet their shared pain in the past seems to connect Nick and Clair in the most unlikely way.
Leota and Clair are both strong, but neither seems to be able to use it to benefit others without Nick's delicate influence. His delicate determination to love them offers a bright future if only both women will accept themselves and the love he offers. Instead, it seems Leota is determined to get lost in her jealousy of the younger woman, to destroy rather than to build a future. She becomes a mother on a mission, determined to free her son from the Atherton woman. Nothing would hurt her more than to let Sylvia Artherton's daughter win.
Anna Adams skillfully writes in a distinctly crisp, sharp tone that uniquely reflects the tension between her characters, at times relaxing into a softer prose that reflects the emotions beneath the tension. The brittle tension periodically allows the glow of passion and love to shine through like sunlight on a cloudy day, lending Adams' prose a polish and sophistication quite rare in genre romance. Very highly recommended.
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***** This dramatic, moving story shows the depths of grief and how deeply death touches all those around it. No one who reads this will be unmoved by the story of these people united by pain. *****
The drawings by Rebecca Mulvaney of Aberdeen, of an abandoned house near Java, South Dakota, are as compelling and thoughtful as Martinez' poems.
Anna Martinez has a refreshingly clear and bold voice, and much of her poetry simply sings. I believe that Martinez is going to occupy an important place in literary history. These poems are masterfully crafted, and you will find phrases running through your head after you've put the book down. I return to some of these poems again and again, simply for the sheer joy in reading them.