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After receiving some of Anna's things for storage while she changed jobs (no forwarding address until Anna knew if it would work out), Thomasina is getting worried after the silence stretches to a few months. She feels responsible, since there's no one else to look out for Anna or care, and engages Miss Silver to trace her and find out if she's all right.
Miss Silver, through ingenuity and some social connections that the police didn't have, manages to extract some useful information from Miss Ball's last (hypocondriac) employer and her household, and with the help of Inspector Abbot, traces Anna to her last known address: a 'mother's help' at Deepe House, Deep End, Ledshire. Over Abbot's protests (Anna's predescessor drowned, Anna is missing) Miss Silver steps back into governess mode and goes undercover, taking the job at Deepe House. (The Craddocks, or really, Mr. Craddock, have tried to rename it Harmony, while establishing an arts/crafts colony, but the new name really didn't take.)
Reading the Miss Silver series, you might get a false impression that they're all similar; far from it. Each book does have at least one set of lovers who are in difficulties of some kind, and who revere her afterwards as a guardian angel (one view of her sitting room in this book stresses all the Victorian-framed photos of young couples and their children). They're generally similar enough in flavor that if you like one, you'll like them all; nice cozy English mysteries.
Seeing Miss Silver in the Craddock household is satisfying. Mr. Craddock, the stepfather, is a pompous fool full of high-flown theories about the right to do exactly what you want, and applying it to the kids (unless they get in the way). The kids actually behave like normal kids running wild, with a mother whose health is breaking down under stress, instead of being written as midget adults. Oh, and if you don't have a sense of humor about health food and 'tea' that tastes like hay, you may be offended by this book.
A young girl who is looking for a lost friend, and an artists' colony that may or may not be what it seems make a fine place to display a set of characters. I especially like the talkative weavers.
In this book, we get to see Miss Silver, the former governess, acting as--a governess!
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VATER/VACTERLS is uncommon, but more common than we think. Loizeaux's book is a sad yet wonderful story of the life of his daughter Anna. He tells of his daughter's medical difficulties and just how strong she was in facing her obstacles. I enjoyed this book and recomend it highly.
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Meanwhile, at the respectable dig where Faye is assisting a former professor, two of the students left on the island overnight disappear.
What is happening in Faye's quiet corner of the world? How could she keep Joyeuse? How could she keep Joyeuse hidden???
Who else was digging illegally?
I loved this book, and cannot wait for the next installment. I was pleasantly surprised with Ms. Evans first novel, and I continue to look forward to Faye's next adventure.
Faye also works on an archeological dig on nearby Seagreen Island when two students in the group disappear. On a hunch, Faye starts digging and finds the two bodies, both shot to death. The dig is closed and Faye looks for artifacts on Water Island when she comes under attack by a man she thought was a friend and his partner who are digging up priceless Clovis artifacts. When she digs up the body of a young debutante who disappeared many years ago she comes to the attention a killer who intends to make Faye his fourth victim.
Faye is biracial and doesn't feel as if there is a place for her in mainstream society, which is why she is determined to hold on too her land, the only place she believes she belongs. She doesn't realize she has two killers who want her dead before she discovers and reveals their secrets. ARTIFACTS is an exciting and colorful amateur sleuth novel that is rich in atmosphere giving the reader a picture of what it takes to live in an island culture.
Harriet Klausner
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From the start, we see that unlike so many contemporary poets who spend pages and pages contemplating their navels (and who knows what other private parts) Rabinowitz is clearly interested in language, thought, and intellect, rather than in simply re-hashing her own emotional baggage.
Not that her work doesn't have emotional impact. "Fragile Dialectics" is an almost frighteningly chilling view of aging. "Two women finger the fans of their cards. The blonde's bones soften at the bast of her spine...the redheads skull is inlaid with a metal plate the size of a three-by-five index card." Her "Confession" is clean and startling. "Anatomy Lab" is clinical, yet somehow moving. And her poems about art, artists, and creating show that she is an artist herself, fully capable of not only understanding, but conveying the artistic process.
The centerpiece of the book, a long piece called "Dislocations" is an at times emotionally harrowing, at times journalistically removed, and consistently insightful chronicle of the author's visit to post WWII eastern Europe, including family remembrances, and visits to concentration camps. "Crawl into our eyes. They hoard what we remember," intones her Greek (Jewish?) chorus of 6 million dead.
This is not poetry for the faint of heart. And it certainly isn't poetry of the "roses are red," Hallmark card-loving crowd. These poems make you think, feel, and yes, sometimes work. But in the end, it's all worth it - to hear the intelligent voice of an accomplished poet who is unafraid to expose her own emotions, explore the artistic process, and delve into intellectual issues that make us all think.
Anna Rabinowitz, like Duchamps Nude Descending a Staircase, in her poem "Descent" is a woman who "troops down to step out."
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