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Morison had a small but capable staff assisting him in his research efforts for this book as well as the other volumes in the series. One of his staff members actually sailed up to Leyte in Vice Admiral Wilkinson's flagship. In 1950 Morison himself visited Japan and discussed the Battle for Leyte Gulf with leading Japanese participants.
LEYTE is one of the most important studies in the HISTORY OF UNITED STATES NAVAL OPERATIONS IN WORLD WAR II.
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While utterly thorough, I felt the same frustration Ness & the boys must have felt. The case is a baffling and horrific one and I suppose the point of writing this was to put an end to more sensationalist takes on the matter. Badal paints a vivid picture of Depression era Cleveland and very honorably does not seek to solve the mystery. What he succeeds in doing is giving the reader a guided tour of the murder sites coupled with all the false leads, rumors and suppositions that followed. Come here looking for drama and climax and you will be disappointed. For the curious, this is a concise account of a city gripped in fear and corruption. Enlightening, yet shedding no new light.
Though we have not seen each other recently, I knew Jim Badal many years ago when I lived in Cleveland. His expertise in the Torso case at that time merited, at least in my opinion, a book, but Badal held back until he could bring real additional knowledge to the discussion, not just rehash and theories. His wait was worth it. Not only was Badal able to track down and interview members of the victim's families (and thus put a real face on persons previously portrayed through stereotypes), but he was the first Torso case author to read through the extensive records left by the lead police investigator. Thus we have a book of superb accuracy and detail, that reads better than a good crime novel.
The best part of the book is that Badal does not push his own theory of who was the Torso murderer. While some may find that disappointing, he instead takes the high road by giving the readers just the facts, and thus allows them to come up with their own theories. We will probably never know who did these awful crimes, and speculating for a little added notoriety would have only diminished the book's true horror.
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These photographs of Eliot Porter--selected to provide an illustration and counterpoint to James Gleick's eloquent text--are among the most rapturously beautiful ever produced. They are the visual equivalent of poet Wallace Stevens' attempt to grasp that which lies beyond the limits of sentience. Looking through the original hardcover edition is both an act of meditation and of homage--to the greatness of creation, in all its mystery, as well as to the human need to think, feel, and reach for meaning. As I journey through these images, I ask myself, do we look out upon the universe from afar--or do we do so from within, as integral parts of the greater mystery? Let go...allow Gleick's text to pose the question--and Porter's photographs to frame the answer.
Nihil.
So I ordered it through Amazon.com. It arrived, ahead of schedule. I justified the price to myself because I had won a small award for a photograph that was inspired by Porter.
The book is astounding. The text is lyrical and erudite, it flows and meshes with the startling images. I can't say much more-but if you are a photographer, or chaos buff, or god-help you both, then this is a requisite volume. Don't hesitate. Ta panta re!
Jason Ramsay