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In their quest to escape religious persecution in England and again in Holland, the Pilgrims put their faith in their God to carry them across the waters in a vessel that should have carried no more than half of the number that it brought to freedom. We see this trip through the eyes of Mary Chilton, a 13-year-old girl who must bear the pain of leaving her older siblings behind to go with her parents in order that they all might start a new life. Mary soon finds that that loss is just the beginning, and she struggles to find God's love through trials of sickness, loss, and starvation.
The book includes a glossary that explains the unfamiliar terms which Ms. Lawton uses to take the reader back into the early 17th century; also, an epilogue gives a glimpse of Mary's life as an adult in her new home.
A wonderful, challenging book for young ladies who are interested in history and in strong young female characters.
As other reviewers have mentioned, the details, dialogue, accuracy and content excel. I don't remember the Pilgrim's story riveting my attention like this when first I heard it.
The beauty of Wendy Lawton's books for me remains that her skills, research, and craft are invisible. The story and the characters steal my attention and snare me within the pages. A tale that transports me from my day-to-day routines into the world of another place and time deserves my highest praise, and Wendy's done it again!
Not only is this a rollicking good story, but it teaches as well.
I learned new tidbits of information about the Pilgrims and the Mayflower journey without feeling lectured. The glossary of new words is a boon to every mom and teacher. I found myself sneaking back there to confirm I did indeed know the meaning of some of the words--and then grinning when I did.
These books will stand the test of time like many of your favorite children's classics. Join the adventure!
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Mary Whyte's illustrations are a beautiful complement to the story. The pictures fill each two page spread with the soft colors of a summer evening. The mother and sons are strikingly real. I look at Max and Julian and see my own boys, one overflowing with exuberant energy, the other cooler and more reflective.
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The two main characters, Laurie and Ralph, struggle with their love for one another as well as their devotion and dedication to their relationship, and their friendship as well.
This book is every bit as timeless as the ancient Greece novels, yet a bit dated of a read amidst modern day views and sensibilities about homosexual relationships. It does, however, send readers back to a time where more value was placed upon the root of a relationship and of love. It transcends the need for graphic sexual display, yet does not hide the nature of the involvement between the two men.
Of all the homosexual themed novels I have read, this is far and away my favorite. Even though it was written over forty years ago, it stands the test of time in its message of understanding the value of love, regardless of gender.
The time is 1940 and the place is England just after the retreat from Dunkirk; in the memorable words of Winston Churchill, it was their finest hour. At the center of the book is Laurie Odell, wounded in action, waking up in a military hospital to the fact that he will be crippled for life. The problem for Laurie is that he fears being emotionally crippled as well. Laurie is a graduate of a rigid British prep school where the head boy, Ralph Lanyon, was the object of his hero worship; Ralph is kicked out in a sensational scandal involving a hysterical accusation of homosexual activity with another boy in the school. Laurie is sexually attracted to Ralph and when Ralph is expelled, he realizes that the attraction was mutual, but that Ralph never approached him because he knew better than Laurie himself did that Laurie hadn't awakened to his own sexual orientation yet, and Ralph was not about to take that responsibility for him. While recuperating in the hospital, Laurie meets Andrew, a young conscientious objector who looks up to him as Laurie had looked up to Ralph. Andrew, however, is a total innocent, and his uncompromising religious views would make him look upon homosexual love as an abomination, even while he is attracted to Laurie. While on leave from the hospital, Laurie runs into Ralph, whom he hadn't seen since he was expelled from prep school seven years earlier, and learns that it was Ralph who piloted the navy boat that rescued him from Dunkirk. Ralph has been wounded as well, however, having had half his hand shot off, so the two of them are basically free and unfettered to start a relationship.
Ralph has grown hard and cynical after seven years of searching for love with increasingly superficial partners, and he has hit rock bottom with his current partner, whose sole attraction is his dazzling good looks. The attraction between Ralph and Laurie is immediate and compelling, and throws Laurie into a dilemma: he can hook up with Ralph and face up to the fact of his homosexuality which he has been hiding from everyone, including himself; or he can remain on a platonic basis with Andrew and remain sexually frustrated. At the core of his problem is trying to resolve how one can be gay and maintain his integrity at the same time. After meeting some of Ralph's associates, he isn't so sure. Laurie doesn't want to be dragged into the gay milieu, and Ralph sees Laurie as his means of escape from that milieu, and the bottom line for them both is, are they homosexual men, or are they men who happen to be homosexual.
Things get complicated when Laurie tells Ralph about Andrew (one of the things that attracts Ralph to Laurie is his fundamental honesty) and although he understands Laurie's dilemma, Ralph isn't about to let him off the hook; he tells Laurie that he has a choice: he can continue to help Andrew tell lies to himself about himself, or he can help Andrew face up to what he is. Laurie doesn't want that responsibility with Andrew any more than Ralph wanted it with him seven years earlier, and he temporizes until someone intervenes and Andrew has to face his own nature up close and personal. The resulting explosion shakes everyone up; Laurie finally realizes that being human ultimately means being true to oneself. What that means for Laurie is resolved at the end of the book.
There are several interesting secondary characters in the story, including Alec, one of Ralph's previous partners, decent, honest, but unable to commit more than superfically, and Sandy, Alec's current partner, insecure, demanding, jealous, but also capable of love, and Bunny, Ralph's latest, despicable, devious, and totally amoral. But the three main characters are the most compelling: Andrew, whose rigid, unbending morality finally makes him snap; Ralph, hard, jaded, yet with a core of innocence and trust that still makes him believe that love is not a myth; and Laurie himself, trying to resolve who he is and what he stands for as a man and as a human being. For all its being a World War II story, the problems and issues are timeless and make the book as fresh today as it was 60 years ago when it was first issued. Mary Renault has shown with "The Charioteer" that she is not only a great historical novelist, she is one of the best writers of the 20th century.
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I'm Conquered. What a book. I listened to Eleanor Cooney speak at an author event and just finished her 'painterly' written chronicle/memoir regarding her mother's (Mary Durant's) descent into Alzheimer's. It's a Dali painting, with incredible composition and warped images, where perspective is askew, but the objects are recognizable.. Perhaps it's an Esher painting, where the spiral stairs leading upward never take one anywhere, or where the birds turn into fish, and then morph into frogs. Cooney herself is fascinating, a forthright and gifted author, hard as nails and weak as vapor. So also is,was, and in her own right, still is- her mother.
Frankly written, stark, and relentless are words which come to mind when considering Death in Slow Motion. The book is much more than a journalistic tale of an encroaching, insidious disease; it encompasses both the day to day frustrations and trials, as well as the codependency, the panic by all parties, the aching, manipulating guilt, the failed attempts to find "the" solution for placement, and the shattered lives. Cooney is her mother's biggest fan and dearest friend, and the admiration and respect for what was once a lively, loving, fastidious, and brilliant woman prevail, even while life is crumbling and frustrations threaten ruin and a catapult ride into the ether. She includes details and tableaus of past history, family dynamics, and setting clues so that the reader can appreciate and become fully involved in this non-fiction siege with an empathetic eye and ear. Imbedded in the narrative is an ongoing tribute to her mother's husband Mike, and a shared love story of great proportions. The book hurts, but it is also enlightening and redeeming. Once truly started, I could not put it down. Death in Slow Motion reads like compelling fiction, with suspenseful intensity, yet it is all too real.
From the dust cover: Carrie Knowles, author of The Last Childhood says,
"Close to bone and fearless, Cooney gives voice to the tumbling house of cards Alzheimer's deals out to the family. It is a voice that screams, cries, despairs, and loves. Listen."
And John Bayley, author of Elegy For Iris, writes about "the more difficult task of looking after a parent. Cooney's account of her mother, of love and despair and difficulty-but love above all-makes a most gripping, moving, and sensitive book. I hope it will be read."
And I hope so too.
Roe Wiles
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Other reviewers have mentioned the beauty of the prose, so I will skip a description of it. Suffice to say that it is not only beautiful, but clever. If you happen to be a writer, you will find yourself WISHING that you could condense the essence of being into phrases like Cronin's. The weaving of the stories is extraordinary: how many times have you read about a character and wondered what his/her parents were like, or what his wife was like before she entered the plot at their first meeting? Here you get that depth of information, not only through the strength of the writing but also through the structure and selection of the moments Cronin chooses to reveal. I'm not sure when the last time a book moved me to tears was, but this was one that did.
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I really enjoyed reading this book. Even though it's aimed at kids (our 11-year-old liked it, too), it has aspects adults will appreciate. It sure made me wonder how I would deal with that kind of absolute power -- possibly not as well as the heroine of this book.
Wendy Lawton's words sing on the page and carried me back to Time and Place. Dialogue is easy and meaningful. The language grounded me in 1620. Possible unfamiliar words are italicized to look up in the glossary. Mrs. Lawton does an excellent job with documentation and an epilogue supporting the facts of Mary Chilton and her family, the Pilgrims, and the Mayflower voyage.
"Almost Home" will be a hit among young readers. The story will have them looking at maps to follow Mary Chilton's adventure on the Mayflower, and where she steps foot on land in the New World. The book entertains, satisfies the curiosity about our first American anscestors, and allows us to feel the cost paid for the Pilgrim's freedom to express their faith.