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The purpose of our visit had everything to do with 'The Book'; the style in which Pittsburgh's citizens would affectionately refer to Stefan Lorant's monumental opus Pittsburgh: the story of an American city. With an initial ten years in the making, first published in 1964 and revised in 1974, 1980 and 1988, Lorant was completing a fifth edition when he died in November 1997 just 100 days short of his 97th birthday. Twenty-five thousand copies of this new version, the 'Millennium Edition' are now on the bookstalls due to the tenacity, talent and sheer hard work of Bruce and Gail Campbell who inherited the copyright. Lorant himself was tenacious, immensely talented, capable of recognising talent in others and certainly subscribed to the work ethic. It is intriguing to speculate why a Hungarian, a foreigner and stranger to the city could write such a volume, on the surface a notion to be easily dismissed but a reality that became spectacularly successful.
Stefan Lorant was born in Budapest on February 22nd, 1901 and died in Rochester, Minnesota on November 14th, 1997 at 96-years-of-age. He was a witness to the century with his life spanning a period of political turmoil, war and social change. Lorant became a legend within his lifetime. His work as a visual and literary editor allowed him to pioneer and develop the genré of picture based journalism at a period in time which saw the emergence of modern mass communications. Internationally he became a guiding force, disseminating his ideas and political knowledge throughout Europe in the late-twenties and thirties by working in Germany, Hungary and England, eventually spreading his sphere of influence to America where he introduced the concept of the pictorial biography. His innovative layouts, his 'exclusive' interviews and thirst for knowledge became a familiar part of millions of everyday lives, largely through the pages of his own creations, and in particular the legendary media icon Picture Post. His vision of photography as a documentary medium inspired Life and Look magazines in America, and paved the way for the eventual emergence of the television documentary. For this he became recognised as 'the father of picture journalism'.
Originally published in 1964, the first edition of Pittsburgh: the story of an American city is the mature Lorant at his most brilliant. 'The Book' had a specific local audience as well as a wider interested public throughout America and that is reflected by the reviews of the first edition. Harrison E. Salisbury in The New York Times sees 'The whole tumultuous story of Pittsburgh, magnificently illustrated... is presented in this volume... the study of the metamorphosis is all here-the bloody struggles of the nineteenth century, the grit and smoke, the politics, the toil, the sweat-the imagination.' Publishers' Weekly was equally congratulatory but in a different way. 'It is certainly one of the most fascinating detailed picture histories yet attempted of any city anywhere. For readability, thoroughness (ten years of research went into it), graphic quality, and broad scope (it covers political and social history, daily life, labor problems, architecture and what have you), this is a model history of an American city.'
Lorant's Pittsburgh: the story of an American city is not just a biography of a city but a microcosm of the American peoples. Just ten or so days before he died in November 1997, Lorant complained that he only needed a good day to complete 'The Book'. To be accurate Lorant's 'good day' did not mean a working period of time between dawn and dusk, or any other measure within that 24-hour cycle. It was an infinitely variable amount of time necessary to complete the story to Lorant's satisfaction. He was not to have that 'good day'. He had completed the layout for the new pages and commissioned the new photographs, most of which were in place. Picking up the editorial reigns, Gail and Bruce Campbell have produced this new edition with Bruce weaving the strands of the new final chapter from 1988 to the millennium which he entitles, 'The best is yet to come'.
There are parallels with which Lorant would have been acquainted. Mozart's pupil Süssmayr, well appraised of his master's procedure and intentions completed the final masterpiece-Requiem in D minor. By comparison, the Campbell's share an affinity with Lorant's intentions and have produced a contemporary and forward looking vision which retains Lorant's classic composition.
Those of us who knew Lorant well, can still visualise him sat at his kitchen table in his farmhouse in Lenox with a copy of the new Millennium Edition open in front of him. For a while nothing would be said, though nothing would be missed. Eventually there would be a slight shrug of his shoulders, a nonchalant wave of his hands. 'It is good, very good-but with my help, perhaps we could have made it ten percent better.' That would be praise indeed from this great Hungarian editor, for without question Lorant would have approved.
This is a 'must-have' for any millennium book list!
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Both Conjure Wife and Our Lady of Darkness are masterpeices of supernatural fiction. Conjure Wife, written by Fritz Leiber in the 1940's, is both frightening and thought-provoking, it is also suprisingly up to date. The proposition that all women are witches and utterly control their husbands lives is followed through in a very personal narrative. Don't be put off by the film versions (particularly Night of The Eage, aka Burn Witch Burn), this is a complex story which has an eerie power akin to his famous story 'Smoke Ghost'.
Our Lady of Darkness, was written by Fritz Leiber in the late seventies and is one of his finest novels. Autobiographical (the location, the alcoholism and the loss of his wife are all based on fact) and thus very upsetting in parts. It weaves a magical vision of modern urban horror, a theme that he used throughout his career. At the centre of the book lies horror fiction itself in the form of Lovecraft and particularly Clark Ashton Smith (both of whom Fritz corresponded with). A lot of the book is a voyage of discovery, the central character is recovering from an alcaholic wake and is slowly waking up into reality again.
This volume brings together Fritz Leibers finest supernatural novels, something not to be missed
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Interview snippets, history and photographs add great color and texture to an extremely useful work.
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Stefan: how about Detective Marketing II? We'd like more of your genius!
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Zweig's analysis is perspicacious and profound, written in an enthralling style.
Verhaeren sees art as a victory on the human destiny of suffering and his art as a witness of that victory.
He is the first enthusiastic bard and realistic painter of the modern world: the emergence of the democracy of the big cities, the masses, the mines, the struggle between the industry (the progressives, the socialists) and the peasantry (the conservatives, the Catholics), the emigration, the financial crises, the scientific discoveries.
Behind this realism lay Verhaeren's philosophical conceptions and aspirations: his limitless love for a physically and metaphysically free humanity, free from hazard and obscure religions; the emancipation of mankind through the work of scientists and their scientific discoveries.
Verhaeren is a pantheist, a participating part of nature and the human community. He is the poet of an emerging Europe as a big brotherhood.
It is horrendously difficult to write an inspiring book about a poet and his work and to present an analysis that arouses the interest of the reader. But this work reads like a thriller. It should be read by all biographers in order to learn how to keep their readers in their spell. I believe every poet would like to have a biographer like Zweig.
Not to be missed.
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I tend to be rather daunted by numbers in general and financial statements in particular, but this book discusses the basics of investing in terms of gardening -- tending the soil, planting the seed, waiting for the harvest -- rather than in terms of things that make my eyes glaze over. I've never heard investing described in this way, but it really helped me understand so much!
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algorithms *and* how to prove their correctness *and* their concrete
implementation in C++ *and* how to prove the correctness of the given
implementation *and* how to speed up the implementation *and* the
proper use of the fantastic LEDA-library *and* the underlying object
oriented design *and* how to do fine software engineering.
I've really read every single line of this book, even every single
line of code and I'm filled with enthusiasm. It is definitely a
must-read for every scientific programmer who wishes to improve his
style of programming, the correctness and speed of his code, his time
spent for coding, or who just wants to learn about the most important data
structures and their implementation and how to borrow them from the
award winning LEDA library instead of inventing the wheel twice.
This book finishes the time of boring pseudocode lyricists who teach
you how and why an algorithm and his data structures work, but not how
you can *get* them to work.
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This book lifts the lid on all our progressive city has to offer, it educates those who have outdated knowledge of Pittsburgh, and it makes a great gift book.
If that's not enough, it provides an ideal history lesson for all as Western Pennsylvania has many historic sights to see as well as splendid architecture!
After reading, you'll want to extend your next business trip to Pittsburgh, shop in more than our airport, and visit our family-friendly parks. Don't forget: Mister Rogers lives here! Your kids will love Idlewild Park, with the only life-size Neighborhood of Make-Believe.
If you can't be our neighbor, come see us. You won't be disappointed!