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"One Last Hit" is the third Joe Portugal book and revolves around Joe's exploits as he gets his old band, The Platypuses, back together and his search for their elusive lead guitarist. The problem is that somebody's trying to kill members of the band not long after they reunite.
Joe is a very likable character and the dialogue is fast and funny. Walpow also gets in plenty of musical references through his character, mentioning "unsung" (no pun intended) bands and albums that may just have the unfamiliar looking them up. A nice touch is that chapters are titled with Who/Pete Townshend song names. Fans of a good mystery and '70s rock will enjoy this fun book.
A quick note on the publisher, UglyTown: they are the reason I bought "One Last Hit" in the first place. They publish beautifully designed paperbacks and whether they choose the authors or the authors choose them, it's a good fit. I have everything they've ever put out (including a series for teens) and enjoyed them all.
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(takes a breath)
The Hitchhiker's Guide to the Galaxy goes on a bit about the relative superiority of radio as a medium that stimulates the pleasure centers of the brain, but it also notes several references to various works that endure in a medium regarded as deader than the telegraph.
The Hitchhiker's Guide is not only proof that radio is still a viable medium for drama, but that Douglas Adams is a genius. The show, scripted week-by-week by DNA and Geoffrey Perkins was easily translated to books and television with minimal edits. Yes, the second series is a bit off the ultimate track, but it is quite original and the foot notes from Douglas and Perkins are very insightful. These footnotes exist as a log of what took place when it all began and, sadly, as the only memoir to them.
If you can find it, get it.
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1. Outsider in Amsterdam ('75) - What one expects from the first of a series. Some characteristics are there, but not all, and not as pronounced, and the characters are only beginning to take shape. The commissaris has only a brief appearance; the chief inspector, who disappears after this, is more prominent. An adequate story, with a few very good scenes.
2-4. Tumbleweed ('76), The Corpse on the Dike ('76), Death of a Hawker ('77) - Progressively more - and smoother - integration of the philosophical themes, and the characters continue their fleshing-out process. The relaxed, Buddhism-and-psychology-tinged nature of the series is becoming evident here. The three stories are about equally complex. Of a piece.
5*. The Japanese Corpse ('77) - Stands out in that the Buddhism theme gets much more play than usual; the cops travel to Japan. Very linear and simple in terms of the plot/police work. The commissaris here begins to carry much of the philosophising theme, and by now has become an intellectual leader of sorts to G&dG.
6*. The Blond Baboon ('78) - The best puzzle of them all, the pacing is good, and the book is solid in all other respects. Van de Wetering has really hit his stride by now, and the rest, if often not as well-rounded as this one, usually have some extra dimension added to them. This would be a very good one to start with.
7*. The Maine Massacre ('79) - De Gier and the commissaris travel, and a lot of the fun is in their observations of their new surroundings, and interactions with the locals. Better, of course, if you already know the characters and the series, but it is very good anyway.
8. The Mind-Murders ('81) - Really two linked psychology-tinged novellas. Mostly G&dG here, lots of joking, sarcasm between them. By now the cops are fully formed characters and here the interactions between them are emphasized, like the way a good sitcom runs familiar characters into situations that allow them to play off one another. Not bad, but constitutes a bit of a lull in the series.
9. The Streetbird ('83) - The plot deals with black magic, but it's not all that hokey, since it fits in a way with van de Wetering's philosophising. One might guess the villain midway through, but it doesn't matter. Better than #8, but not quite as good as the others in this stretch.
10*. The Rattle-Rat ('85) - Notable for clever banter between the cops, several running jokes, a few chaotic scenes with overlapping dialogue. Very amusing. Plot threads spring out of nowhere, eventually drift together. Again, one should know midway through who the culprit is. The oddest of the odd, and among the best.
11*. Hard Rain ('86) - A noir, van de Wetering style. Here the cops untangle police corruption linked with several murders. We, and they, know who the bad guys are - and here they are genuinely bad - right off, so it is a matter of the cops navigating the situation and bringing the criminals to justice. The cat-and-mouse games combined with the series' usual touches makes for tremendous entertainment.
12. Just a Corpse at Twilight ('94) - The three have been retired for two years. Grijpstra is a PI, de Gier is living easy in Maine after traveling, and the commissaris is at home. A good, but slight, story; it's more about how the characters are getting along, and re-does the fish-out-of-water thing, especially amusing here because Maine is new to Grijpstra, and not to de Gier. Slightly inferior to #14, but good.
13*. The Hollow-Eyed Angel ('96) - Still cops - this one takes place before #12. Probably half-written during the series' hiatus, finished after. Dominated by the commissaris, who goes to NYC. Very reflective in tone, lots of philosophy and psychology, and the story is better than most. One of the best.
14*. The Perfidious Parrot ('97) - De Gier has joined Grijpstra's PI "agency." As with #12 there is a lot of interaction between the ex-cops and the (here, exotic) locales, and it is even more overtly about the characters' lives than the others. Some back-story in this and #12 about how the cops got rich, and here it is integral to the rest of the book.
15. The Amsterdam Cops-Collected Stories ('99) - Take place throughout the cops' tenure in Amsterdam. The commissaris is barely present, and in a few G&dG only pop up briefly. Quick character and crime studies, a couple mild puzzles. For completists only. The interplay between characters is missing here.
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Besides providing a good story Wheeler's writing is grown-up good as it leads us into an historical realm and offers a well- crafted look, convincing dialogue, and characters who breathe.
It's easy to see why Wheeler has won the SPUR Award for his western writing and easy enough for a reader to be spurred on with his stories.
There's only a handful of talented writers in this genre out there and Wheeler is one of them.
I will look forward to reading his previous novels on Mister Skye -i backward order to see just where he went from this point on. Anyone who enjoys the historical novel will enjoy this one. Thanks for a trip into the past!
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Actually, this series of novels should be called the
Hester Latterly - William Monk - Oliver Rathbone series. Hester is often the central sleuth and it is the links between these three characters which move the plots forward ingeniously. As example of this I recommend "A Breach of Promise which the Kirkus reviewer undoubtedly hated.
In this mystery Inspector Monk is called in to investigate the murder of one of Florence Nightingale's Crimean nurses, who is working at a London hospital. Those of you who have read the previous three novels know how hard it can be for these young women to adapt to English hospitals after their stint abroad, and at first it seems that Prudence Barrymore might be a victim because of her desire to reform the medical system. As the plot unfolds, however, we realize that there is a great deal more going on at London's Royal Free hospital than meets the eye.
One of Perry's greatest talents lies in character development, and she is always careful to let a different character feature prominently in each novel. This time it is Lady Callandra Daviot's turn, Inspector Monk's female patron, who emerges as a more three-dimensional character. Hester Latterly, another Nightingale nurse, is also featured, along with the brilliant Inspector Monk and the lawyer of lawyers, Oliver Rathbone.
I would particularly recommend the Monk series to fans of TV's Law and Order, since these mysteries combine excellent sleuthing with taut court-room drama. If you like historical mysteries, you will love this series. If you already like Anne Perry, I encourage you to give Inpsector Monk a try!
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From a missing Khat to the threat of a real-estate mogul buying out a local business, to sinister murder, these short tales pack cozy mystery punch. Easy to read in short gulps, and there are tons of easy recipes and craft ideas included. Great fun!
In addition to the stories, each one exciting and fast-paced, the reader is introduced to herbal lore and some mouth-watering meals using herbs found in China's very own garden. The short story format is just as potent as the novel length tales that fans expect from Ms. Albert. For fans this is a treat but for newcomers this is a delightful introduction to one of the more endearing mystery genre characters.
Harriet Klausner
Marietta, a high school friend, asks Peaches to investigate the death of her brother Winston, who allegedly jumped off a cliff. Marietta insists her sibling would never venture near an overhang because he deeply feared heights. Money could be a motive as Winston and his relatives recently came into a $15 million inheritance each. On a trip to England, someone tries to kill Marietta, who immediately persuades Peaches to join her. On the luxurious return trip by sea, several other murder attempts occur, including one on the sleuth. Peaches knows she must identify the culprit rather quickly before someone else dies at the hands of the unknown assailant.
Elizabeth Daniels Squire has created a near perfect sleuth in Peaches. The middle aged person with a faulty memory refuses to allow her ailment to stop her activities. WHERE THERE'S A WILL is a who-done-it loaded with misdirection cleverly executed by the author. Anyone who reads this novel will search for the previous five books in this humorous series with a deep message.
Harriet Klausner
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