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- Psalms 7:14 - 15
In these days after WWII, England is no longer the place the young men left when they went away to fight. The mining industry has been nationalized, and even Comerford's old slapdash efforts at opening up its shallow coal deposits are about to be reopened, with a flood of new faces coming in to operate the new machinery. The men who went away, of course, aren't those who came back: Jim Tugg, the hired man at the Hollins farm, with daring exploits as a paratrooper; Chad Wedderburn, the pacifist classics master who spent years in guerilla fighting; even Charles Blunden, son of Selwyn Blunden of Harrow, fought all the way across North Africa and Sicily.
Expatriates from all over Europe are common enough, even ex-POWs who still slip and say 'Heil Hitler!' if they forget. (And get beaten up, maybe, by somebody whose brother died in a Stalag.) Helmut Schauffler, though, has been asking to be murdered by going far beyond that.
Gerd Hollins had lost her entire family in the concentration camps. Haunted by memories of horror that won't stay suppressed, she asked her husband to hire Helmut, because if she could learn to see one German as a human being, it would help her to let go of her nightmares. Unfortunately, Helmut is a creep - an actual Nazi who enjoys psychological torment (though he's not stupid enough to try it in front of her husband or hired man). When he's fired and takes a job at the quarry, he still harasses her in a slimy way, while causing discord everywhere else he goes.
Sergeant Felse isn't surprised when Helmut finally turns up floating in the brook, head bashed in, although he's less than thrilled that his 13-year-old son Dominic found the corpse. Despite George's best efforts, Dominic gets interested in the case, especially since his classics master is a suspect.
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...OK, ad rem. Great book. Mother-in-law scenes galore, plus spooks, musclemen, Czech mafiosi and Japanese businessmen with all the manners of hungry sharks. And Tony Casella, who's so much one of a kind that you'd wish you were like him, even with the stuff he has to face in his life.
Buy it. Then go buy Beinhart's other novels. And weep like me, after you're done laughing.
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Before Marian can dig deeply into the investigation, the case unravels as the lead suspects, the parents, are murdered. Still, Marian inches closer to solving the case when her lover, private investigator Curt Holland is kidnapped. His abductors want her to drop her investigation or they will torture their victim till he dies. Marian, who has always feared a commitment, now has a new fear to deal with: the potential loss of her beloved, who will certainly be killed if she does nothing.
Barbara Paul has written numerous mysteries, but her Marian Larch series is by far her best. Marian is the complete woman of the nineties as she struggles with her ambition and independence Vs a commitment to her lover. FULL FRONTAL MURDER adds much insight to Marian's motivations as her personal and professional lives crash together. The Larch books are one of the finest police procedural series because it takes readers to the inside of Manhattan through the senses of a fantastic multi-dimensional protagonist.
Harriet Klausner
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She has also crafted her main characters well to convey a sense of friendship, intimacy, and an amazing sense of humor.
This not only fine writing within the mystery format, it is fine writing, period.
Needless to say, the lesbian element was handled beautifully. This is the kind of statement about gays which should be made because it transcends the garish, tabloid styles of too much of the media (or, counter-media) and presents the human side... of human beings.
Clever plotting; rare character subtleties; solid, often unexpected, humor; special insights; an unusual location with deft understanding of the urban university society.
Yes.
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As ever the characterisation is excellent; the women really live off the page and you either love them or loathe them. The changing nature of Alison and Stacy's relationship also plays a large role seeming both tremendously strong and terribly fragile coping with Stacy's tantrums, Alison's fibromyalgia syndrome, flirtatious femmes and interfering friends. The issue of FMS is dealt with particularly well, as we not only see Alison's fears of being rejected by Stacy if she tells her, but also that Stacy is feeling rejected by Alison by keeping the FMS a secret from her.
As ever various lesbian taboos are raised; Leather and S/M are the base line for the community depicted in the novel and abusive relationships are as prevalent in the lesbian community as anywhere else.
While not as side-splittingly funny as "It takes one to know one" it felt great to hang out with Alison and the gals again; my only whine is that Michelle was barely in it! Star Trek:TNG and Kinsey references are spot on as usual, but aren't the girls enjoying Captain Janeway and Seven of Nine by now?
I was sad to read that Kate Allen is abandoning Alison and Co. for a while, but I'll happily read anything she puts in print, from her shopping list onwards!
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This was one of my favorite books (and cartoon series) when I was a kid. It was given to me by my grandmother when I was about eight-years-old. Not only are the black-and-white illustrations terrific, but the Littles are extremely resourceful and imaginative in this story, using most things people throw away as tools, decorations, etc. My only two complaints are that the book has a rather abrupt ending (or perhaps there's a page missing from my book; I have had it for about 15 years), and that it's a bit ...., though younger readers may not pick up on this. Still, "The Littles to the Rescue" is a fun adventure story for children age 7 - 10. Highly recommended.
But with the help of everybody she was found.
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Tori and her grandmother Gert travel to Panther Run, West Virginia to visit long time friend Clarissa Hart Campbell, a 101-year-old lady. However, just after the two visitors arrive at Clarissa's boarding house, someone kills the centenarian, but not before she makes it clear she has something important to tell Tori. The local sheriff suspects Tori of killing Clarissa, which encourages the pregnant woman to make her own inquiries. Her investigation opens up long buried secrets that are almost as old as Clarissa was as well as a killer who would not mind a double homicide with one murderous blow.
Rett MacPherson creates charming cozies starring a beguiling heroine with a sense of humor. The story line, based on the coal mine owners total control of the work force, provides the audience with a realistic glimpse into an unsavory time in this country's heritage. A MISTY MORNING ties the past to the present so that the history of early twentieth century West Virginia coal mining towns are vividly displayed. Ms. MacPherson has written a wonderful amateur sleuth tale whose historical perspective adds tasty seasoning to a strong tale.
Harriet Klausner
A strange killer is on the moves (pun intended), and a woman detective (Jessie Drake) must identify him before it is too late. Will Jessie save her sister's marriage, and will she find the Curare Killer before he strikes again... Romance can not be avoided, as in most thrillers, but it at least is plausible and believable. Of course, the inevitable happens, the plot does get a little predictable, nevertheless the suspense is there all the way. Definitely deserves five stars.