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Now for the footnotes. I've been reading Martin Gardner for a long time. As a young boy, I spent many hours in the local library reading and enjoying his columns in archived copies of Scientific American. I must say that I find his footnotes in this book somewhat obtrusive. They seem to give away too much of the plot too early, and are probably, therefore, best for a second reading of the text. Gardner has deep philosophical differences with Chesterton, and although he does a fairly good job of restraining himself, there are occasions when he apparently can't resist giving us his two cents. I found that a little annoying. The footnotes in the Ignatius edition of _The Man Who Knew to Much_ are an example of what I would have preferred in this book.
Sherlock Holmes and Dr. Watson are so familiar that today's readers sometimes need to remind themselves that these two friends are indeed fictional characters. For many it may be difficult to imagine, much less accept, that other private detectives were also at work unraveling crimes in the fictional realm of Sherlock Holmes.
Father Brown coexisted in London with Holmes (during Sherlock's later years), but it is not obvious that they ever collaborated. While both exhibited a unique genius, their cases and their methods were indeed different. The solutions to Father Brown's mysteries are often improbable, but logically consistent, and usually have a metaphysical or moral aspect. Father Brown is not a sheltered cleric unaware of sin and evil, but just the reverse. He is able to place himself in the mind of the perpetrator, thereby seeing solutions that the reader fails to notice. Like Holmes, he is often more interested in understanding and solving a mystery, rather than meting out human justice.
Matin Gardner's extended footnotes clarify references that otherwise might be obscure today such as Edwardian manners, outdated technology, London landmarks, literary references, etc. The footnotes are not essential, but I found Gardner's annotation useful and entertaining.
The five Father Brown collections (53 stories in all) begin with these 12 stories,"The Innocence of Father Brown". Father Brown won't displace Sherlock Holmees, but you will not regret getting to know this clever contemporary of Sherlock Holmes.
This particular edition is enhanced by Martin Gardner's extensive notes, which are both entertaining and illuminating. He points out that it's worthwhile to take your time in reading GKC's stories so you can savor their many arresting, beautifully worded sentences. And by reading too fast, you might also miss out on some very subtle puns (there's one in the story "The Secret Garden" that would have gone right past me had not Mr. Gardner pointed it out!).
At the end, you'll find an index of annotations, plus a comprehensive Father Brown bibliography compiled by Chesterton expert John Peterson. If you enjoy this book, you'll probably also like "The Annotated Thursday," Gardner's edition of GKC's "The Man Who Was Thursday."
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On the way to the restaurant, Nicky and Delilah are kidnapped and they have to learn how to trust each other and work together to survive. Delilah is eventually let free but Nicky is held for ransom. Delilah knows that Nicky was left with neough food for only a few more days.
The second part of the book is about her struggle to figure out who has kidnapped Nicky and why so she can be rescued.
Delilah is a very likable character. She is honest about her shortcomings and has a sense of humor. But she is also able to be tough when she has to be and to accept the consequences.
There is very good character development between Delilah, Nicky and Erik. It has a twist at the end which makes you wish there was at least one more chapter.
This is the 6th in the series and there definitely will be a 7th.
The book is wonderfully plotted and filled with interesting (and, in some cases,menacing)supporting characters. Men and women will enjoy this book!
I encourage readers to look for the other books in the Delilah West series, as well as the two books about Anne Menlo.
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But what makes this unusual novel so likeable is its rich respect for two faiths and cultures: the Native-Americans and the Jesuit priests. Coel provides a synthesis of faith in the midst of an entertaining mystery and that is talent. And it makes the reading of the tale a multi-level experience of pleasure.
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In 'Sideswipe' with have a violent ex-con, a disfigured ex-stripper, a retiree who just lost his wife, and a talentless artist caught up in some shenanigans. Solving the caper is Hoke Moseley, our quirky cop from the novel 'Miami Blues'. Actually most of 'Sideswipe' concentrates on Hoke and his odd family whereas the crime story itself is a relatively minor element to the book. But overall it works well. The overall effect is funny without being stupid.
Bottom line: competent and fun.
In the present times, in the US we have Woody Allen, and in the East the impaccable Aziz Nassin of Turkey whose very name make you smile.
Molla's Character is popular in the Middle East as well as the Indian subcontinent, the same way as another Persian storyteller, Scheherazade is. Molla, in the Persian culture is title for the learned men or teachers. When people saw someone with beard and turban, they already assumed he is a molla so they would throw their questions.
For instance, Once Molla was hammering the nail at the end of his donkey's bridle, as he was going to a teahouse. Someone asked him: "Molla, where is the center of the world." Molla said," The center of the world is where I just hammered the nail to my donkey's bridle." Someone said, " I don't believe this." Molla took a sip of his tea and said, " If you don't believe it, go measure it."
In the forties and fifties Molla became popular among British. Some English speakers, in the hight of tension, during Nationalization of Oil, used to quote Molla when they wanted to break the ice with their Persian counterparts.
The funny stories did not solve the problem, but opened the door for many translations in English, Franch, German and many other languages. I have seen the book translated in Arabic, Turkish, Ordu and Hindu. In each of these countries they have, in years, added more stories to the old ones, giving the character a native identity. I am sure the Arabic Molla has some particular stories and the Turkish one some other. Molla now belongs to every country in Asia, as Sheharazade does.
This book is, however, in Persian. As the English version was a lot of fun for me to read, I'm sure Persians, who have a great sense of humor, will find this book much funnier than the English translation. Enjoy it.--Khandeh dareh!