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John Abbot, like the region in which he worked, was an odd little man who possessed many of the qualities we long for in this country but, some would say, have lost. His tenacity, integrity, adventurousness, artistic ability, and business acumen should have gained him the fame of his more documented colleagues--but then maybe the jewel that is hardest to find shines brightest.
Certainly, this book is a gem. The illustrations are first rate, and the text is even better, with just that touch of British whimsey and the art of understatement to make it all the much better. It is written in an almost off-hand style--but don't be fooled. The research that went into it is first rate and very complete. Relax. This is not the dry, musty tome of History 101--it is full of life but has a casual feel, like a favorite coat that is constantly worn. And that befits the man about whom it is written: a common man, of uncommon traits. Enjoy!!
This books is a fascintating account of John Abbot, his life and his work. It is also a visual treat and if you are interested in the history of natural history or as a naturalist or a art lover I would highly recommended it. The publisher, Merrell Holberton is publishing a series on other Natural hisory artists that have not been published or are lesser known. Enjoy!!
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Yet the 23" by 29 ½" outsize folio which weighed 46 pounds was beyond the reach and shelf space of many. Thus, it was printed as a limited edition. Now, for the first time, this unparalleled volume is available to a mass audience at an affordable price and manageable size while retaining the original 50 color plates as well as 28 remarques. Retaining the integrity of the original folio, this is truly a work of estimable quality and a collector's item.
In addition, the recent edition offers a new essay by Stuart Gentling, "Of Birds and Texas, Audubon and Us," in which he relates how the brothers' profound respect for the famed ornithologist/artist paved the way for them to create this book, which is inspired by Audubon's work.
The Gentlings are twin brothers, artists, authors, and lecturers based in Fort Worth. Having discovered at an early age the print edition of John James Audubon's Birds of America, they now share a passion for art, world culture and wildlife.
His keen interest in wildlife, particularly birds, led Stuart to learn taxidermy. Both brothers began a serious study of art when they were 14. Their awards are numerous; their paintings may be found in museums and libraries throughout Texas and the United States. This year Scott received a commission to paint a portrait of President George Bush for the Texas State Capitol dome.
Artwork in Of Birds and Texas is created collaboratively by the Gentlings. In the original folio are reproductions of watercolor paintings with the color, blend and atmosphere attributed to Stuart, while the line and small strokes were contributed by Scott.
Getting the first volume published proved to be a formidable task. Plans reached a standstill when it was discovered that the actual production of the folio would cost more than double the estimates. What rescued the project was a lucky find by Stuart in the Philadelphia Print Shop catalog: a listing of Audubon's "The Great Crow Blackbird." The brothers were able to purchase the Audubon for $18,000. After its authentication as an original Audubon, it was sold at Sotheby's for $253,000. Thus, the completion of the original Of Birds and Texas was made possible.
Our loss would be great had this not been so. More than just a work of incredible visual beauty Of Birds and Texas is a joy to read as each color plate is partnered with a bird tale by the Gentlings.
A treasure in itself, the essay by beloved Texas author John Graves is as gracefully written as the classic works for which he is known, From A Limestone Ledge: Some Essays and Other Ruminations About Country Life In Texas, and Goodbye To A River. Once again, Mr. Graves writes with trenchant luminosity.
This landmark volume is dedicated to John James Audubon. It is now recreated for all to enjoy.
- Gail Cooke
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I was sorry to see that it is no longer in print. It is timeless.