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These animals truly are in trouble. McNutt does a good job explaining exactly why these dogs are endangered (or should be classified as such).
Like most books published under Smithsonian, this one is a keeper.
I had the good luck to see a pack of 10 wild dogs while on safari in Botswana in September of 1998. Being a wolf enthusiast, I was very interested in the similarities and differences between the American grey wolf and the African wild dog. This book was in the library of each safari camp I stayed in so I had the pleasure of studying about the wild dogs while in their native habitat. As you'll learn from this book, wild dogs are extremely social, even more so than grey wolves, and very efficient, successful predators.
The photographs in this book are fantastic and the text is well written, well organized, and aimed at the general public rather than the scientific community.
The author continues his African wild dog research in Botswana. The fate of these fascinating predators is very precarious due to their small population and the relentless persecution by people, similar to that experienced by the grey wolf in America earlier this century.
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This is an excellent book for readers 10 and under.
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All species of known regular occurrence somewhere in China are illustrated in excellent drawings by Karen Phillips, all but a few in full color. Colored range maps are on the page facing each of the 128 plates. The text for each species provides a detailed description, voice, distribution and status, habits (useful), and in some cases a note on taxonomy.
I used this book for more than two weeks in China during October 2001 and confidently identified every bird I got a decent look at. (Regrettably, eastern China is not exactly overrun with exotic birds, but you can find some interesting species even in the cities.)
The most noticeable problem with this book is its sheer bulk; at 256 pages of plates, 586 pages of text, and some front material, this monster tops out at well over 800 pages and won't fit in most fanny packs, not to mention pockets. So taking a utility knife with a new blade, I sliced the spine following the last plate and taped the last page to the spine, creating a book of front matter, 10 pages of introduction and all the plates and range maps--a tad over a third the thickness of the whole book. A few species are illustrated in black-and-white in the text, so I xeroxed those (with their black-and-white range maps) and pasted them below the range maps of appropriate plates. I left the text home.
The book is not without minor errors, of course. For example, the range maps on plate 35 mistakenly call the Red Phalarope the Red-necked Phalarope, with the same error in the scientific name (although, curiously, the Chinese name appears to be correct). Both species are illustrated. On plate 56 the illustration of the Red-throated Loon is mistakenly marked with the species number of the Common Loon (which is also illustrated and correctly numbered on the same plate). On plate 72 the female Japanese Paradise-flycatcher is so marked but the symbol for the male is missing. Most users can figure out such slips.
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A couple of other bits of useful information in this book include a map detailing vegetation type and an introduction to the region. Also, a list of protected and endangered species is included. For researchers, a nice bibliography is also included. Whether you just want to look at birds from a country you never plan on going to, or if you intend to go birding in China, this book is for you.
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I especially like her cross-references and cross-indexes that make it easy to compare the double elephant folio prints with the Biens and the Octavos. She even included a biographical section that describes all the people who helped Audubon along the way. Writing my own book - Audubon Art Prints - would not have been possible without using Susanne's book as a reference.
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