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I have flown the F4U-5NL Bu.No. 124511 found in the picture on page 253 with Ens. Cawley's name on the side. He was one of our squadron mates in VC-4, NAS Atlantic City in the early 'fifties.
Brings back many fond memories. Highly recommended to all aviators and aviation enthusiasts.
J.D. Williams Lcdr. USNR (Ret)
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As they slowly float to the ground (well, the red peppers need some help for some unknown reason), news reports come in from all over the country: gigantic parsnips in Providence, lima beans in Levittown, and arugula in Ashtabula. Wait a second!! Holly is puzzled; she didn't USE arugula as part of her experiment!! What's going on here?? If the arugula, the eggplants and the avocados are NOT part of her experiment, where did they come from??
David Weisner is the author of the Caldecott winning book, "Tuesday" in which frogs on their lily pads suddenly take flight one summer night. His delightful sense of the strange is continued here in "June 29". Like all of his books, the illustrations are lush and meticulously detailed, the reader feels like they could easily walk right into the pictures and be part of the action. The story is short, easy to read, and uses a lot of alliteration, so it can easily graft itself into a language arts lesson.
The story has some wonderfully fun visual jokes that older readers and adults will find fun, for example giant gourds being used as housing in North Carolina and The Big Apple being renamed to The Big Rutabaga (a giant purple rutabaga parades down the streets of New York to a blizzard of ticker tape and streamers). The book does have a wonderful surprise ending that I shall not give away here but will delight readers on the last page or two. If you're a fan of "Tuesday" or merely love an unusual story, you must pick up a copy of "June 29, 1999"!!
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I had read in several places about what a great author David Gemmell is. I had not read any of his books, and when read the descriptions on the back covers, I did not think any would interest me, so I put of buying any. Well, when I finally picked one up and read it, I could not put them down. I quickly read through the Riganti series, which I loved and wanted more. Ever since I have been a HUGE Gemmell fan. His characters are the most realistic, no matter waht the story brings them. They are flawed, real, human, and yet heroes and incredible fantasy images all in one. I love how Gemmell gets me to feel for the characters and what is going on with them.
The first two Sipstrassi Tales, Ghost King and The Last Sword of Power, are my favorites. Maybe because I have a tendency to read as much about King Arthur, and the other main characters surrounding him in myth. But they bring to you a new sense of Fantasy. Once you read a David Gemmell book, your standards will be higher, and you will be hooked on him!!
This is a great historical fantasy, one that you are sure to enjoy.
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I love both the novel and film. As usual, the novel makes more of a social statement. If you check IMDb for the tagline to the film - "As P.T. Barnum put it, 'There's a sucker born every minute.'" - you get a sense of the difference between the point of view of the book's author as opposed to the producers of the film. The film producers are after the carnival-like novelty of a crooked bible salesman and his too cute daughter, who's also a thief at heart and, by the way, a better one than her father, who is basically a loser. The reason for this is clear: films are basically hi-faluted carnival acts. Apparently, the audience member is just another sucker.
The novel, on the other hand, carries a great deal more compassion for the human condition, particularly human frailty. Not to say that the film wasn't at all sentimental in this way. Ryan O'Neill's character, the loser father, was treated sensitively by director Peter Bogdanovich. But he (Bogdanovich) is unique, a prime example of the kind of compassionate intelligence that flourished to some extent during the Let It Be trend of the early 1970s, a trend that could do the human race well if it was allowed to continue forever. The producers/distributors reveal, with their tagline, a more Hollywood-typical ruthlessness. Like "Ha ha, people. You're all jsut a bunch of suckers ripe for the taking."
True, the overt theme of the story & film is basically about how hilarious it might be to watch such father/daughter con artists, especially when these con artists are working in 1930s territory where stupid, faithful Christian farmers etc. (middle America) dwelled. But the most important part of the story happens toward the end, when the thieves are confronted with their toughest mark: a more experienced thief (Mr. Robinson?, can't remember).
This character is far more developed in the novel. He's great fun in the film. But in the book he's downright Marxist. Indeed, one of the greatest anti-capitalist epigrams ever written, in the tradition of Wilde and Twain, is spoken by this succesfully affluent crook, in what is otherwise merely a silly/fun little dark comedy of a story (paraphrasing): "Anybody can make money. It doesn't take any great talent to do so. No, people who make money are merely people who can't do anything else. But it takes real talent to be a fine musician, or an artist..." Something like that (I don't have the book with me now). But you get the point.
Clearly, Joe David Brown, like John Steinbeck, was an author with an important, righteous opinion on the weaknesses of our capitalist system. He died a few ears after the movie was made. Too bad it wasn't Reagan who died and Mr. Brown, instead, the "great communicator" of the 1980s.
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My hats off to all Annapolis Alumni!
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The Introduction sets the tone: "A Mouse Is Miracle Enough". From this opening we tour the wonders of nature, with a couple of side trips to observe that strangest of animals, Homo sapiens. Quammen's gaze never ceases surveying the landscape in presenting us with things we didn't know or aspects of viewing we've not considered. While the very squeamish may balk at close examination of black widow spiders, spoon worms or scorpions, Quammen is adept at taking us gently to these confrontations. As he does, he asks us to reconsider our viewpoint of these and other creatures. We must learn to deal with "faces unlike ours" and shed prejudices even if shedding the fears is more difficult. Changing fear into respect is the first step in acknowledging our sharing this planet with other creatures and stepping back from the destructive role we've adopted.
Respect for life is the underlying theme of all Quammen's nature writings. His "sidelong view of nature" takes us along remote jungle and desert paths to watch and record life's activities. While we like to set ourselves apart from the rest of life, Quammen, with facile pressure, pulls us along with him to observe our cousins. And ourselves. Deserts, it seems, are a haven for more than scorpions and Beaded Lizards. Among the many nocturnal animals hiding from the desert sun is a bipedal hominid. In this instance, the animals are groups of refugees seeking sanctuary in a hostile environment. Quammen's account of Guatemalan refugees and their mentors, also intelligent chimpanzees risk much to support and succor them. It's not a pleasant story, nor one any American can read without remorse. Quammen has made a sharp turn here from his usual investigations of nature's secrets. Refugee running is every bit as much a secret as nature offers, but with what humans are pleased to call a "moral issue". Quammen relates how well we've addressed that issue.
However, older students dislike it, because it was too fictional. We felt it didn't explain these concepts well enough for us. Overall, we wouldn't recommend it for grades higher than fourth grade.
I love Kellogg's illustrating! I would just love to jump right into the pages and be a part of all the action. His characters are drawn with such unique faces. And each page is filled with numerous details and endless nooks and cranies. Each page begs to be explored over and over.
If you have never enjoyed a book illustrated by Steven Kellogg now is the time!
The writing in this particular book is also very well done. The little facts about the number 1 million are really interesting. For instance it would take a fish bowl the size of a city harbor to hold a million goldfish!
This book really helps kids and adults understand a very abstract concept. How many of us really have a good grasp on how much a million really is? This book definitely puts it in perspective!
Read it once and you'll have to read it again and again!
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While steeped in history, Goyer has written this story arc so the reader isn't required to be versed in 60 years of comic adventures. References to the past are made where necessary or flashbacks are cleverly used and well integrated into the story. The story itself is spectacular as these retired heroes, attending the funeral of an old friend, decide to reform the world's first super team to search for the next Dr. Fate.
Sadowski's art is simply breathtaking. There is astounding attention to detail that brings the illustrations alive. He also gives a realistic picture of these aging super beings. They have been around for decades and a paunch here and a wrinkle thrown in there are in sharp contrast to the typical pysically perfect, six pack abs hero that never seems to age.
Not only would I highly recommend this book, but its follow up trade paperbacks and the series itself. This dip into history is time well spent.
David Goyer has become an author of repute. He wrote the screenplay for BLADE and BLADE 2, starring Wesley Snipes, in the movie adaptation of the Marvel Comics hero. He's also written NICK FURY, AGENT OF S.H.I.E.L.D., DARK CITY, and THE PUPPET MASTERS. James Robinson, the co-author of this graphic novel, has written THE GOLDEN AGE, LEGENDS OF THE DARK KNIGHT: BLADES, TERMINATOR, STARMAN, VIGILANTE, and LEAVE IT TO CHANCE . Artists for the first graphic novel gathering the first five issues of the on-going series are Scott Benefiel, Stephen Sadowski, and Derec Aucoin, with inks by Mark Propst and Michael Bair.
A combination of nostalgia and stunning story-telling enhanced by some of the best comics artwork in the business, JSA: JUSTICE BE DONE succeeds as a treat for the eyes and the heart of the long-time comics follower as well as newbies who take an interest in these legends. Goyer and Robinson's character interplay and dialogue works together to bring a depth to the story as well as a richness to their imagined world. The narrative on the panels is taut and driving, voice-overs for the action that explodes from the pages. The full page splashes of heroes like Hawkgirl and Dr. Fate are absolute treasures. Long-time fans of the JSA will enjoy the way the new authors pay homage to Gardner F. Fox, the first of the writers for the series back in the 1940s, when they split the group into teams to send to missions in different parts of the world. That was very much a Gardner Fox plot device. And they play fairly with Roy Thomas, the scribe for INFINITY, INC., who created the character of the Silver Scarab, Hector Hall.
JSA is one of the best books currently being done in the market. Goyer, because of his training in the film world, possess a cameraman's eye for shots, and Robinson's skills lead him into deep and rich characterizations. They compliment each other, but standing apart on different projects shows that each writer is nearly equally as skilled. Readers will note that the writers obviously have a good time playing off of each other. This graphic novel compliation of the first five issues states the JSA's purpose, to thoroughly entertain the reader and dazzle him or her with gorgeous artwork. Comics lovers who haven't yet tuned into the JSA will find this volume is the perfect place to start.
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When I reached my destination, I was still reluctant to start such a deep-sounding subject, but I picked it up anyway -- just to read a bit to get myself to sleep. Three hours later, I was still in the midst of this engrossingly descriptive guidepost to maturing spirituality. Reluctantly I put it aside to get some sleep, but the next morning I finished it -- somewhere between breakfast and lunch. Like another reviewer said, now I know what several friends will be getting for birthdays/Christmas presents!
I suppose the thing that touched me most was the inclusionary (rather than exclusionary) nature of the examples of different stages of 'the journey' -- tapping many different faith traditions rather than one particular dogma. Well, that and the idea that I have something 'new' ahead of me as I hit my forties and beyond, rather than more of the same old thing. I'd like to read it again soon (and I have a feeling I'll want to read it several times in the next couple of decades), but I'll have to get another copy -- my 'original' has been on loan since returning from my trip!
Actually, this is the first book that I've read suggesting the concept of stages in soul growth, especially during one's middle years. Those of the "baby boomer" era who are also caring for elderly parents may identify with many of the stories artfully woven into each chapter. While the content of the book is deep and thought provoking, the material is presented in language and style that is understandable and inviting.
Giving meaning to our daily lives, encouraging growth through struggle, and offering hope through spiritual commitment are a few of the gifts laden in the pages of this book. Perhaps you may even find, as I did, answers to questions unformed yet ever present and waiting.
I've just completed it a second time, in between readings buying copies for friends and loved-ones.
This is a book that normalises the feeling I, and as the book shows, amny, feel about there lives ... "Is this all there is?".
The book is full of spiritual wisdom, drawing from a broad range of traditions, religious and secular.
I really enjoyed this book. Yes there is more to life and as the author reminds us, there is still time.
Enjoy.