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Part I: Living Well
Part II: Common Conditions and Concerns Through Life's Stages
Part III: Making Sense of Your Symptoms
Part IV: First Aid and Emergency Care
Visual Guide: Anatomy and Common Disorders (color photos and illustrations)
Part V: Diseases and Disorders
Part VI: Tests and Treatments
Glossary and Resources
Index
Each disease mentioned contains information about key signs and symptoms, a basic description of the disease, illustrations, how the disease is diagnosed, potential consequences, information on treatment, and information on prevention.
The comprehensive index in the third edition is easy to use. For example, information on "scoliosis" can be found on pages 235, 603, 774, 980, and 981. (Page 980 features an illustration.)
There is also a complete listing of resources for more information including addresses, phone numbers and Web sites. I particularly like the section on symptoms. You can just look up a symptom such as "back pain" and learn more about conditions that cause back pain. The book then directs you to the page containing detailed information about that condition.
I'm looking forward to what I hope will be the interactive DVD version of the Mayo Clinic Family Health Book in the future.
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That is all I can say. This book is the one that proved that good visuals do matter in history books. Arms and Armor of the Medieval Knight has it all: types of armor, weapons, historic data of where and when the weapon was used... but most important of all , VISUALS! Hundreds upon hundreds of page-size, full color photos of actual suits of armor, not crude drawings and diagrams that other books on the subject offer.
Also, I have to say that the texts is incredibly well-written an precise, the data is vast and accurate, and all the sources are quoted perfectly. This is the definitive book on the subject.
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Do yourself a favour and take a trip back into Nineteenth century where technology is just a blink in everyone's eye. What you will discover, however, is that human beings have not really changed, just the conventions have.
Trollope presents a dilemma for most readers. On the one hand, he wrote an enormous number of very good novels. On the other hand, he wrote no masterpieces. None of Trollope's books can stand comparison with the best work of Jane Austen, Flaubert, Dickens, George Eliot, Tolstoy, or Dostoevsky. On the other hand, none of those writers wrote anywhere near as many excellent as Trollope did. He may not have been a very great writer, but he was a very good one, and perhaps the most prolific good novelist who ever lived. Conservatively assessing his output, Trollope wrote at least 20 good novels. Trollope may not have been a genius, but he did possess a genius for consistency.
So, what to read? Trollope's wrote two very good series, two other novels that could be considered minor classics, and several other first rate novels. I recommend to friends that they try the Barsetshire novels, and then, if they find themselves hooked, to go on to read the Political series of novels (sometimes called the Palliser novels, which I feel uncomfortable with, since it exaggerates the role of that family in most of the novels). The two "minor classics" are THE WAY WE LIVE NOW and HE KNEW HE WAS RIGHT. The former is a marvelous portrait of Victorian social life, and the latter is perhaps the finest study of human jealousy since Shakespeare's OTHELLO. BARSETSHIRE TOWERS is, therefore, coupled with THE WARDEN, a magnificent place, and perhaps the best place to enter Trollope's world.
There are many, many reasons to read Trollope. He probably is the great spokesperson for the Victorian Mind. Like most Victorians, he is a bit parochial, with no interest in Europe, and very little interest in the rest of the world. Despite THE AMERICAN SENATOR, he has few American's or colonials in his novels, and close to no foreigners of any type. He is politically liberal in a conservative way, and is focussed almost exclusively on the upper middle class and gentry. He writes a good deal about young men and women needing and hoping to marry, but with a far more complex approach than we find in Jane Austen. His characters are often compelling, with very human problems, subject to morally complex situations that we would not find unfamiliar. Trollope is especially good with female characters, and in his sympathy for and liking of very independent, strong females he is somewhat an exception of the Victorian stereotype.
Anyone wanting to read Trollope, and I heartily believe that anyone who loves Dickens, Austen, Eliot, Hardy, and Thackery will want to, could find no better place to start than with reading the first two books in the Barsetshire Chronicles, beginning first with the rather short THE WARDEN and then progressing to this very, very fun and enjoyable novel.
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My favorite Profile happens to be of one of the non-famous persons, George H. Hunter ("Mr. Hunter's Grave," by Joseph Mitchell). It is a story not so much about a person but of a long-forgotten community, and a way of life. Despite being the longest entry in the audio collection, I rewound the tape three or four times to listen to it again and again - it was that good.
Some of the celebrity stories are just as compelling, although, being celebrities, many aspects of their lives are already well known. But this sometimes opened a window into foreshadowing that could not have been appreciated by the reader (or even the writer) at the time the piece was done. One example of this concerns Ernest Hemingway ("How Do You Like It Now, Gentlemen?", by Lillian Ross). Hidden somewhere in the middle of the Profile, Ross mentions the fact that Hemingway's father had committed suicide. This had no major relation to the story in general, and was probably forgotten by most readers at the time, but we have the perspective of history. And it becomes more than just a tidbit when we realize that Hemingway, too, committed suicide 10 years later, in 1961.
Another eyebrow-raising instance came when hearing about Marlon Brando ("The Duke In His Domain," by Truman Capote). Capote was on location with Brando in Japan as Brando was taking part in the filming of "Sayonara." Brando at one point confesses to Capote that he had to lose weight for the part, and that he wasn't there yet. He still had 10-15 pounds to go. Despite this, the dinners delivered to Brando's hotel room are not those of one looking to cut down; to the contrary, Brando could only gain weight eating the food being sent up to him! Hearing Brando fuss about what he should and should not eat and Capote take note of the rich foods on the tray, it almost seems fake, as if Capote knew how Brando was going to end up. But, of course, he didn't. The story was written in 1957!
But what makes this collection great, though, is the quality of the writing itself. It matters not the subject: actor, comedian, dancer, writer, boxer, even a dog! The common thread running through all the Profiles is the way in which each story is told. Always lucid, always interesting, the stories are less stories and more like works of art.
If you enjoy exceptional writing, this collection is for you. Highly recommended. Five stars.
David Remnick makes thoughtful selections in this anthology. He has covered a time period from the '30s to the present, some very famous people and some you have never heard of, and the same is true for the authors of the Profiles. I fully intended to make a leisurely tour through the book, picking and choosing a Profile here and there for a short read. Once I read the very first one, Joe Mitchell's "Mr. Hunter's Grave," I was hooked and read the whole book from start to finish. So much for leisurely reading!
It is hopeless to attempt to select a favorite; all have their own merits. I was particularly fascinated by Truman Capote's insightful piece on Marlon Brando. Capote's flamboyant personality frequently overshadows his tremendous skills as an interpretive writer. Jean Acocella's study of Mikhail Baryshnikov is an excellent in-depth study of both the man and the artist. John Lahr's Profile on Roseanne is almost scary (or at least Roseanne is!) Joe Mitchell's, "Mr. Hunter's Grave" is so beautifully rendered you can understand why The New Yorker never took him off salary even after Joe suffered the granddaddy of all writer's blocks; he didn't submit an article for fourteen years! The New Yorker always said Joe had a "work in progress."
"Life Stories" is worth it at twice the price. Some of these profiles are unobtainable (unless you have a roomful of old New Yorkers). This is a book you will go back to again and again.
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'Blott on the Landscape' is about one woman's fight to keep her ancestral home at all costs, with the help of her gardener (Blott). We are exposed to the most improbable characters and actions imaginable, with rude behaviour and language in abundance. It all has a 1970s British television sitcom feel about it. Still I think most Brits will enjoy this book, and fortunately it is still in print over here.
Bottom line: Tom Sharpe in fine form. I'm still giggling.
Tom Sharpe's 'Wilt' books were comical enough but, in Blott on the Landscape and Porterhouse Blue, he excels even his own high standards of comic writing.
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Every baseball fan should be asking for and buying this true work of art. The book, in quiz form, does give charts, pictures and short stories on every possible topic from singles hitting to the home run.
The book takes the reader from the early years of the game, right up to the modern day players. You are inundated with numbers, facts and figures that should keep your conversations going for years to come.
I wasn't able to find any category that wasn't covered in this book. The book even covered the not so good players, as well as the Negro leagues. The book is "The Ultimate Test for the Ultimate Fan". A great job and a great book.