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As a long-time fan of the Aubreyad, i can guarantee that any reader familiar with the later books will enjoy this one just as much. We see many of the same scenes, the same phrases, the same habits, the same minor characters as we see later, and it is a pleasure to realise that these are the first times that Patrick O'Brian used the same evocative words that he would re-use time and again in later books.
It is like meeting old friends afresh, and when I read these two books after putting down the twentieth and last in the Aubrey/Maturin series, it was as if I'd found another, a twenty-first.
The book opens with a homage to Jane Austen, as many of O'Brian's books do, and there is a considerable setting-up of the relationship on land before they join Commodore Anson's squadron. Tobias gets himself into a right pickle and Jack gets him out of it in the nick of time in a scene which is at once dramatic and comical.
At sea Tobias learns the ropes and makes the most of his opportunities for natural history, as Stephen Maturin does later. Jack is the young sea-dog, every bit the young Jack Aubrey, except he does not share Aubrey's grosser appetites.
After Cape Horn, well I'd be giving away too much of the plot if I mentioned what went on, but suffice to say that this is some of Patrick O'Brian's most powerful writing, and at one stage I felt tired and worn out just reading it. I almost had to check my hands to see if they were not rubbed raw from the oars.
But our heroes return home at last, and the story concludes with words which are pure O'Brian.
There is no doubt in my mind, no doubt at all. If you liked the Aubrey/Maturin series, you will like The Unknown Shore. And while you're at it, try the earlier Golden Ocean as well - they make a fine pair of prequels to the series.
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Ancient America "celebrates the ancient threads that connect our momentary existence to a universal continuum and bind us to larger meaning." Imagine yourself as one of the first people to arrive in the Americas, having traveled across the land bridge from Siberia or across the Pacific by raft or canoe. There is no smog. There are no buildings. You simply see the grandeur of nature in its most pristine and awesome form. The world is a cathedral to you. That is the vision that Mr. Muench shares with us in this great collection.
The book begins with several stunning photographs that capture the range of the whole book. There is a brief introduction about the photography, then a superb discussion of American anthropology by Brian Fagan that creates a poetic vision of the book's subject. You will learn much about the settling of the Americas in the process. Did you know that humans arrived here only around 12,000 years ago and that populations were quite small until 350 years ago when the European immigrants began to arrive in substantial numbers?
The photographs are subdivided into the following sections: light; earth, rock, water, trees, ruins, and growth. Mr. Muench has a few final words at the end. "Timeless moments of ancient light are for me an expansion of the spirit . . . ."
Mr. Muench has many skills as a photographer. Like Ansel Adams, he is brilliant in using dawn, dusk, and moonlight to capture unusual moments and moods. Also like Mr. Adams, he has an unerring sense of composition that captures the interconnections of nature's patterns in fascinating and rewarding ways. But he exceeds Mr. Adams in his ability to use color. And all of these images are in gorgeous color. The color creates an emotional climate of spiritual peacefulness that will help you regain your sense of wonder, as you shed the distractions of "civilization."
I was particularly impressed to find that many of the images came from parts of North America that I had never seen before. In many ways, this was like exploring a new land to me. That characteristic added to my ability to let go of my preconceptions and existing emotions, and simply drink in the visual manna here.
Here are my favorite images in the book:
Moonrise, Mono Lake, California; Ancient Spruce-Fir-Hemlock Forest, Eagle Creek Gorge, Oregon; White Sands Evening, White Sands, New Mexico; Oregon Seastacks Cannon Beach, Ecola State Park, Oregon; Autumn Dawn, Millpond State Park, North Carolina; Cadiz Valley, Mohave Desert, California; Cypress Dawn, Realfoot Lake State Park, Tennessee; White Canyon Sandstone Labyrinth, Utah; Mendocino Tidal Pool, California; Dead Horse Point, Utah; Delicate Arch, Moonrise, Arches National Park, Utah; Eagle Creek Punchbowl, Oregon Cascades; Atchafalaya, Louisiana; Pinus Aristata, White Mountains, California; Birth at Puu'loa, Hawaii; Anasazi Cliff Dwelling, Utah; Cahokia Mounds, Illinois; and Sand Reed, Minnesota.
Perhaps the phrase that best captures this book is that it contains "some harmony to contemplate in beauty and ancient light the measured pace of the universe."
Having seen what the proper light and setting can do for your spirit, I suggest that you launch a search for places that evoke similar emotions in you and times when you can experience those feelings in private. Then set a regular schedule of visitations, to add a "living meditation" to whatever else you do to get in touch with yourself and the universe.
Shed the unimportant to step into the permanent grandeur of nature, and be refreshed in your humanity!
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The text is consice, yet informative, and includes summarised technical specifications.
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I am not luddite, but my favourite quote from the book is this: "We are in great haste to construct a magnetic telegraph from Maine to Texas; but Maine and Texas, it may be, have nothing to communicate". Does this say something about the Internet, newsmedia and our contemporary information overload, or what?
I liked the introduction and footnotes of Meyer. Just enough to provide context and explanation, but never intrusive. This book is as relevant today as it was during Thoreau's lifetime. Highly recommended.
Disobedience is the shorter of the texts, but probably more important. It is an attempt to justify moral anarchism and a call to act on individual judgements about justice.
Walden can be interpreted as an important treatise against consumerism and the dangers of specialization, as well as an appreciation of the natural environment. Those interested in anti-globalization/anti-free trade movements would do well to read Walden to gain an understanding of where anti-consumerism came from and an examination of its ethical implications. However, it also pays to remember that Walden is a failed experiment and, in the end, Thoreau returns to Cambridge.
Thoreau, as political philosophy, has certain problems. Moral anarchy and denial of the social contract is difficult to replace in civil society--Thoreau makes no more than the most vague references as to what could replace it, seeming to rely on the fact that his personal sense of justice is universal.
Nevertheless, Thoreau's conscience has resonance and is as relevant today as ever. His rejection of consumerism as the basis for society and its stratification also teaches important lessons.
Thoreau represents that first step in understanding the other part of American political thought--extremely different from that of the Constitution and Federalist Papers--but with profound connections to the work of Dr. Martin Luther King.
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The book opens with the usual NASA mission press kit. Unlike the earlier Apollo 14 press kit, this press kit is significantly larger, due to the increased emphasis on the scientific exploration of the Moon. The next portion of the book contains an excellent section titled "On the Moon With Apollo 15." This section focuses on the geology of the Hadley Rille/Apennine Mountains landing site, the science experiments that will be conducted on the surface and the equipment and tools that will be used to accomplish these tasks. This portion of the book was published separately by NASA in 1971 and a used copy now sells for around 25$. The next section of the book, the Pre-flight Mission Operations Report, presents an overview of planned timelines (work plan), while the next section, the Post-flight Mission Operations Report, presents the actual timelines, points out the discrepancies between the two timelines and describes any problems with the hardware
The crew debrief section, which is about 100 pages long, contains the crew comments and feelings about various parts of the mission and for the most part avoids the technical language that many of the NASA documents include; however there are several sections where the crew practically talks in acronyms. The crew debrief contains crew comments from the suiting up phase to the landing, plus comments about the training (did it or did not help the crew). Dave Scott and Jim Irwin dominate most of the crew debrief, since most of the questioning and mission focused on the lunar surface operations; however, Al Worden has a lot to say about his photographic survey of the moon and his deep space EVA (the first one ever conducted). I always find the crew debriefing quite enjoyable, because it is the closest thing to being there and you get two or three first had view points of various aspects of the mission.
The enclosed CD (be careful it is hard to get out) contains a lot of color and black and white photographs, several NASA films and an extremely interesting feature on the development of the Lunar Rover.
Some general information that might be useful.
1) These reports are just scanned-in documents from previously released NASA press kits, etc., In order to preserve the spirit of the original reports, all typographical and grammatical errors have NOT been fixed.
2) Proceeds from the book goes to "The Watch" an asteroid impact research project of the Space Frontier Foundation. In other words, Apogee Books is making very little off the sale of US government produced books.
3) Many people have asked why the post mission reports are not included. Since NASA has published many books with hundred of pages (The NASA SP series), and the data from these missions is still being analyzed, it would be impossible to do.
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Books should have a central theme, and the philosophy blurred whatever the theme was supposed to be. A good editor would have removed most of it.
The word "mystical" has been used to describe the writing of the book. "Mystical" implies something apart from the human experience. The Blue Edge is experiential. It is about experiences that we all face. It is apropos that the boat is named Nirvana, which is the Buddhist term for "enlightenment." Some of the things that the Buddha realized on the road to enlightenment were, that the world is suffering, all things are impermanent, and that there is no Self. The Blue Edge takes us through part of that journey. It shows us the pain, and the joy, as one man struggles with finding his place in the world. As he tries to balance his love for the ocean, his love for his family, and his love for himself.
Carlos leads the reader through the fragile, and thus transitory, illusion of the permanence of job, family, possessions, and our natural resources. He describes how man's greed, and ego, has affected the balance of the once pristine waters of the Sea of Cortez, and how it also is taking its toll on the San Benedicto islands.
For the spearfishmen this is the journey that some of us go through in our diving careers. Our pictures of full stringers of fish on our desks and walls. Our attempts to give permanence to a moment in time. Our attempts to catch the "most" fish. As our diving careers progress we find we take fewer and fewer shots looking for the "right" fish. The contrast Carlos paints with Jack, who is struggling to find his place in his relationship with Pam and with the ocean, and the spearfishermen aboard the Ambar III that are dumping the carcasses of the filleted fish into the water, to Brian Yoshikawa not taking any shots waiting for the 200 pound tuna.
The Blue Edge may be difficult reading for people who have no ties to the ocean, since the sixty-five day journey is aboard a boat. It, however, is must reading for anyone who spends any time with the ocean. The book encapsulates our life journey in those sixty-five days. It gives us glimpses of Nirvana (enlightenment) through Carlos's eyes. It is this poignant glimpse which is what wraps us up page after page, because we feel from the very beginning of the book that Nirvana is not to be attained for Carlos at this time. The struggles through the grinding teeth of sharks, and lawnmowers, is something the ocean takes us through. The longing to play in the ocean, the longing for wealth, the longing for pleasure, the longing for the kill. The experiences Carlos goes through in The Blue Edge shows us that "Nirvana", on one level, or more simply the struggle to find balance with the ocean, on a lower level, is unattainable as long as we long to possess it.
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Great stuff. Came with a poster, too!
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