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As you probably know, Smith was actually Dr. Paul M.A. Linebarger, a Johns Hopkins professor and specialist in Asian affairs. He was a master of psychological warfare.
His stories fit no easy category. They are not fantasy, they are not hard science fiction, they are not alternative history. They incorporate bits and pieces of Asian culture and myth. They are often troubling, haunting. "The Dead Lady of Clown Town" ends with most of its characters dead or with their minds wiped, yet it is a happy ending for all that, with Joan's views obviously spreading through the underpeople. "Under Old Earth" is a fascinating tale, filled with allusions that must be beyond the scope of this note. Even "War No. 81-Q", the original version of which was written by Smith as a teenager, is an excellent story. "Alpha Ralpha Boulevard" is simply one of the great SF short stories of all time. I could go on, but . . .
The volume also includes the Casher O'Neill trilogy, that I had read of, but not seen before.
If you haven't read Smith before, this is how to buy his stories, so that you have them all. If you have--well, again, you'll have them all.
It's worth it. Buy it.
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My career in public education has allowed me to seriously reflect on my life as it pertains to personal gratification of preparing for unknown opportunities and being able to rationalize with poise and confidence. I attribute many successes in my life to the Wooden philosophy that I followed in my early years of my career. Wooden's, reflections, is an outstanding assessment of what a man of Mr. Wooden's character achieved through hard work, dedication to his own philosophy, and the love for life and people. I have recommended this book to personnel within my organization,to coaches and friends. It is also a great asset for parents who need direction in how to raise their children, basing all dialoge and communication on respect. I truly respect the real value of this book as an asset to my future and my family and my responsibities as Assistant Superintendent of Schools!
Thanks, Eddie Booth, Winnemucca, NV
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The nature of the stories which Borges crafted is so unique and subtle that it defies description. He portrayed unusual occurrences, and peppered his stories, narrated in a faux-scholastic style, with references to colourful sources that, while sounding plausible, are of Borges' own invention and can be found in no library. In the first story of FICCIONES, ''Tlon, Uqbar, Orbius Tertius," he imagines an encyclopedia mysteriously containing a entry for a country that is not to be found - at least not in our reality. ''The Approach to Al-Mutasim" is a review of a book which doesn't exist; here, in a reversal of the usual order, the review brings the book into being. ''The Babylon Lottery" and ''The Library of Babel" are both clever metaphors for the human world. In the first, Borges describes an ancient society which lets all things be decided by chance. In the second, which introduced the concept of the infinite library, the story's setting is an unimaginably vast archive whose librarians from birth to death care for books whose meanings cannot be deciphered.
Jorge Luis Borges often used several key motifs in his books, such as mirrors and labyrinths, and it is this reuse of symbols which has created the ''Borgesian" genre. These symbols and the offbeat constructions which Borges almost singlehandedly invented went on to inspire legions of writers, including Gene Wolfe and Salman Rushdie.
The translation of FICCIONES has long been a divisive issue. While some, such as myself, believe that this versions of FICCIONES follows the original Spanish closely and, in any event, Borges' genius is found not as much in his language as in his concepts, others detest this 1962 version. Andrew Hurley has recently translated all of Borges fictional stories, including FICCIONES, in COLLECTED FICTIONS published by Penguin, but even his translation has sparked new battles. Should one wish to read FICCIONES in English, however, I'd suggest getting this translation. It is less expensive than COLLECTED FICTIONS and contains only Borges' finest work. For those who can read Spanish decently, I'd recommend even obtaining the original language, as Borges' stories do not use vocabulary much outside what one gets after four-years of high school Spanish.
While some readers may not "get" Borges (he can be compared to H.P. Lovecraft in possessing great influence on some but total obscurity to others), I'd certainly recommend trying FICCIONES.
To try to capture the essence of Borges in a handful of words is like trying to capture the Lochness Monster on film: impossible, but frequently attempted. With that understanding in mind, here's my assessment:
All of Borges's stories are very different, and yet they all share a common sensibility, one of understated but very deeply felt anguish. This is not the anguish of an ordinary writer feeling sorry for himself and his fate. This anguish is deep, metaphysical. You get the sense that Borges views life and his fellow human beings at a distance, and yet is able to see more and understand more from this distance. He does not attempt to explain; he simply wants to impart his sense of awe, wonder, and inevitability.
The subject matter varies widely: an infinite library, a scholarly review of the life's work of a fictional writer, a boy with a perfect memory. Some of his stories are Kafka-esqe in a nightmarish sense, while others have the intellectual playfulness of an M.C. Escher drawing: what you thought was 'up' is really 'down,' and yet once you see the big picture you realize that this is the only way it can be. The endings are as inevitable as death, and yet you rarely see them coming.
I'm not so sure that Borges wrote his stories with a specific point or message, although many of them seem to have one. I believe that most of these stories are simply meant to inspire thought and contemplation of the very issues that Borges had been thinking of when he wrote them. One could do a lot worse than to see things through the eyes of this great thinker.
My only complaint is that his stories are not as accessible as they could be, and his scholarly manner may be problematical for some. But the most effective pills are often the hardest to swallow...
Ademas del obvio, esta claro que Foucault haya leido Borges poco mas o menos completamentecomensando The Order of Things con: "Este libro primeramente provino de pasajes de Borges, sale de la risa que desmenuza mientras leiya el pasaje, todos los mojones familiares de mi pensamiento - nuestro pensar, el pensamiento que lleva la stampa de nuestra edad y nuestra geografia - destrosando toda orden superficial y todo los planos con que acostumbramos a domar la profusion salvaje de cosas que existen y continuan mucho despues para estorbar y amenazar el colapso de la eterna diferencia entre el Mismo y el Otro." Foucault se referia al "The Analytical Language of John Wilkins" por Jorge Luis Borges. Sin embargo hubiese estado mejor leyendo fuera de las paginas de Ficciones. Borges nos advierte no leer tanto sobre las cosas pero simplemente gozar o sentir gusto y alegria. En su intempestivo clasico de diez y siete piezas, se manifesta Borges a su mejor. En esta seleccion y precisamente en "The Library of Babel", Borges juega con el mundo en realidad y en vano y nos enseÔa la naturaleza precaria de esa
distincion. El dirige su obra a una epistemologia que queda fuera del centro enseÔandonos la naturalesa tentativa del mundo en realidad. No tiene clasificacion del universo que es arbitrario o conjectural. Aqui es donde empiesa el enlaze con Foucault ..... Semejante a Kafka en ciertos pasajes, el llama attencion a estas zonas imaginarias y vemos que toda sabiduria, seÔas y simbolos tanto como conocimiento interior, es solo ficcion o fabricacion - fundado en construciones de palabra a palabra sea o no sea ficcion. El labirinto que es el "Library of Babel" con su forma repettitiva y topografica, y la entretexualidad que es el hex«gono carnesÍ.
"I have squandered and consumed my years in adventures of this type. To me, it does not seem unlikely that on some shelf of the universe lies a total book." Borges, "The Library of Babel".
Yo pienso que lo hemos allado aqui, en Ficciones. Todas cosas desde "Tlon, Uqbar, Orbis, Tertius" a "The South", nos obsequian a una mezcla de surrealismo mundial y semillas de la desmantelacion Francesa. Si Foucault ha leido Borges, el ha reconocido la contribucion de Borges en su estudio de poder y la edficada naturaleza de "The Order of Things". Ficciones no es facil leer pero es muy recompensable. A mi me impresiono la extension de los temas y propuse hacer muchas investigaciones para alcansar lo que you sentia, a mi parecer, un trabajo poco mas o menos impenetrable. Sin embargo, a pesar de la naturalesa de un trabajocompareciente a un laberinto, como Kafka, con un poco de exfuerso llegamos a ver el humor y realizamos que ambos no quedan infinitamente incomprendible.
Miguel Llora y Barrios
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The Great American Diet Roller-Coaster chapter is one that is timely, since recent 2001 research (reputable studies) show that America has reached an all time high obesity rate of over 60%. Healthy Heart, Healthy Life is a chapter that addresses personal responsibility and deals with the high cost of eating poorly, and especially a animal based diet.And the book overall is about how we in the developed world rape the third world and how our arrogance is going to kill us. Better yet, how our ignorance IS killing us.
Misery On The Menu, and A Healthy Plant-Based Dietchapters reminded me (and I do need reminding at times) that the meat, chicken, dairy products I see in the grocery store, are NOT always (or usually) raised in humane manner or as logic suggests, slaughtered in a humane manner. Hmmm "slaughtered in a humane manner" is a bit of an oxymoron isn't it? Something I learned our son is that the meat cases in the meat department of your local grocery store are called Meat Coffins. If that doesn't tell you what you are eating when you buy meat then nothing will.
I also am happy to see John Robbins addressing the whole new world and big business of genetically altered foods, that over years and decades could easily end up providing less food and food that isn't any better than the fast food garbage that one finds in their own communities we drives down main street. Where a fast food hamburger joint oozes the smell of animal fat into the air, and when obese people buy their drug of choice.
Reasons why this book is so good: 1. The book does not fingerpoint at you the consumer. Rather, he traces the issues back to the industry and government factors which allow for extraordinarily unhealthy practices so that you can make informed choices. 2. He shows a lot of compassion, when compassion is the last thing you feel. 3. He seems to have good research to back him up. I was amazed at the conclusions that the big disease research societies came to (Cancer, Diabetic, and Heart Associations) and how this does not get filtered down to the public. I was amazed at how little we are told about real nutrition and disease prevention. He also uses many comments from research scientists who are speaking out against subjects that one would think they would be in favor of. The piece on Breast Cancer had an especially strong affect on me. 4. The book is well laid out. 5. He doesn't get into the ethical right and wrong so much. Rather, he lays out the backgrounds of different subjects (Antibiotics in cattle, hormones in milk, Genetic engineering of food, etc), presents what the industry says versus what a variety of research and scientific commentary and history says, and then gives you his opinion in a non-preachy way.
You will be changed after reading this, and I think in a good way.
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Lucht details an effective plan to go directly to company decision makers for the top jobs. The plan is not presented as a faddish, magic wand technique, but as a no-nonsense "elbow grease" way to get noticed.
There are some problems with the book. First, job changing at all levels is in flux these days, largely because of -- you guessed it -- the Internet. You get the idea that Mr. Lucht was caught off guard by this new big thing. He devotes only a couple of pages, stuck disjointedly in the middle of the book, to online recruitment and job-posting, and nothing at all to how technology will affect the industry.
I would have preferred a more thorough going-over of the world of contingency recruiters, but since they find jobs for lower level managers, Mr. Lucht gives the contingency recruiters a light touch.
The book is odd typographically. For some reason, text in parenthesis is in a font that appears to be several sizes smaller than the regular text, giving the reader the impression that the typesetter just discovered font menus in Microsoft Word. The text often switches between bold and regular and italic, sometimes on the same page. My eyeballs at times were crying "enough already!"
Overall, however, I would recommend the book because it contains some powerful ideas, along with an understanding of the motivations and limitations of executive recruiters. "Rites of Passage" leaves you with the impression that you just got good advice on executive job hunting from a distinguished uncle, without having to feed him dinner.
I just purchased my fourth copy of Rites and plan to use it to land a fourth terrific job. I discovered the Rites of Passage during my first career transition in 1989 and have followed its patented formula to multiple offers everytime. John's writing style and his thorough understanding of the transition process will make you feel as if you are sitting down and talking to an old wise friend. Thanks to John and his landmark book, my family and I have always lived a comfortable lifesyle. The Rites of Passage are a must buy for any serious executive considering a job change.
Erna Zint, Hong Kong
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The third edition is longer by at least 60 pages, and the pages devoted to each body region are now color-coded for quick access.
Each section devoted to a body region now begins with a surface anatomy plate. In addition, a significant number of normal radiographic images are included.
In the foreword, Consulting Editor John T. Hansen states the following:
"We balanced the addition of new surface and radiographic plates largely by eliminating several plates that contributed little to the quality of the [Second Edition]. Several plates from The Netter (formerly CIBA) Collection of Medical Illustrations were added and several plates were altered slightly to correct anatomical errors consistent with our current knowledge.... Finally, the References and the Index have been updated.
"The anatomical terminology is consistent throughout the Atlas and conforms to the International Anatomical Terminology (Terminologia Anatomica) approved in 1998 by the International Federation of Associations of Anatomists. Common eponyms are retained parenthetically, and the leader lines and labels have been checked, and where necessary, corrected to ensure their accuracy."
I plan to get the third edition for my reference library because my 2nd edition got gooked and dripped on in the lab as I'm sure yours will.
Netter is excellent in book form. However, whatever you do don't get the cd. It is poor in terms of clarity...
Nobody comes close to Francis!!!
Just beautiful art, you'll appreciate him once you start dissecting.
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So if you've just bought a "new" Beetle or Bus that needs a lot of repair, buy this book -- but get the Bentley shop manual for your model and year at the same time as you will need to refer to it a lot. I recommend the Haynes manuals, too; they give the same procedures but in a highly effective "steps + pictures" format.
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I was a little concerned about the "new" TCR's as several reviewers mentioned degradations in quality and I certainly didn't like the thin glossy paper I saw in the hardbacks in the bookstore. I was delighted today when I received my large print deluxe leather edition Bible.
The Bible I received has excellent flat, opaque Bible paper perfect for note-taking. And, the binding appears to have stitching in addition to the glue, so I'd say the quality of the binding is fine and should serve one well for years.
One caveat in regard to the large print edition--It is LARGE! Not the print (it's 9 point instead of the regular 8), but the Bible itself. It's not so unwieldy that I would think twice about using it, but if size is an issue for you, check the dimensions and choose accordingly.
I can't say enough good things about this Bible. It has my highest recommendation; you won't be sorry in choosing this Bible.
As for the chain reference system used by Thompson, it's such a part of my Bible reading and study that I'd have a really hard time switching to another system. Some of the illustrations and charts have been revised from my older KJV, but not to an extreme. The Thompson system remains, for me, the quickest and easiest way to study a topic through the Bible, or just through either the New or Old Testament. The Bible also includes an excellent concordance; for someone new to chain reference study they can start with the traditional concordance and work their way into the Thompson system. Also included are excellent maps, revised from the earlier versions, and a historical dictionary with photos of significant Biblical locations, with explanations.
I agree with another reviewer that Nelson Bibles are, in general, not made for people with serious intentions on daily Bible use. They are constructed down to a price, which isn't necessarily a bad thing, as these can provide a very inexpensive introduction to the Bible. However, when one is ready to use a Bible in a serious, daily way, a better Bible will easily pay for its higher price.
Though this Bible is well-made, it is NOT as well made as my older, large print KJV. My older Bible has whipstitching clearly seen in front and back, with pages secured as well today as when I bought it. This newer Bible appears to have pages that are glued in like cheaper ones. Additionally, the paper is comletely different than my older edition, and thinner. The older paper had almost an eggshell texture, whereas the newer paper is much slicker and thinner. In first use it's really quite difficult to get the pages apart. However, it's still a very well-made Bible, just not up to the standard of the older ones. That should in no way deter someone from buying it, though.
As a one-volume Biblical library, I haven't seen anything to beat the Thompson's. As another reviewer noted, it's also refreshingly free of editorial bias, which certainly can't be said of all its competitors. Most of all, each of us needs to find a Bible they can live with daily, and any Bible available is better than none at all! Thompson Bibles aren't inexpensive but they will last twice as long as cheaper Bibles, particularly if kept in a cover. Also, the supplemental atlases and historical additions might well save purchase of other books to accompany Biblical study. Highly recommended!
The Thompson Study system is very helpful and they've graciously spared us from a myriad of religious cliche and personal opinion. The page layout is smart. The Bible text actually fills the page and all study helps and references are relegated to the side margins. There are so many ways to use the studies and references, I am unable to number them here. The concordance is as extensive as any I've seen. The 14 maps are colorful and very well done. Simply put, it's a complete, Jesus-exalting study Bible designed with excellence.
The construction of these Bibles is equally impressive. The paper is just right--not too thick, not too thin. The print is dark and sharp. Their font is subtil and very appropriate for the Bible, if you ask me. The red words of Jesus are RED. They're not muddy brown; they're not pink; they're bright, deep, beautiful red. They are printed consistantly page to page, not some pages lighter or misprinted, as the Thomas Nelson folks are plagued by.
Now that I own three Thompsons, I feel about them the way a good ol' boy down in the South feels about shotguns. "I have more than I need, but not as many as I want!"
How exciting that the NESFA Press has brought all of these stories together in one book. It was such a joy rediscovering old favorites, and also finding real gems (such as "The Dead Lady of Clown Town") I had never seen anywhere before.
This volume is a must-have for anyone who cares about classic science fiction short stories. In it are some of the best examples of the genre. A short list of the stories in this volume that you MUST read would include: "Alpha Ralpha Boulevard", "The Game of Rat and Dragon", "A Planet Called Shayol", "Mother Hitton's Littul Kittons", and the aforementioned "Dead Lady of Clown Town."
The title of one of Smith's collections that originally contained many of these stories was You Will Never Be the Same. What a great title, and how accurate. You won't be.