There is lots to love about this book: its tiny size, the quality printing and illustrations, and the first-rate outdoor living information throughout. It uses color especially well in the plant and insect identification section. It's loaded with improvisational survival tips. For example, I palm sap from young stalks is an easy source of essential water and sugar; a baited cloth bag can catch eels unattended overnight. One nit: the tome lacks an index, and given it's 380 pages, one is definitely needed. Still, I give it five stars and consider this book essential for any outdoors person.

I just bought this book the other day and it is amazing. It gives you the facts you need for survival. If I get caught in a situation from the book and I don't know what to do, I will be suprized.

This book has to be the best survival guide available aside from the original full-size version, both of which I own and find invaluable. Lofty Wiseman answers all survival questions clearly and thoroughly in this guide, and due to it's compact size (about the same dimentions as my wallet), it has earned a place in my knapsack/ backpack/ carry-on bag anytime I travel. Aside from a knife and matches, this is THE MOST ESSENTIAL piece of survival gear one can own. Highly Recommended!

This is a solid, powerful, stunning, and most biblical text from both Jonathan Edwards and John Piper. This book includes Edward's essay titled "The End for Which God Created the World," along with comments and further delineation from John Piper. To read Edwards sometimes takes much concentration and hard work, and Piper has done a great job bringing this work to life.

The first part of the book is an introduction to Edwards's work, by Piper (a sort of commentary, if you will), and the later part is the actual work of Edwards's. Piper begins by expressing his concern about the issue at hand, and then leads into a discussion of not only Edwards's life but his work as well. Piper comments on Edwards's conclusions in relation to Piper's concerns in his current ministry and then allows the reader to take what Piper has discussed and make application of it through Edwards's original work.

The thing I find most interesting about this work is its relevancy. What I mean by this is the fact that Edwards's wrote this work 200+ years ago and it is still pertinent to our own culture today (sure proof that the Truths of God endure forever). This is a great text, solid theology, and extremely relevant reading for today. I heartily recommend this work!

In this book John Piper reprints Edwards' classic, The End for Which God Created the World. The first four chapters include the insightful commentary about Edwards' work along with Piper's own reasoning for reprinting the work in the climate of today's theologically shallow church. Edwards' work is difficult reading, but his reason and biblical arguments are irrefutable as he explains that God's glory is the ultimate purpose and chief end of everything that exists.

This tremendous book is divided into 2 sections the first is somewhat of an introduction by Piper to the second part which is "The End For Which THe World Was Created" by Jonathan Edwards. While Piper is always a "deep read" he is likewise an accurate shot. His insights and command of the simplicity of the sovereignty of God are a blessing tothe church today.

Jonathan Edwards, primarliy known for his sermon, "Sinners in the Hand of An Angry God" goes beyond his sermon and eloquently states that we are here to fulfill a purpose... to glorify God and yet that one singluar purpose is the essence of our own joy and peace. What a place of rest this is.

Regardless of all the wonderful things Piper has written and, I love them all... this may well turn out to be one of Piper's greatest acomplishments: the reintorduction of Jonathan Edwards to the church.

"But may it never be that I should boast, except in the cross of our Lord Jesus Christ," - Galatians 6:14 NASB

The name John Stott is well recognized among Bible students today, and for good reason. He has long been recognized for his gifted teaching, penetrating insight and pastoral warmth. His writings take the profound teachings of Christianity; shine much needed light on them, and in the same fluid motion, they plug the teachings into the lives of their readers. This book is no exception. The Cross of Christ is considered to be Stott's greatest work by more than a few people and I myself would place it in the top five books I've ever read. It's that good. The central theme of this book is to explain why and how the finished work of Christ on the cross is central to the Christian faith. It deals more with how salvation was provided for on the cross and not so much how it becomes effective for salvation in the life of a person. Stott begins by considering some preliminary issues such as the centrality of the cross in our faith. Stott says of Christ, "What dominated his mind was not the living but the giving of His life"(32). Stott rightly suggests that the cause of Christ's death was both the wickedness of men and the plan of God. He was turned over to the priests out of Judas' greed, turned over to Pilate out of the priest's envy, and handed over to the soldiers out of Pilate's cowardice, and the soldiers crucified Him. However, the blame for Christ's death cannot be placed solely on these individuals because He was not only suffering for their sins, but ours too. All this was according to the plan of God also. His love desired out salvation, and the only righteous way to do such a thing was to place our sins on the Savior and to have Him pay our penalty. The chasm is great between ourselves and a holy God. Stott says that "sin is not only the attempt to be God; it is also the refusal to be man, by shuffling off the responsibility for our actions"(101). So in order for God to offer salvation to mankind, He must do so righteously, without contradicting Himself. Man can never repay such a tremendous debt. This is where the Savior enters the picture. In other words, "How can he save us and satisfy himself simultaneously? We reply to this point that, in order to satisfy himself, He sacrificed - indeed substituted - himself for us" (132). Stott declares, "...neither Christ alone as man not the Father alone as God could be our substitute. Only God in Christ, God the Father's own and only Son made man, could take our place" (160). The result of this divine transaction in that man can be pronounced legally righteous, justified, in the sight of God. Stott tells us that it is very important to understand the accomplishments of the cross, "for the better people understand the glory of the divine substitution, the easier it will be for them to trust in the Substitute" (203). After Stott delineates the details involved in the atonement of Christ he does something that few theologians do by discussing what it means to live under the shadow of the cross. He tells us that the greatest singe event, in which God simultaneously shows us His justice and His love, was in the cross. Ultimately, God dealt with the problem of evil at the cross when he provided salvation from it to all those who would trust Him. Now we have unlimited access to God which should mark our lives with joy.

Discipleship logically follows from salvation. Once God saves us, we give up "our supposed right to go on our own way" (279). We realize our position in Christ and we literally mortify the deeds of the flesh that once controlled us. Knowing that we are valuable in the sight of God should cause us to be giving in sacrificial service. Power and pride should now give way to service and humility. Last but not least, Stott deals with Christian suffering. The causes of suffering are varied, but its results should be patient endurance and mature holiness (315,16). Even while our faith is being tried, we can rest easier knowing that God loves us and has promised an ultimate deliverance. Our involvement with evil should not be in its repayment but on letting God deal righteously. The best examples of how we are to react to suffering are the meekness and trust in the sovereignty of God that were displayed in the life of Christ, culminating in His death. In summary, John Stott's The Cross of Christ is a book that teaches the prediction of, the necessity for, the accomplishments gained by and the benefits resulting from Christ's substitutionary death on the cross. I feel like this is a much-needed work at this point in time when much of Christianity is focused on Christian living with our never sufficiently knowing why we live like we do. I am a firm believer that correct behavior can only be consistently lived when our minds are thinking correctly beforehand. Observation tells me that it is virtually impossible to behave correctly without believing correctly. In my opinion, Stott places the importance of Christ's cross exactly where is should be in our list of priorities...right at the top.

If you ever want to find out what is at the very heart of the Christian faith Stott argues that the death of Jesus is crucial. Although a serious read which convincingly refutes many of the wrong and inadequate views of the Cross, Stott leaves us with an understanding of the event that is coherrent, powerful and ultimately thrilling. As well as providing understanding, the book explores what it truly means to live 'under the shadow' of the Cross, demonstrating that the very best theology is extremely practical - indeed, life-changing.

The Cross of Christ would have to be one of the finest Christian books written in the past 20 years. It covers one of the most important areas of Christian understanding - the cross itself. Its coverage is excellent, not just resting on what the cross achieves, but helping to think through some of the implications the cross should have on how we live today.
The title of the conclusion ('The pervasive influence of the cross') does some up the powerful message of the book - that the cross of Christ is central and has a powerful impact on the life of a Christian.
Miss this book to your peril! Highly recommended.

It's amazing how nasty, insightful and funny are Callahan's cartoons. In this book he relates the incidents that turned him into an alcoholic quadriplegic -and into one of the least PC humorists alive.

The book is very honest. Callahan don't put the blame of his miseries on external factors (unless when it comes to burocracy, and how the system penalize those who try make a living by working). He takes full responsibility of his mistakes and actions.

The book is extremely well written and easy to read. Callahan presents us his childhood, his drinking days and his insecurities in love as a teenager, the stupid accident, how he had to learn to live as quadriplegic, even more drinking years, his decision to take control of his life, the experience at AA, the search for his real mother, the ideas behind his cartoons and the reactions received, the frustration with welfare, and -of course- several of his cartoons.

Highly recommended.

John Callahan has written a fabulous book for almost any audience, mature mid-teens and older. One could call it irreverent and funny, morbidly funny in places. But it's much more than that.

The opener sets the tone: "On the last day I walked, I woke up without a hangover. I was still loaded from the night before." On one level it's the story of his life. We watch as he becomes addicted to chemicals at a very early age, starting with alcohol at twelve. We watch him cruising through his teen years, experimenting with other drugs. We learn about his adoptive family dynamics, his Catholic upbringing, his alienation from his father, how he was with friends, and his resentment towards his birth mother, who he feels abandoned him.

The last day he walked he was twenty-one. He and his buddy, also drunk and the driver, left a topless bar and drove into a utility pole at ninety. Callahan takes the reader through the most vivid description I've ever read of what it is like to become paralyzed in all four limbs, have sex as a person with quadriplegia, what the rehabilitation process entails, and how difficult re-entry is. For the first time I began to understand how critical a personal care assistant is for a person with quadriplegia, and how dealing with the vagaries of a state welfare program can virtually make or break one's ability to function.

He shares unusually open insights into his involvement with Alcoholics Anonymous, and his successful struggle to control his addiction, his triumph over self-pity. We follow his intense and persistent search for his birth mother, and his reconciliation with old friends and his adoptive family.

And finally, we see a gifted cartoonist and writer hone his skills, submit his work, and be rejected. Callahan shows us the real meaning of tenacity as he continues his craft, mostly at night, "his time." Eventually he becomes recognized and his sometimes infamous work is widely published, from Penthouse to the New Yorker. He relishes the thrill of creating.

In short, this is a sobering, instructive, yet humorous book about his life, and life in general, by a gifted man. On another level, it's a book about sheer guts, tenacity, and believing in oneself. Don't Worry, He Won't Get Far On Foot is a very easy read, and although first published ten years ago, its appeal is timeless. I strongly recommend it and thank my friend Dennis for introducing me to it.

Callahan is simply incredible. Never before could such a man who so obviously has so many faults be considered a hero. At my high school, Callahan has become a cult hero on level with South Park. But Callahan's story is more than his sick and demented humor. He overcame a lot to just be himself. This isn't a self-help book nor is it a typical autobiography of a noted comedian. Callahan is something special. He overcame adversity so deep and so self-inflicted that at times it seems like John himself is the only one who could overcome it. In this book, he shows his glaring weaknesses and for it endears himself to his readers. This book is not only Callahan's finest, but it is also a triumph of humanity. Callahan proves over and over again through the book that sometimes the best thing you can do is forgive him for being himself. Just like you need to forgive everyone for being themselves.

I have owned a copy of this book for five years, and reread it at least once every month or so, along with my ancient copy of 'Lord Kalvan of Otherwhen', of which it is a sequel. The book deserves to be reprinted, plus, its two sequels, of which only a hint has been published - a chapter in a Jerry Pournelle anthology indicating that all is not well in Hostigos. The characterisations, military lore and exciting plot make this a stand alone novel to be enjoyed on its own merits. We had to wait many years for this sequel, I hope that the authors of these posthumous tributes to Piper's Paratime Universe will soon find publishers for their next works.

H. Beam Piper's last book was one of his best, Lord Kalvan of Otherwhen, an alternate timeline novel of a PA State Trooper in a land where the formula for gunpowder was the secret of a particularly despicable church.

After his death, John Carr and Roland Green wrote a sequel, Great King's War, that Ace inexplicably let go out of print. Ace also sat on the second book in the series.

This is a very rare book,There are a very few Alternative histories novels which approach the feel of this novel. It is a sequel to "Lord Kalvan Of Otherwhen" by H. Beam Piper. I feel it is just as good or maybe better than the original.

"Dessert Circus" is the companion cookbook to Jacques Torres' television series, filled with step-by-step instructions and photos to help you recreate all his delicacies at home. After flipping through the book, I had my doubts.

Every recipe I tried was delicious. My favorite recipe has to be his "Chocolate Cornflakes". Delicious and fun to make.

Things I noticed about these recipes: They seem designed for parties and less for home cooking. Yields were large, with servings for 8 seeming to be the magic number. If you want to impress, you'll love this book. There is a fair amount ingredients that may be hard to find.

To recreate many of the recipes listed will require: time, talent, and a little prayer to pull off. This is not to say that the results aren't worth it. Desserts like the impressive "Nougatine Basket with Fruit Sorbets" (three diamonds) can be accomplished, you simply have to take your time and be prepared.

If you've ever looked at an issue of "Chocolatier" or "Pastry: Art & Design" magazines, you have a good idea of what you'll be in for with this cookbook. Cooks looking for a challenge will find plenty of recipes to choose from.

From a rainbow of sorbets served on a chocolate artists "palette" complete with chocolate "paintbrushes", through to the strawberry and raspberry Fraisier Cake beautifully presented with layers of fresh strawberries, Jacques' highly original desserts win me over each time I open this book, and my guests each time I serve one of his creations.

The directions are clearly written, and every dessert recipe is accompanied with a finished photograph, and quite a few feature step by step pictures aswell. Jacques dedicates the first chapter solely to equipment and ingredients, plus a glossary of all terms used throughout the book. The second chapter covers basic or ingredient recipes, such as the perfect puff pastry and homemade chocolate sauce. He also shows you how to prepare my personal favorite, chocolate sculptures. You can also adapt these sculptures, turning just one of the pieces into an amazing garnish.

I highly recommend this and the second volume by Torres, "Dessert Circus at Home".

I have Jacques Torres first book and I plan on buying his second. I watch his show on TV and find his book a great buy. If you love desserts I highly recommend his book.

The whole presence of Jamaica and everything on the around the island was great. Fleming knew the place well. There are some great aspects to this book, but no matter what the handling of the villain--the fascinating Dr. No--was shoddy. His discription of Dr. No is fantastic and the character, or the little we learn of him, is one of the more intriguing villains in all of the Fleming canon. However, his early and rather laughable demise just stinks of having nothing to do with the whole setup. There was a big blank after the death of Dr. No and I was like, huh? The whole point was to dump bird crap on him and wrap up this whole complicated mission. Oh well. It's still a Fleming Bond, and I have yet to read a "bad" one. They are ALL good, but some are certainly stronger than others. This is on the weaker end but still very enjoyable.

This book is supposed to be the sequel to "From Russia with love", in fact it begins with Bond in hospital due to a life-threatening injury obtained in "From Russia with love" but recovers, M(Bond's boss) decides that there is no better way to get Bond back in shape than give him a "simple" mission in the island of Jamaica where the representative of the British Secret Service(John Strangways, who also appeared in Fleming's Bond novel "Live and let die") has disappeared, Bond's mission is to find out what happened. This "soft option" leads Bond to his most dangerous and thrilling mission yet and leads to him to do an "obstacle course", to a fight with a squid and a fight with a "dragon"! I thought this Fleming's most suspenseful book as I never could tell what would happen next and this kept me hooked, so much so that I read it all in one day! Unfortunately, this is also Mr. Fleming's most far-fetched. It was far-fetched in the sense that I don't think even Bond(who at that point was supposedly half-dead) could have defeated a 60-foot squid with just a dagger. That apart it's a great, great thriller. Read it, wonder in awe at it's elements, then read it again just to savour Fleming's writing. Unfortunately, the movie never did the book justice. I heard that in "From Russia with love" Fleming planned to simply kill off James Bond, thankfully he didn't and produced a marvellous book in Dr. No.

Probably the best Fleming Bond. Takes place in, and captures the flavor of Fleming's favorite site he knew so well: Jamaica. The progression of Bond's venture to Crab Key through to the denoument (which takes up the second half of the book) is the best -- and most exciting -- sustained writing Fleming did. This sequence contains the classic moments: the introduction to Honeychild Rider, the revelation of her past, the Dragon, the bizarre "hotel" within Dr. No's complex, the dinner, the extraordinary tunnel of horrors chapter (one of Fleming's most inspired scenes), and the ignomnious end of Dr. No. This is Fleming at his full powers of (sometimes weird) imagination. Unlike other Bonds -- say Moonraker --Dr. No can be read again and again

This is a very interesting book, consisting of a series of 3-7 page interviews of people talking about their jobs. From corporate lawyer to tranvestite prostitute; from McDonald's Employee to CEO to professional hockey player; from UPS delivery person to Lutheran pastor this book runs the gamut of jobs. The jobs are not put in the standard Q&A interview format where the reader can see what question is asked and how the interviewee responded, but rather put in a narrative form, making for a much quicker and enjoyable read.

One of the best aspects of this book was comparing and contrasting the various jobs: how did the person end up with this job; what are his/her duties; what's daily life on the job like; what's the best and worst part of the job; do you like your job (nearly all answered yes); what the job holder's career goals are. As someone currently looking at a career change, this book was not only entertaining, but useful in getting me to think about what other kind of stuff is out there (I had already eliminated "transvestite prostitute" from my list but this book was useful in strengthing my resolve to stick to that decision).

People from every walk of life talk about their jobs, their lives. The pieces read like very short - short stories - but they're true! Funny, sad, wonderful, heartening. I really enjoyed this book!

I find myself going back to re-read the interviews. This is really a fantastic book. Great reading for bedtime, on the plane, or anytime at all.

This is a great book that shows how people that live around us but don't have our profession view the world. It is written in small monologues where the person interviewed is just talking about him/herself in the way that they want to talk without an interviewer steering them in any way: so you get a lot of information by seeing what they find most important of their job and they choose to share with us.
After reading some of the interviews I found myself wondering how would it feel to be somebody else, I felt that for a moment, I was inhabiting somebody else's life, and felt delighted to see how happy everybody was no matter if they were a traveling salesman, a food stylist, a[n] ... escort, an FBI agent, a congressman, a palm reader...
It's a beautiful book that showed me that there are people for everything, and that this diversity is what lets us live all together in this world in almost complete harmony.

"Daniel Deronda" is George Eliot's last and, perhaps, most ambitious novel. It has great literary merit, but I do not think it is her best work. The novel contrasts the lax moral attitudes of the British aristocracy with the focused dedication of the Jewish Zionists. Given the typical anti-Semitic sentiments in Victorian England, and the little known world of the Jews and the Zionist Movement, Ms. Eliot's made a brave and idealistic effort by writing this book.

Ms. Elliot describes the lives of British Jews, a society-within-a-society, of which most of her contemporaries were oblivious, through her hero Daniel Deronda. Through her heroine, Gwendolyn Harleth, who marries for money and power rather than love, Eliot explores a side of human relations that leads only to despair.

Daniel sees Gwendolyn, for the first time, at a roulette table. He is fascinated by her classical, blonde English beauty, and vivacious, self-assured manner. When Ms. Harleth is forced to sell her necklace to pay gambling debts, Deronda, a disapproving observer, buys back the jewelry, anonymously, and returns it to her. This is not the last time the deeply spiritual and altruistic Deronda will feel a need to rescue Gwendolyn.

Daniel was adopted by an English gentleman at an early age. He has received affection, a good education, and to some extent, position, from his guardian. However, Deronda has never been told the story of his true parentage, and sorely feels this lack of roots and his own identity. Not content to play the gentleman, he always appears to be searching for a purpose in life.

Daniel's and Gwendolyn's lives intersect throughout the novel. They feel a strong mutual attraction initially, but Gwendolyn, with incredible passivity, decides to marry someone she knows is a scoundrel, for his wealth. The decision will haunt her as her life becomes a nightmare with the sadistic Mr. Harcourt, her husband.

At about the same time, Daniel inadvertently saves a young woman from suicide. He finds young Mirah Lapidoth, near drowning, by the river and takes her to a friend's home to recover. There she is made welcome and asked to stay. She is a Jewess, abducted from her mother years before, by her father, who wanted to use the child's talent as a singer to earn money. When young Mirah forced her voice beyond its limits, and lost her ability to sing, her father abandoned her. She has never been able to reunite with her mother and brother, and was alone and destitute, until Daniel found her. Daniel, in his search for Mirah's family, meets the Cohens, a Jewish shop owner and his kin. Deronda feels an immediate affinity with them and visits often. He also comes to know a Jewish philosopher and Zionist, Mordecai, and they forge a strong bond of friendship.

Daniel finally does discover his identity, and has a very poignant and strange meeting with his mother. He had been actively taking steps to make a meaningful existence for himself, and with the new information about his parents and heritage, he leaves England with a wife, for a new homeland and future.

One of the novel's most moving scenes is when Daniel and Gwendolyn meet for the last time. Gwendolyn has grown from a self-centered young woman to a mature, thoughtful adult, who has suffered and grown strong.

The author is one of my favorites and her writing is exceptional. This particular novel, however, became occasionally tedious with Ms. Eliot's monologues, and the book's length. Her characters are fascinating, original as always, and well drawn. The contrast between the lives of the British aristocracy, the emerging middle class, and the Jewish community gives the reader an extraordinary glimpse into three totally different worlds in Victorian England. A fine book and a wonderful reading experience.

George Eliot's final novel is both riveting and problematic. Many critics have called it "two books in one" -- some have even said that the two strands of the book should have been *separated*. One plotline follows Gwendolen Harleth, a spoiled and beautiful girl fallen on hard financial times, and what happens when she marries a soulless aristocrat...the other plotline concerns the title character, Daniel, who is drawn into the revelation of his true Jewish ancestry. George Eliot is a Novelist of the Mind...she dissects the motivations and psyches of her characters, setting them against the society they inhabit and examining interaction both with that society and with the other people it encompasses. This is a stirring novel, with sharply-etched characterizations : not a melodrama or a potboiler, yet still with the drive of a thriller.

Daniel Deronda is a brave piece of literature. It attempts to chronicle the budding Zionist movement and anti-semitic attitudes of Victorian society, and combine it with a more traditional George Eliot soul-searching story of a young woman (a gentile who has a complex relationship with Daniel Deronda, the young Englishman who discovers he is a Jew). While many people have quibbled about various details of the story, with some justification, the overall impact is one of awe. It's amazing how an accomplished writer defies popular criticism and explores a subject matter which was, at the time, politically incorrect.

Strictly speaking, Daniel Deronda isn't quite the same level of immaculate fiction as Middlemarch. So I think George Eliot fans will be somewhat disappointed. But on the positive side, the book is much more accessible (ie, easier to read). And the subject matter makes it required reading for everyone interested in modern Judaism/Zionism. It's fascinating to compare how Jews were perceived during the mid-1800s relative to today (..in western Europe).

Finally, the Penguin Classic edition of Daniel Deronda has both great Notes and Introductory sections (which, oddly, is supposed to be read AFTER reading the book).