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Narrated in part by Mr. Markham, the gentleman farmer who falls in love with her, and partly by herself in diary form, the Tenant of Wildfell Hall is a sad portrayal of the miseries Helen Huntingdon endures at the hands of an immature self-centered husband.
The story starts out with Helen, an intriguing beautiful "widow" who comes to live in a deserted moorland mansion called Wildfell Hall with no one but her maid and young son as companions. She excites the gossip of the local townspeople by her refusal to mingle in the town's social life, her strong opinions on the upbringing of her 5 year old son, and by working to support herself as a landscape painter. Mr. Markham, the gentleman farmer, rather than being repelled by her fiercely guarded independence is intrigued by her and determines to learn more about her, falling in love with her in the process. Helen becomes the butt of sinister gossip when it is discovered that she and Mr. Lawrence, her landlord, are not the strangers to each other that they pretend to be in public, and it is rumored that something is going on between them romantically.
It is in response to this falsehood that she turns over her diary to Mr. Markham, who at last learns within its contents her true identity, why she is at Wildfell, and why she can not marry him. He also learns the astonishing identity of Mr. Lawrence. Helen's diary traces her life from a naive girl of 18 to a courageous woman of 26, and the sorrow and trials she endures in her marriage to a wretch of a husband, the womanizing, alcoholic Arthur Huntingdon.
Anne Bronte creates a world in which the drunken, immoral behaviour of men becomes the norm and this may have been startling to contemporary readers - perhaps a reason for the book's panning at the critics. The narrative is built up delicately; first Gilbert; and then the racier, more gripping diary of Helen as she guides us through her married life; before returning again to Gilbert, whose tale by this time has become far more exciting as we know of Helen's past. Helen's realisation of the awful truth and her desperate attempts to escape her husband, are forever imprinted in the mind of the reader as passages of perfect prose.
One of the earliest feminist novels, the underrated Anne Bronte writes in this a classic, and - defying the views of her early (male) critics - a claim to the position of one of England's finest ever female writers.
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The stories which are illustrated by these drawings are very creepy. Many of the stories are incredibly pointless. Some of them end awfully, others don't really end at all. Some aren't stories, but rather collections of poems with a title. At times, things get quite disgusting. For example, in one set of alphabetical poems entitled "The Fatal Lozenge," the last poem goes like this:
The ZOUAVE used to war and battle
Would sooner take a life than not:
It scarcely has begun to prattle
When he impales a hapless tot.
This is accompanied by an illustration of a baby pinned through its abdomen with a sword and blood dripping down. But no matter what, everything in this collection is interesting and unique. This book is at no time dull or boring. Plus, it makes a great conversation piece. I love showing people my Amphigorey book! Most people have never heard of Edward Gorey and are entirely surprised that such a bizarre book even exists.
In any case, if you don't already have it, you should definitely get this book! It's such a great thing to have around the house, you'll never regret owning it!
An incautions young lady named Venn
Was seen with the wrong sort of men
She vanished one day
But the following May
Her legs were retreived from a Fen
Edward Gorey is the Renee Magritte of literature. I have always loved bizarre, vague, puzzling works, and Amphigorey is delightfully, bitterly twisted. The characters are so spectral. On each page I see... not nightmares, but dark dreams surfacing. This wild, enchanting book ranks alongside William J. Meyer's comic book saga, White Bread, as one of my favorite "what the hell is going on" works of literature.
Within the borrowed volume I read, I discovered an artifact that may be of immense value. It was a printed invitation decorated by a copy of Edward Gorey's drawing of the Gashlycrumb Tinies and their Grim Reaper nanny. In Gorey's handwriting, the invitation gave the names of two gentlemen and continued "...and the Gashlycrumb Tinies demand your presence at their home at 8:00 pm on ALL HALLOWS EVEN [that's not a typo], 1975." The invitation announced a costume contest and gave an address and phone number. Ah, to have attended Mr. Gorey's celebration! He is surely the master of Halloween.
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One of Kafka's biggest achievements is his ability to have the reader sympathize with the "bad guy". Few authors can really get a reader emotionally involved with the book.
So take home this book and sit in an under-lighted room as you read it, but be prepared. Soon you will find yourself lost within the words of Franz Kafka.
"A Country Doctor" is in my opinion the greatest short story ever written, a dark dream sequence with all kinds of slimy worms writhing beneath the surreal surface plot, sticking out through the rotted boards that Kafka puts down to allow us to see what we're standing over. "The Judgement," a purely perfect work of psychology, Kafka dipping deeper and hitting more nerves than in any of his other stories, giving us a picture of what it's like to be a genius controlled by a domineering, and a nonunderstanding father. And of course there are the smaller works from "Meditations," little snippets of images that flash through the mind, a kind of literary whispering in the ear while sitting in the dark. "The Burrow," another favorite, perhaps the most claustrophobic work of fiction ever conceived, the darkness of the tunnel affecting your mind for days.
Read this book, in it the greatest treasure a writer ever gave us shines, a golden nugget, hidden deep within a dark pool that seems unswimable. Take the swim, and I garantee that you will find the nugget. Ignoring Kafka is like denying yourself the best there is.
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As to the father-son relationship, this is the tale of a loving father who is losing his son as he grows to a man. And this really starts before he enters the Marines as he becomes more attached to a girl of whom the father does not approve...When the son John enters boot camp, the real excitement starts as you live through the experience with him. The brainwashing of these recruits seems extreme until you watch these recruits grow into the type Marines the DIs wanted. I'm not sure I could survive the mental and physical effects of boot camp and anyone who has passed boot camp is to be commended. It's interesting to watch these guys struggle the last few weeks with injuries that should be treated but would only delay the recruit's training.
After boot camp, the book then shows the negative of the military. This motivated recruit is sent for Morse Code training for 4 months only to be sidelined for over a year, as his security clearance has not been processed in Washington. What a waste of taxpayer money and young people's lives. But even this demeaning treatment does not shake the extreme pride in the Corp.
Probably the most important lesson of this book is how a son from an upper-middle class family chooses a career in the Marines while suffering the ridicule of the liberal friends of his parents and how his father's attitude changes about this. I felt this could have been covered in more depth. More importantly, this recruit bonds with the fully integrated Marines and learns to share many experiences with most other recruits less fortunate.
I strongly recommend this book to learn more of one of our greatest natural resources, the men and women who choose to serve in the military. The most heart-wrenching part of this book is seeing the stories of Marines with families who qualify for food stamps. People, something is not right with that concept
Maybe it's the old Marine in me; I became one 61 years ago, and like everyone who has ever worn the Eagle, globe and anchor emblem, I am still one. I felt so proud for John, the son, and his accomplishments. He appears to be the "Classic" Marine!
The book made me feel good about John's whole family whose loyalty and love made his early ordeals at Parris Island less burdensome. And Frank's role as Father couldn't have been handled better even if pre-scripted.
Marines everywhere and "wannabees" will love this story.
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The story revolves around a trio of suitors for Lolita: Diego Vega, spiritless heir to the largest fortune in California, Captain Ramon, commandant of the presideo, who is not above blackmail and deceit to achieve his aims, and Zorro, the masked rogue who defends the mistreated and downtrodden. The plot is predicatably familiar and McCulley demonstrates only an adequate writing style. That "The Curse of Capistrano" (only later retitled "The Mark of Zorro") achieved success is due to McCulley's blending of a spirited heroine, a dashing, daring hero, the timeless story of good versus evil, and some dashes of humor. The book also contains a fourteen page forward discussing the book from a historical perspective. I found this informative and a worthwhile addition.
While not as good as similar books, for example "The Scarlet Pimpernal", it is still an enjoyable way to spend a rainy afternoon. Shhh, shhh, shhh.
Zorro's best-kept secret is the fact that there wasn't *one* Zorro story written by Johnston McCulley -- there were sixty! A wonderful new company is currently in production of republishing every one of these classic stories. I've read some of them; they're every bit as good as "Mark". Truly "must-reads". Miss them at your own expense.
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