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It's not "the best book I've ever read," nor is it the SPECWAR primer that Rogue Warrior is. But for some unadulterated macho fun, Green Team (like the others in the series) can't be beat.
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What makes this book so unique? Many, practically all 007 books explain about the movies and books alone. This book does that, but includes how what was going on in the world and popular culture influenced many of the decisions in the films and books. All of the films, including Die Another Day, Never Say Never Again and Casino Royale are reviewed in equal amounts. These two official films have always been a little more difficult to read about, but now because MGM has recently added them under their ownership, they are explained in great detail. The best part is how the author's include not only the focus of the film, but what was going on in the world at the time. A great example is the dangerous choice to expose African Americans as the villains in Live and Let Die. This is a great way to see what was the pop culture during each film. Learn all about the Bond Family, and how they made many changes to the series such as increasing the authority of women, how Bond acted, amount of humor in the films and the way they were presented to the public. A great way to look at all of the thousands of people that have contributed to the series, enhanced with hundres of rare photographs and pictures. The best book to look back at the history of James Bond over the 40 years it has been around. The end of the book features great text information on the films. And, finally there is a quote from people that have worked on or in a Bond film.
The definititve Bond book. The Best. That covers it all.
It is a beyond amazing book, so don't delay and read it now! I stayed up all night reading it, and it was all I could think about. Don't hesitate! Read 'Sunwing' today!
Once I finished "silverwing" after not being able to put it down and vowing to buy "sunwing" right away...I didn't. These books seemed a lot more than just books, it was more like a life of Shade.
About 3 years had passed when one day I saw "sunwing" at my school library...I grabbed it right away and was done it just as fast as Silverwing. It was just as captivating and answered all the un-answered questions from "silverwing". I've never really read a book from an author that writes the same way as Oppel, his writings are full of twists and turns that leaves you guessing and best of all reading to find out!
Now if I can just get my hands on "firewing"...
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Belfast Diary gives the reader not only a "factual" picture of life in the war-torn city, but also evokes the spirit of the place. Many times, as I read, I found myself with tears in my eyes at the extreme conditions Belfast natives accept as "normal."
Conroy lived with Catholics in a Catholic neighbourhood as he wrote this book, so I have to admit it has a republican slant to it. I admire Conroy for putting himself into the poorest parts of the city and experiencing life there for himself. This is an excellent book.
-podus
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Dos Passos wrote this trilogy almost as a documentary. It is a history lesson, with newspaper articles, biographical sketches, beautiful train of thought prose poems, and, in the midst of it all, fictional but brutally realistic characters who each experience the times through a unique set of eyes.
Since I have read this book it has become one of my favorites, and there are few titles with more meaning to me than _U.S.A_.
It is intersting to note that at the time that this book was written, Dos Passos was a frevent socialist/communist. By the time of his death, he had renounced the communist idealogies for a more conservatine viewpoint.
Although, the fictional prose is simplistic and the dialogue somewhat cliched, a powerful story is told. The world is seen through the eyes of several ordinary citizens, all with different backgrounds and from different classes. The characters lives interwave through important world events such as labor unrest, Mexican revolution, World War 1, and the Russian Revolution.
Interwoven throughout the fiction are snippets that attempt to educate the reader. The 'Camera Eye' passages are newspaper headlines and attempt to capture the mood of the day. There are sections of Dos Passos's own thoughts of the day, some of them written as Dos Passos as a child might have seen them. My favorite sections were the short autobiographies of important citizens- among them Thomas Edison, Henry Ford, Eugene Debs, Woodrow Wilsoon, and Emma Goldberg.
If you are lookiong for a passionate or suspenseful fictional story, this is not the book for you. But if you are intersted in history, especially American History, this book is excellent in capturing the mood of first third of the 20th century.
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Although Wendy seems a little prim, she is sweet and motherly. John was offhand and brave, Michael was tiny and believing. My favourite character was, however, Peter. The author really outdid himself on this one. Peter's innocent cockiness and love for dangerous adventures endeared him to me at once. He still has all his first teeth, and his first laugh - what more could we ask of him? His frightful happiness in danger reminds me of my seven-year-old self.
The book retains a magical quality right up to the last page. The midnight scene where Peter coaxes them out of the window has always stood out in my mind; there is a kind of magic in an ever-young boy, small and innocently cocky and always up to some mischief. The ending of the book is very sad, for only those who are gay and young and light-hearted can fly.
Definitely a book worth reading. Adults, trust me on this one: you might think you're too old to read this book, but once you do you'll find that a piece of Neverland still resides in your heart.
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This book contains one of the most wonderfully unique stories I have every read! It is gothic horror, but one where the protagonist is a wizard. Unlike the wizards presented in many stories however, Prospero often finds that his powers do not help him, and that he must confront the horrors or flee from them, the same as any other man. Through it all, the story portrays a gentle humor that makes it such wonderful reading.
I really enjoyed the black-and-white illustrations provided by Marilyn Fitschen (though this may be only in certain editions), their stark nature adds greatly to this suspense-filled story. I highly recommend this story to any fan of fantasy literature, or player of D&D!
The book starts at the home of Prospero, a reclusive, good natured wizard with an obnoxious talking mirror and a lot of very tacky clutter. His friend Roger Bacon arrives at his home, only to find that sinister forces are creeping toward Prospero's home: an enormous moth that gives them a creepy feeling. Gray-cloaked figures lurking outside. A skeletal bird fluttering at the window.
Roger brings news about a strange book; Prospero realizes that there is an old enemy, Melichus, gaining power to destroy him. He and Roger set out on a hazardous journey across the geographically simple land, ruled by a rather unimpressive king, to find and unravel the mystery behind this strange growing force for evil.
More than once, Prospero and Roger will hit a dead end, be deceived by an evil illusion, or face the horrifying effects of their enemy. And the final battle in this book is unlike any battle of wizards ever seen before.
This book is very difficult to summarize, as some things simply don't click into place for a long time. It is, additionally, not a book that you can really skim. I read the book once, said "What?" on the last page, and had to go back and reread the climax.
This book lacks, in parts, the humor so necessary in Bellairs's books to keep the protagonists from going insane. Long stretches have nothing funny at all; we do have the irritating, singing magic mirror, the attack of the troll on the mini-boat, and the ridiculous rhyming spells that the wizards often utter: "Trying to find out if/(Hagiographically)/John of Jerusalem/liked almond paste..."
This book also defies fantasy cliches; the world that Prospero and Roger live in is very simple, not filled with dark fortresses and castles, but with ordinary villages connected by roads and woods. Evil, in Bellairs's world, is not something that sits on a throne and gives sadistic orders; it creeps into cracks and crevices and flits out at people. The "moth" scene manages to give an ordinary annoyance a feeling of horror; the scene where Prospero finds the innkeeper, and his subsequent escape are some of the most effectively creepy scenes I've ever read. He does so without gore or gimmicks; half the horror is not knowing what is conjured by Melichius.
Prospero is a quietly likeable character; his quirky house endears us to him, as does his reaction to the magic mirror. Roger is a little less defined, as the real him appears throughout a relatively small amount of the book. Other characters flit in and out.
Wizardry in this book is more than incantations and walking around with a funny hat (which neither of the characters has). I liked the description of the final duel between good and evil; also the effect on a wizard's staff when the wizard dies. Bellairs's wizardry is not flashy or show-offy, but a serious practice.
This book is relatively short, only about 180 pages; some kids may be a bit confused by the complexity of it, though. However, this is a delightful read...
Written with a deceiving simplicity that, no doubt, owes its origins to Bellairs' many successes as a writer of horror fiction for young adults, 'The Face in the Frost' is the tale of two wizards who must prevent the completion of a spell so awful it would bring the ruin of their world. When Prospero (not the one on the island) finds his comfy and peculiar home under siege by baleful magick he is alarmed. The appearance of his old friend and co-wizard Roger Bacon (the very one) only confirms that ominous portents are about. Faced with giant moths and a force of giant menacing shadows they make their escape, bent on finding the source of the problem.
In short order they realize that someone is in the process of activating a spell inscribed in a legendary tome. They must face illusion, traps, and even death trying to discover the identity of the book's new owner. And then, once the identity is known they must wrest the book from its keeper's grasp and bring it to destruction. In a trick unknown since Aristotle's Cave, Bellairs manages to fit this detailed and wide ranging quest into a novel of less than two hundred pages. For this accomplishment, if no other, Bellairs deserves a great deal of appreciation.
Bellairs characters are gem-like, as is the world in which they move. The tone of the narrative is quite humorous, with Prospero and Bacon getting much of the credit for keeping up a banter full of strange twists that seems to wander at will across time and place without any disastrous side effects. The narrative, in contrast, is quite chilling. Bellairs shows a fine ability to create suspense and horror without having enormous quantities of gore splattered over the pages. On several occasions I found myself unexpectedly spooked by what on the surface was comparative mild-mannered prose.
For all the time I've had this book I have always been surprised that I haven't come across more of Bellairs' work. It is only recently, thanks to the Internet, that I discovered that Bellairs was pre-eminently known as a writer of youthful fiction, and that he died prematurely. In retrospect, it is probably only a fortunate accident that 'The Face in the Frost' crossed over into adult fiction. It certainly could be read with great enjoyment by anyone who can cope with Bellairs clear but literate writing style. Lest I forget, the story is accompanied by many wonderful illustrations from the pen of Marilyn Fitschen, which the reader will find as pleasant as the story.