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She begins with breast feeding and the benefits it offers to children's immune systems. She then moves to a discussion of nutrition in general, saying that "the food you feed your child creates the foundation for her future health." Frederick warns strongly against giving children fruit juice, citing the effect all the sugar in it has on juvenile immune systems.
She devotes a chapter to the issue of childhood immunizations, describing each one and emphasizing that parents have the right to choose whether or not to have their children immunized.
Frederick also discusses nurturing, saying that "if your child feels truly loved and knows that you'll always be there for her, that inner peace and sense of security will help strengthen her immunity and ability to fight off illnesses." She includes commentary from a variety of experts, explaining how they've helped their children develop spiritually.
One section of the book is devoted to specific natural remedies for common childhood illness, such as colds, fever, colic, earaches, etc. Frederick then includes a complete discussion of the use of herbs, homeopathy, flower essences, Chinese medicine, and nutritional supplements, all with age-appropriate dosages.
She finishes with a "Child's Materia Medica," which explains how to use various natural remedies, and suggestions for a home health care kit, enabling parents to have everything needed on hand.
Jay Gordon, M.D. writes in the foreword: "Sue Frederick's book has helped me--and would help every doctor, health-care practitioner, and parent--remember one crucial fact: A child's body will heal itself naturally if we stay out of the way and use gentle remedies, wisdom, and guidance." Readers will find that A Mother's Guide to Raising Healthy Children--Naturally provides all the information they need to keep their children healthy and happy.
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Yet it soon became apparent that these essays provide brilliant exposes of our postmodern intellectual traditions.
Just as Will Rogers and Dick Gregory would read straight from the newspapers without commentary and would be met with laughs at the absurdity of the pieces read, so too did I find myself doing the same with these pieces.
Not only do they present in clear fashion the 'truths' espoused in the various philosophies of our day but by reading these very philosophies into the Pooh stories, the hubris of humanity glares from between the lines. I walked away not only educated and humored but humbled.
It became apparent that we can read whatever we like not only into the Pooh stories but into pretty much anything we so desire.
I'll not pretend to understand all the nuances of what Professor Crews has written; heck, I don't even recognize all the schools of thought he's sending up, nor all the specific people he seems to have targeted. Everyone will discern Harold Bloom in the person of Orpheus Bruno, whose lecture is titled The Importance of Being Portly, and whose last three books are titled : My Vico, My Shakespeare, My God!; What You Don't Know Hurts Me; and Read These Books. And one assumes that Dudley Cravat III, whose contribution, Twilight of the Dogs, is one long bellow against the "sickness unto death" of the modern university, must incorporate at least a significant touch of William Bennett. Knowing who the victims are in these instances definitely adds to the enjoyment. Unfortunately (no, make that fortunately) most of the other models for these characters will be so obscure to anyone outside academia that the reader, at least this reader, won't know recognize them.
You can figure out, without too much trouble, that specific lectures are aimed at Deconstruction, Marxism, Feminism, Queer Theory, Postcolonialism, Evolutionary Psychology and so forth. Much of the enjoyment of the book lies in the way Crews can make the Pooh stories fit these absurd theories. He'll leave you half convinced that the Hundred Acre Wood is alternately a seething pit of repressed homosexual longings or pedophiliac torture; the oppressed colony of a brutal imperialist master; and a laboratory of Darwinism. The very capacity of these simple children's stories to bear the weight of each of these ideologies only serves to undermine them all. Such infinitely plastic criticisms must ultimately be about the theories themselves, not about the text that is supposedly under consideration.
One final feature of the book is particularly amusing, and especially frightening. Though the lectures are obviously made up, the footnotes appear to all refer to genuine sources, with titles like "The Foul and the Fragrant: Odor and the French Social Imagination" and "The Vestal and the Fasces: Hegel, Lacan, Property, and the Feminine". I suppose someone trying to complete a doctoral thesis will write just about anything, but, please God, tell me no one has actually ever read them.
It all makes for very funny reading, but with a serious subtext. This is the kind of garbage that kids are being taught, with a straight face, in our schools today. That scares the heck out of me. Hopefully Professor Crews will keep that skewer pointy. We need someone to puncture the pretensions of these self-important intellectual nitwits.
GRADE : A
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I suppose I ought to update my copy ;-) mine is dog eared!
Need stats? Buy this book to learn. Good stuff!
If your child is leery of taking on a campus of 40,000 students or doesn't want to be 2,000 miles from home, this guide will help you find outstanding institutions of all sizes and in nearly every part of the country. Our son will be pursuing some area of computer science, and we found many highly-rated schools in this guide which were completely new to us. What is also interesting is to look at the listings for some majors and see what "name brand" schools are missing from the list. Don't assume that just because a particular college or university is of general high quality that it truly excels in the field your child wants to study!
Give your college-bound child a REAL choice and eliminate much of the guesswork by using Rugg's.
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I was surprised by the story's direction after the flippant tone of the opening narrative led me to expect a farce or romantic comedy. The story moves very slowly, not the pace of comedy at all. The tennis game that begins the story is literally in slow motion. The crisis is viewed in retrospect, so we are given Barnaby's wry perspective of it. I loved the author's use of the tiger motif to deflect Barnaby's own self-deprecation and remind us that even stockbrokers have human potential. What happens in the end remains appropriately open to chance, as is life.
You could almost see this as a contemporary rewrite of Dickens's "A Christmas Carol," only without the sentimentality. After his quiet epiphany, Barnaby does not become a great philanthropist or spiritual leader; he simply fulfills some personal responsibilities. Nice.
Originally released in serialized form, Peter Simple is a fun, straight-forward adventure novel. It was a best-seller in it's time (1833) and holds up beautifully. I think this will appeal to anyone who ever thrilled to the works of Rafael Sabatini, Bernard Cornwell, or Orczy's Scarlet Pimpernel. It's an easy read and great fun !
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Slowly--word by word and line by line, Buechner has won my respect as an author. How he unravels the story of his own life, how he makes the past breathe, gives it life...it has all combined to deepen my esteem for him. He is one of the greatest living authors.
Buechner's honest search for something universal in his story has captivated me. We all stand, in one way or another, in the shadows of our own lives. Alone, we cannot even comprehend the whole of our own journeys. The value of Buechner's excavation of his past is that when others view it, it may help them see the importance of their own journey.
In spite of the author's uncertainness about writing them, I have found Buechner's autobiographies to be of great value. I am thankful for the man's openness, courage and skill (they are fun to read).
I give "The Sacred Journey" my wholehearted recommendation.
A feeling of quiet comes over one during the reading. This is intensely personal, intensely honest writing. I was prompted to examine my own life as directly and intently, wondering why I had never done so before. Truthfully, wondering if I could.
Highly recommended, as are the works that follow.
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Anglophiles might enjoy this more than general mystery readers, and it helps a lot to be familiar with the history of the 50s and 60s in Britain. Even so, the characters are well-delineated and the situations speak for themselves, so fear not.
Of course, it was Suez that occupied so much newspaper space, but still, one would have thought that such a shocking death, and one with such a propensity for scandal and gossip, would have rated more than the occasional one sentence it did achieve. For Tim was very open (for that time) about his homosexuality, and that was obviously the motive behind the murder. At that time, such behavior was very much against the law, and was an imprisonable offence. To be sure, Tim was the grandson of a marquess, but still--
Not at all impressed with himself, Proctor is by turns still naïve (cocooned, he calls it), prescient, dogged, and most of all, a man at ease with himself. A man who, thirty-five years earlier, could have a good friend who was homosexual, while still being very hetero himself.
It would appear that a young man, employed as an electrician by the BBC, Andrew Forbes, was labelled as the murderer, but everyone who will speak to Proctor, discounts that possibility. When Proctor travels to the US to, with any luck, confront Forbes, he finds himself believing the story he is told. Tim was alive, although battered, when Forbes left him.
With the help of his children, his researcher, old friends, and others, Proctor pulls away the layers of concealment to expose the perpetrator of the crime. By the time you've made the journey with Proctor, you'll definitely wish for more politicians in his mold, regardless of whether Whig or Tory, Labor or Conservative, Republican or Democrat. I promise you won't soon forget this book, especially the final few pages. Guaranteed to make the hair stand up on the back of your neck!
Robert P. Barnard has written a slew of books. To me, the only thing any one of them has in common with any other one, other than being a very enjoyable reading experience, is the marvelous writing accompanied by a very shart wit. The wit usually presents itself in different ways, depending on the plot and the characters, of course, but it is still ever-present. Hardly surprising, then, that he's won so many awards. They're all well-deserved.
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From our perspective today many of these paintings look very quaint, though when they were first published they must have appeared very futuristic. Buy this book for it's historical and art value, not for scientific accuracy.