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I say it is a must-read for anyone on either side of 60. It is a timeless, energized, enthusiastic, motivational book written with golden years in mind, but filled with stories all can enjoy. Will be a great holiday gift for lots of folks on your list.
Lauren's treatment of Human Rights is quite thorough. I have to commend him for the fact that he does not value judgements on any of the events he described. He acknowledges the mistakes made but does not dwell on them.
I also learned a lot of things about history that wasn't touched about in my history classes. I can say that I actually felt smarter reading this book. :)
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If you are guiding any one in an improvisational education. this is the best. It is very important for improvisers to learn about comedic improv through spolins techniques. all other forms of improv is about the joke which lets face it is only funny because you know the performers. but spolin allows you to discover the scene not the joke. and if you are naturally a funny person chances are your scene will be funny. this is not to say that the funniest guy wont have a serious scene .some times when an improv is a true improv you have to let it be what it is whatever it is.
great book. great book .fun book. gauranteed to give you guru status if you follow her instruction. after all you will be giving the most wonderful gift to all your students. your students will develope as improvisers the correct way and will be able to work with anyone.
At any rate Viola Spolin influenced improv more than any other human being. She was the first, the pioneer. Her son, Paul Sills, founded both The Compass and Second City. He carries on her work.
Easily 90+% of all improv exercises taught in American universities are derived from her. And most mediocre books on ipmrov are small samplings of re-cycled Spolin exercises, without her focus.
Which is a nice way to segway into telling the reader that even 'The Bible' is bound to disappoint if one misses the theme of Spolin's thought.
Without it one simply gets a collection of 'games' that are ponderously cross referenced. (And a big so what.) It'll gather dust on the bookshelf as a 'reference work'
Here's a secret: Spolin was far less concerned with the comedy audience suggestion improv theater ( Second City notwithstanding.) Her main concern was training actors.
(Her influence has been vastly underestimated, e.g; Meisner trained actors should check out her "Preocupation A" exercise. You'll get deja vu. And Spolin came first.)
She took one of Stanislavsky's best idea, "Concentration of Attention" and ran with it. She created the credo of POC (point of concentration) and 'sidecoached' the players into weaving magic . . .
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His views of downtown are especially well-done, and in light of recent times, it was a comfort to see the skyline in the traditional beauty. The view of the Twin Towers rising from the battery with Lady Liberty in the foreground seems especially meaningful in these times when our freedom seems threatened.
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Watkins writes with a grueling sensitivity that is unparalleled. He writes realistically of the hard, dirty, unrelentingly difficult life of a fisherman with a sensitive hand but without maudlin sympathy. Watkins' succinct writing style adds to the tone. You get to know his main character without really understanding him. Indeed, it is clear he does not understand himself. It would be unfair for the reader to do so.
A book of dreams clashing with reality - a place we have all been, especially when youth is meeting adulthood. This is a book you truly will not be able to put down.
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