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Joy Jones learns she has cancer in late 1983, and takes the suggestion of her doctor that she begin a journal to help her deal with the emotional aspects of fighting the disease. Along with writing about her feelings and her search for a healing lifestyle, she shares her thoughts and emotions with her good friend, Rodney McKeever. After about three months, Rod begins to receive mental messages relating to Joy's struggle to live life as fully as possible in the shadow of cancer. He begins by writing down what he hears in his mind, but rapidly progresses to speaking the messages directly to Joy. Since both Rod and Joy know how to write and read Gregg shorthand, Joy can easily write down every "sharing", as they choose to call each message, as it is spoken.
The messages, which continued for eight years, are jam-packed with detailed information for all people who are looking for ways to cope with the difficulties of life on planet Earth, not only people who have a life-threatening disease. Some of the topics covered in the sharings are how to direct your energy for maximum physical and emotional health, the nature of nonplanetary life, the reason for and value of planetary life, and the identity of the members of the committee who speak through Rodney McKeever.
"Walk to Where the Butterflies Are" is a must read book for anyone who is curious about the reasons we have chosen to be conscious, living beings on this planet. It is structured in journal form, making it easy to read and digest one entry at a time. The committee members speak in beautiful, easy-to-understand language, and I felt a sense of calm and peace as I read each journal entry, as if the healing messages in the book were meant not just for Joy but for anyone who heard or read them. Give it a try. You won't be disappointed.
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You need to buy this book. It is a real testimony to men united for Christ!
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uncertainty. I had known about Brooks, an MIT artificial
intelligence / robotics researcher of Australian origin,
for over a decade, having found his work on insectlike
robots very interesting. The uncertainty arose because
AI researchers tend to write materials that are either
completely opaque (Marvin Minsky comes to mind) or full
of grand arm-waving (and there's Hans Moravec for you).
However, FLESH & MACHINES actually turned out to be a
generally fun read. Brooks is a surprisingly good writer
who can explain things clearly and can be entertaining.
He explains the evolution of his AI-robotics thinking, which
is oriented towards the idea of building up complicated
behaviors through hierarchical layers of simple "reflex"
functions (as opposed to constructing a computation-intensive
virtual model of the world and rules for interacting with
that model), and then speculates on the future of his field.
The end result is less a treatise than a little bubbling potful
of ideas, which is fine by me because I find that a good
deal of fun, as well as mostly unpretentious. Although
Brooks is famously opinionated even that wasn't
off-putting, since he comes across much less than as a
beady-eyed zealot than as a advocate in a debate where
it never really gets personal.
There's a lot of amusing tidbits in this book. I hadn't
heard much about what Brooks was up to in the later 1990s
and was a bit surprised to find out he and his people
went into the toy business as a sideline, creating the
interactive "My Real Baby" doll.
Incidentally, he discusses the Furby doll in the context
of interactive toys and I was a little distressed to find
out that its "learning" capabilities for which so much
fuss was made were a fraud -- it simply had a program that
became more sophisticated in its operation over a
schedule, making it seem to become "smarter". Apparently
the marketing literature didn't exactly lie about this so
much as it misled. Alas, I swallowed it.
I am shamed.
The later chapters of FLESH & MACHINES do get into some
arm-waving, but some of it remains interesting, though
as far as I am concerned Brooks might have cut it down
a bit. For example, he critcizes in detail folks like
Roger Penrose who fabricate a case that machine
consciousness is impossible, which seems like paying
too a bit too much attention to obvious sophistries.
If we can't even *define* consciousness in a scientific
way it hardly holds much water to say that a machine
will never be conscious -- no matter how many words
Penrose throws at the reader.
A lot of the speculations in the final chapters aren't
much more stimulating than I might get in some good bit
of science-fiction, for example comic-book writer Adam
Warren's "Human Diaspora" stories, but Brooks does make
a few good points. For example, he suggests that the
only way of telling when a machine has become self-aware
is to ask it.
Now if you think that sounds silly, then how would you
know *I* was self-aware except by asking me? And if I
told you I was, what could you say to persuade me
otherwise?
In sum, FLESH & MACHINES may not be profound, but it does
have a lot of fun ideas in a compact package that doesn't
take too long to read. I think that I would find skimming
through it again in the future stimulating.
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Mr. Hoare starts his book out with a solid review of the scientific research done upon the Shroud. This does help for those who want to review what has been studied. And to his credit Mr. Hoare does this rather even-handedly. Where the author really fails is what he does after reviewing the data. And what contributes to his failure is his very poor understanding of Christianity, despite the fact the book describes him as a "protestant". This quote from the book should help explain what I mean:
"Experience and studies have shown that on this earth there are certain laws that operate. Is the only answer really that God stepped right outside those laws in the case of Jesus?" (p. 130)
This short quote fairly clearly shows how the author either doesn't realize that Jesus Christ is Himself God (in the second person of the Holy Trinity) and therefore not subject to the laws of nature since He is the creator of all that is, or it shows that Mr. Hoare does not believe in Christ's divinity. Either way it leads him to draw seriously flawed conclusions about Jesus. He basically suggests that Jesus was in a coma in the tomb and removed by followers who nursed Him back to health!
This brings us back to the basic truth that how we see and interpret everything depends on our belief (or disbelief) in God. A poor analogy might be that if someone saw a jacket hanging on a door and had no knowledge of "hooks on doors" then their entire interpretation of gravity would be incorrect since they would postulate reasons why the jacket did not fall to the ground. This of course would not be reality - infact it is the layman's definition of insanity (failure to recognize and live in reality).
So in essence his book reviews the evidence fairly soundly but draws conclusions from that evidence that simply are far beyond what the evidence is able to say. Mr. Hoare arrives at the correct conclusion about the shroud being that of Christ but simply takes too much liberty beyond that.
Rodney Hoar dared to brake a tabu: Yes - under the shroud lay Jesus, but the man of the shroud was not dead - the evidence for this is clear.
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This was the book that got me interested in Norse legends and mythology. For those of you who don't know about it, I think it is for more interesting than the Greek or Roman myths that are all that most people know.
This book is chock-full of some of the most interesting tales I've ever read. Even as an adult, I go back to it every so often to re-read some of the stories. It presents them in a way that even a kid can understand and enjoy. The art is also one of my favorite parts. The subjects definitely do not appear Norse (their only flaw), but the lavish scenes and rich colors more than make up for this. Whenever I think of a scene from Norse mythology, the Rodney Matthews's illustrations are the images that come to mind.
This book will always be my standard for Norse mythology, and it will always have a place on my shelf.