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Author Rodney Johnson takes us into a fascinating world with a plot that is simple but extremely effective -- by being naturally inquisitive, Rinnah Two Feathers finds herself in the middle of a mystery that leads to a search for the legendary Dead Man's Mine. Fortunately for us, the clever writing, the glimpse that the book provides into the Indian world and the fun illustrations (by Jill Thompson of Scary Godmother fame!) take this book to the next level.
Rinnah is the type of girl you want to know, and her best friends, Tommy and Meagen, are wonderful, fully drawn characters, similar to the kids in the Harry Potter series. In fact, all of the characters are not only interesting but also integral to the story, such as the bullies at school, the Indian family members and the numerous adults staying at the lodge run by Rinnah's mom.
I won't give away the ending, but I will say that it was both surprising and satisfying. I can't wait for the next Rinnah Two Feathers book!
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His basic argument is that Plato took a number of what he calls "pieces of identifiable proto-history" and wove them together into a contemporary commentary on the world. Castleden suggests that the basis of this is a faint memory of Minoan civilization. He points out what is often forgotten by those who take the Atlantis story literally, that for Plato it is Athens that is written about as a utopia, not Atlantis, Athens that is the "excellent land with well-tempered seasons."
He illuminates several puzzles that have misled many people, eg. Plato's comments about the Pillars of Hercules. This is often assumed to refer to the modern day features by that name, but in ancient Greece the term could have other meanings, eg it could refer to the two southward-pointing headlands on each side of the Gulf of Laconia. Thus the large island outside the pillars of Heracles would be Crete.
Castleden follows this with a very detailed discussion of the archaeology and geography of Minoan Crete and Thera and how that compares with Plato's tale. He goes into detail about how the story might have been transmitted to Plato and Plato's possible motives in writing the two essays. (He also mentions that there was a century older text by Hellanicus, of which only a small fragment survives, called 'Atlantis'!).
He suggests that the size of 'Atlantis' was distorted by a misreading of either Linear A or B numerals or hieratic or demotic copies made by Egyptian scribes sometime since the fifteenth century, multiplying dimensions by ten so that the Plain of Mesara, which would fit into Crete, became the size of the southern Aegean and Atlantis thus became too large to be in the Mediterranean. A similar problem changed the 900 years between the eruption of Thera and Solon's visit to Egypt to 9000 years. If this is the case it becomes much easier to reconcile the relatively accurate description Plato gives of bronze age Athens with the story of Atlantis (something usually ignored by those who take the Atlantis part of Plato's story literally).
What he is not arguing is that either Minoan Crete or Cyladic Thera was Atlantis. He is suggesting that instead Plato drew his story of Atlantis from proto-historical elements about both civilizations. He also suggests that Plato draws from Syracuse (eg the fortifications of Syracuse) and Sparta for both physical descriptions and some of his political commentary, writing circumspectly so as to avoid Socrates fate.
He provides a wealth of archaeological evidence and the book is generously sprinkled with sketches and photographs. He even goes into detailed points such as the fact that Santorini (destroyed by a massive volcanic eruption) has red, white and black rocks matching Plato's description of the building materials used in Atlantis.
Atlantis Destroyed is a must read for anyone interested in the possible historical background to the Atlantis story.
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Each chapter has a brief summary of the topic in question -- say tools and materials. Next, each chapter moves on to showcase the work of two or three automata artists with many pictures and a page or two of information about each artist.
The photographs of automata in this book are outstanding. You can really get a sense for the devices, their construction, and most especially, their finishes.
If you love automata, want to see more of them, and want to learn about some of the top automata artists in the contemporary scene, this book is a must-have.
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This book is chock full of information and recipes pertaining to the past 130 years. It has trivia, origins of liquors and pictures as well as history of drinks that are famous today.
Examples include: did you know that Absinthe was eventually replaced with what we use nowadays called Bitters? Also has origins of liquors (you know "Eau-De-Vie"? No, I didn't, but if you don't either it's the pear-in-the-bottle liquor -- they literally fasten the bottle to the pears before they get too big and the pear grows inside the bottle.)
If you're looking for a guide to help you make that "time period" party just right, this is the one for you. Tells you how to stock your bar properly, glasses to use and drinks for special occasions, such as Wassail for Christmas and tropical drinks from the 40s. You name an ingredient -- they've got a drink for it.
If you're not a social drinker, this pretty much makes a good read. I've literally curled up in bed just browsing the information aside from the recipes.
A must have for the serious bartender-wannabe for authentic drinks and history.
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I had often wished I could take a course in "Street Smarts." I found that course in EXPOSING MANIPULATION. I only wish I had read it as a teen-ager; I could have avoided damaging relationships and saved thousands of dollars.
Thankfully, I didn't have to develop a suspicious nature. In his one-friend-to-another conversational style, Dr. Pearson taught me to recognize the signs in people who mean me no good.
I'd like to see everyone I love armed with the knowledge contained in EXPOSING MANIPULATION.
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Howard-Browne's theology is mostly solid. There is ample biblical support given for his assertions that Jesus is much different from the pseudo-Jesus taught by much of the Church. He brings out the important fact that Jesus wants to bless the members of the Church.
All the positive points covered in this book are muddled by very trite writing. It was difficult to read entire paragraphs consisting of the same three word sentence repeated numerous times. The very real and compassionate minister of the gospel hid behind parody and silliness in his delivery of the subject. The theology gets 5 stars; the writing style a 1. Thus my overall rating of a 3.
I thoroughly enjoyed this fast moving young adult mystery. All the characters are well developed. The plot is complicated enough to keep me guessing with a couple of nice twists, but comes to a logical conclusion.
This book is a definite step ahead of the Nancy Drew and Hardy Boys books and I'm looking forward to Rinnah's further adventures.