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By: Frances Hodgson Burnett
Reviewed By: ...
Period: 4
There is a young girl named Sara. She is a very smart, kind and clever girl. Sara likes to read books and imagine things. Her father had to go off in India for a job so he left Sara at a school. They were a very rich family. Sara always wore the fancy clothes and she got everything she desired. At the school, everyone always looked at her. She made some friends but very few. A few Years later, her father dies. She becomes a poor, dirty maid who cleans at the school. She still has contact with her friends but very few. She met a neighbor that just moved in. It turns out that he is looking for her because he was a close friend of her dad. The neighbor doesn't know that Sara is the girl at the school next door.
Later on they meet, and Sara's life becomes a lot better.
I liked this book because it kept making me want to read on. I didn't want to stop. It was such a interesting book. I've never read a book like this one. It's so fun how she is very happy at first and then sad later on. " Nobody but Sara herself ever knew what had happened in her room after she had ran upstairs and locked the door. In fact, she herself scarcely remembered anything but that she walked up and down, saying over and over again to herself in a voice which did not seem her own: 'My Papa is dead! My papa is dead!'" That was the sad part.
This book always made me think about how nice of a girl Sara was and what a kind heart she had. I was crying when she had become a poor, maid after her father died and left no money. She always cared for others and was an excellent student at school. "'Ah, Madam, ' he said, ' there is not much I can teach her. She has not learned french; she IS french. He accent is exquisite." That is what her french teacher told The head mistress.(She is very smart)
My favorite part of the book is when she meets friends. Although she had kind ways to talk to people, she always met people in a strange way. For instance, when she met one of her friends, Lottie,it was when Lottie was crying. Lottie was screaming out that she had no mother. Sara never really met her mother. Then, Sara offered to be her adopted mother.I thought that was strange but nice of her. It stopped Lottie from crying so hard and she became very close friends with her. That is what I liked about the book.
This is a story about a different kind of princess than one might imagine; a princess that is an orphan - lonely, cold, hungry and abused. Sara Crewe begins life as the beloved, pampered daughter of a rich man. When he dies a pauper, she is thrown on the non-existent mercy of her small-minded, mercenary boarding school mistress. Stripped of all her belongings but for one set of clothes and a doll, Sara becomes a servant of the household. Hated by the schoolmistress for her independent spirit, Sara becomes a pariah in the household, with only a few secretly loyal friends. But through her inner integrity and strength of will, Sara Crewe maintains the deportment, inner nobility and generous spirit of a "real" princess.
It is a fabulous story of the triumph of human will, and good over evil.
This story is a real classic, and needs no re-writing to be as enjoyable and readable today as it ever was. Ask my 8-year-old daughter, who has already re-read it twice. Accept no substitutes, re-writes, abridgements or copies! This is a work of art, and should not be tampered with.
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Francis Hodgson Burnett made the characters in The Secret Garden seem real to me because of the description. For example, this is what she has to say about Mary, first thing on the first page, right after you open the book. "When Mary Lennox was sent to Misselthwait Manor to live with her uncle everybody said she was the most disagreeable-looking child ever seen. It was true, too. She had a little thin face and a little thin body, thin light hair and a sour expression. Her hair was yellow, and her face was yellow because she had been born in India and had always been ill in one way or another." Can't you just picture Mary in your head? Ms. Burnett describes all her characters so well you can see them, and are positive that you have met that person before, no matter if they are mentioned just once, or on every page.
The plot of The Secret Garden is exciting because there are lots of different things going on at once. To illustrate, Mary is trying to get into the locked garden. She's also trying to make friends with Colin, her disabled cousin, and to adjust to life in England with her uncle and no parents. If I had that many things going on in my life, it certainly wouldn't be boring!
In The Secret Garden, Ms. Burnett makes the ordinary seem unordinary in many ways. One way is that everything is seen through the eyes of a disagreeable, spoiled, ten-year-old girl. I'm not very much older than ten myself, but I don't think that wandering around in a huge old house on a rainy day is exciting, but through Mary's eyes it is. In addition to that, Ms. Burnett makes the ordinary seem unordinary by combining unusual character traits. Take Mary's uncle for example. He's a mean old man with a crooked back, and he's married. Alone, those two things are perfectly normal seen every day, but you don't expect to see those two things together when someone's being described.
An exciting plot, the unordinary turned ordinary, and very realistic characters are my favorite things about The Secret Garden. In reality, the whole book is a treasure to cherish. If you've never read this book, you really should. If you've only read it once, read The Secret Garden again and again. I know I will.
The central character, Mary, undergoes a transformation that she, in turn, causes her cousin to do, likewise. Both children begin to see that the world is not centered on them and they hold their own "keys" to unlocking the wonders of life. This growth is an essential element in the story.
Even the supporting characters play an important part in the telling of the story. Mrs. Medlock is comparable to all the servants that Mary has had in the past - those that just did as they were told. Martha's friendliness was instrumental in the charges in Mary's personality. Dickon sparked in Mary her first "crush." Uncle Archibald represented Mary's distant parents.
The story effectively transports the reader to the dark English moors with its constantly rainy days. The immensity of Misselthwaite Manor is described in great detail.
Language of the characters ranged from the learned diction of Mary and her uncle to the "common" tongue of Martha, Ben, and Dickon. It is quite amusing to read the different accents and phrasings.
The highlight of the story is when Colin's ability to walk is revealed to his father. This very emotional event is handled with compassion and delicacy. The reader can visualize the expression on the father's face as he sees his son stand for the first time.
The true "secret" of the garden is not in the foliage that grows within; it is that one's life can blossom if there is caring and faith to help it grow.
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Just for the record, a bibliography is "the history, identification, or description of writings or publications." A biography is a "written history of a person's life."
The Hare's are to be commended for their tireless efforts in creating the ultimate compendium of the identification of Tasha Tudor's works, writings, and publications.
Anyone still confused about the difference between a bibliography and a biography should consult their dictionary for a clarification.
An excellent and scholarly work not to be missed by Tasha Tudor aficionados, researchers, or students of her work.
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This smaller, quieter version of Stevenson's poetry helped me finally, actually read all the Garden poetry. True, the illustrations are spare, but delightfully accurate. My children (7 and 10) were not as mesmerized by this book as they are by others with fanciful graphics, illustrations and larger type to accompany the poetry.
Still, this small book found its way into my purse to be used for waiting moments, e.g. at the orthodontist, doctor, and also to my bedside, where it's shear diminutive size did not dissuade me from reading "for only a minute or two." And within Stevenson's words and language lie the ferment of creative pictures. I liked to have my children close their eyes while I read short poems to 'force' them to use only their mind's eye.
I thoroughly enjoyed the adventures, moods, and images Stevenson conjures and at long last can understand why his poetry remains so classic.
You can't forget about the little toy soldiers (a poem) at your feet because when you are sick for days, you can imagine all kinds of things in your mind. The curtains billow like sails, the bedpost is your anchor. I sat there in bed and just floated away with the fun of having someone to share my illness. It seemed like a had a friend right there with me.
I loved the pictures too. The little kids are old fashioned and it made me laugh because the boys wore silly clothes, but they fit the time period, my mom said.
I love this book and keep it by my bed when I need to be relaxed.
Hayley Cohen
Isles uses an arsenal of utterly frivolous flowers, borders, insects, birds, kings and queens, fairies, and more to expand upon the imagination exhibited in Stevenson's poems. The children in these pictures are depicted as being in charge, being at one with their environment, and being delighted to be alive.
Some of the illustrations hint at the influence of artists more famed than Isles (Henri Rousseau appears to be a special favorite of hers--see the illustration for "The Unseen Playmate," in which a boy lies down in weeds that might have sprung from the edge of Rousseau's painting "The Dream"). Using both primary colors and pastels, Isles creates a world within the world of Stevenson's verse. The marriage of the two is a happy one.
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I usually hate spoiler reviews that give away the ending of a movie, but I am going to do that here, for reasons I hope you'll understand, as the epilogue affects the whole spirit of the film.
(SPOILERS AHEAD)
Frances Hodgson Burnett, the author of the original classic novel, cut the story off before the three main characters grew up - a wise decision that let the readers make up their own minds about what happened next. Unlike other versions, this movie includes an epilogue that reveals what happened to them - always a dangerous decision when one doesn't have the last words from the author herself, but here disasterous.
Years later, we meet up with an engaged-to-be-married Mary and Colin. To deal with the somewhat reasonable notion that this might be a bit unlikely with Dickon around, our Yorkshire Angel has been killed off in World War Two. Anyone who knows the story and what Dickon represents understands how outrageous this is. Apparently Hodgson Burnett knew what she was doing the first time around.
Stick with either the 1993 or 1940 versions, preferably in that order, unless you're a Secret Garden fanatic who wants all three versions.
I only gave it 4 out of 5 stars because they made a strange frame around the story - with Mary coming back to the Manor after the war and flashing back to the whole story. That in itself is fine -- but for some reason at the beginning a cat jumps out at her (and then instantly the flashback begins), why??? And at the end Colin comes and meets her in her garden and proposes... aren't they COUSINS?
The setting of Yorkshire England and the rich cast of characters including the maid Martha, Dicken, Martha's brother, and many others make this a wonderful book for all ages. I have read the secret garden hundreds of times and each time I get something new out of the book. It's a true classic.