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First is "The Unstrung Harp" about a befuddled and (in appearance) paranoid writer who trudges through his maddening existence, as so many a writer inevitably will. The casual reader might find this tale odd, but anyone who has ever taken to writing seriously will feel nothing but empathy. Has one of the greatest ending lines of any story I've ever read.
Next is "The Listing Attic", a series of devilish ryhmes with correlating illustrations. Many of these are horrible in design yet strangely you'll find yourself laughing at the unfortunate mishaps that fall upon the characters.
Now, on to "The Doubtful Guest" about a mysterious penguin-like creature that arrives at a residence only to act in a seemingly irrational way, doing things for inexplicable reasons. Personally I think this is nothing more than a metaphor for the unexpected in life and how it's more irrational for people to waste time trying to make sense out of these things. But that's just me.
"The Object Lesson" is just plain confusing, as if Mr. Gorey was just penning random thoughts and then illustrating them. Definitely weird.
"The Bug Book" is pretty childish in design and, to me, not particuarly noteworthy.
"The Fatal Lozenge" is another series of ryhmes, although the level of morbidity and violence is pretty much maxed out. Reading these you won't find yourself able to laugh, only maybe able to produce a nervous twitter as you ponder how very real these situations could be.
"The Hapless Child" is nothing short of a masterpiece, evoking every emotion from love to terror this tragedy should have a place in American high school curriculum, but alas public education systems in this nation would rather not deal with horrible reality.
"The Curious Sofa" is an attack on preconceived notions of sexual morality, being pornographic only in suggestion the point is that if someone who considered him/herself to be in the right in his/her sexual ideals he/she wouldn't understand the innuendo of the words and illustrations. A very interesting piece.
"The Willowdale Handcar" is a story I didn't like.
"The Gashlycrumb Tinies" has to be my favorite Edward Gorey piece, a sinister telling of the Alphabet with a small child meeting its demise for each letter, kind of an anti-Alligators All Around. I have a separate review posted for this story as it is deserving of the title of literature.
"The Insect God" is another disturbing work involving intelligent, and apparently religious, giant sized bugs.
"The West Wing" is a series of illustrations that force the reader to create his/her own captions for what is depicted.
"The Wuggly Ump" is a silly song about a very hungry monster.
"The Sinking Spell" is another tale of an unexpected visitor, a creature on an indecipherable journey.
Last, is "The Remembered Visit" about a woman who can't forget the odd travels of her youth or her meeting of a once famous man.
That's it, the coffee table book to beat all coffee table books, the ultimate conversation piece. But, then again, everything Edward Gorey did was worthy of conversation.
The stories which are illustrated by these drawings are very creepy. Many of the stories are incredibly pointless. Some of them end awfully, others don't really end at all. Some aren't stories, but rather collections of poems with a title. At times, things get quite disgusting. For example, in one set of alphabetical poems entitled "The Fatal Lozenge," the last poem goes like this:
The ZOUAVE used to war and battle
Would sooner take a life than not:
It scarcely has begun to prattle
When he impales a hapless tot.
This is accompanied by an illustration of a baby pinned through its abdomen with a sword and blood dripping down. But no matter what, everything in this collection is interesting and unique. This book is at no time dull or boring. Plus, it makes a great conversation piece. I love showing people my Amphigorey book! Most people have never heard of Edward Gorey and are entirely surprised that such a bizarre book even exists.
In any case, if you don't already have it, you should definitely get this book! It's such a great thing to have around the house, you'll never regret owning it!
Edward Gorey is the Renee Magritte of literature. I have always loved bizarre, vague, puzzling works, and Amphigorey is delightfully, bitterly twisted. The characters are so spectral. On each page I see... not nightmares, but dark dreams surfacing. This wild, enchanting book ranks alongside William J. Meyer's comic book saga, White Bread, as one of my favorite "what the hell is going on" works of literature.
Within the borrowed volume I read, I discovered an artifact that may be of immense value. It was a printed invitation decorated by a copy of Edward Gorey's drawing of the Gashlycrumb Tinies and their Grim Reaper nanny. In Gorey's handwriting, the invitation gave the names of two gentlemen and continued "...and the Gashlycrumb Tinies demand your presence at their home at 8:00 pm on ALL HALLOWS EVEN [that's not a typo], 1975." The invitation announced a costume contest and gave an address and phone number. Ah, to have attended Mr. Gorey's celebration! He is surely the master of Halloween.
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A well thought-out forward by John Updike prepares you for your journey into the amazing and complex mind of Kafka. The book is divided into two sections, one for the longer stories and one for the shorter stories (most of which only take up a page or two).
The stories themselves are great. "The Metamorphisis" is included, in which Gregor Samsa awakens to find himself in the form of a rather large insect! "The Penal Colony", "The Judgment" and "A Country Doctor" are also included.
There's certainly hasn't been an author since Kafka able to play upon the fears and emotions of the human mind, those thoughts playing in out head, when we realize that maybe some of this could happen to us.
If you enjoy "The Complete Stories", be sure to pick up "Amerika", "The Castle" and "The Trial". These are Kafka's three novels and will complete your collection. All very much worth it!
"A Country Doctor" is in my opinion the greatest short story ever written, a dark dream sequence with all kinds of slimy worms writhing beneath the surreal surface plot, sticking out through the rotted boards that Kafka puts down to allow us to see what we're standing over. "The Judgement," a purely perfect work of psychology, Kafka dipping deeper and hitting more nerves than in any of his other stories, giving us a picture of what it's like to be a genius controlled by a domineering, and a nonunderstanding father. And of course there are the smaller works from "Meditations," little snippets of images that flash through the mind, a kind of literary whispering in the ear while sitting in the dark. "The Burrow," another favorite, perhaps the most claustrophobic work of fiction ever conceived, the darkness of the tunnel affecting your mind for days.
Read this book, in it the greatest treasure a writer ever gave us shines, a golden nugget, hidden deep within a dark pool that seems unswimable. Take the swim, and I garantee that you will find the nugget. Ignoring Kafka is like denying yourself the best there is.
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I hope that these two authors follow up this book with a second one. I believe that the readers are going to want to see "how all of this turns out." A normal person who has the attitude of the son, John, is almost always successful. I want to be there when it happens.
The book examines what it mean to become a Marine. But it also directly and indirectly digs into the idea of commitment to a higher idea...in this case giving up oneself to become a member of an elite group of fighting men, and in the process getting back more than one gave up. It flip flops between John's narrative and his fathers observations. Interesting.
As a former Marine I found a connection with John. Having gone through bootcamp in June of 1967 in San Diego, the connection to this new generation of Marines is immediate and profound. This, as all former Marines know, isn't new. The membership in this club spans all generations. No generation gap here.
If you're a former Marine, you'll want to read the book for obvious reasons. If you're not, read it anyway. You'll gain some respect for the youth of today.
Maybe it's the old Marine in me; I became one 61 years ago, and like everyone who has ever worn the Eagle, globe and anchor emblem, I am still one. I felt so proud for John, the son, and his accomplishments. He appears to be the "Classic" Marine!
The book made me feel good about John's whole family whose loyalty and love made his early ordeals at Parris Island less burdensome. And Frank's role as Father couldn't have been handled better even if pre-scripted.
Marines everywhere and "wannabees" will love this story.
Anne Bronte creates a world in which the drunken, immoral behaviour of men becomes the norm and this may have been startling to contemporary readers - perhaps a reason for the book's panning at the critics. The narrative is built up delicately; first Gilbert; and then the racier, more gripping diary of Helen as she guides us through her married life; before returning again to Gilbert, whose tale by this time has become far more exciting as we know of Helen's past. Helen's realisation of the awful truth and her desperate attempts to escape her husband, are forever imprinted in the mind of the reader as passages of perfect prose.
One of the earliest feminist novels, the underrated Anne Bronte writes in this a classic, and - defying the views of her early (male) critics - a claim to the position of one of England's finest ever female writers.
It tells the story of a young woman's struggle for independence, against law and a society which defined a married woman as her husband's property. The novel, which uses extracts from her diary and narration from her neighbour, is very interesting and quite realistic.
It seems to me that the most interesting thing about the novel, is the build up of tension Bronte uses to sustain the reader's attention. It is stimulating and creates a little excitement in the book.
Helen Graham moves into Wildfell Hall with her son. She is a single mother and earns her living as a painter. Her neighbour, Gilbert Markham, takes a sudden interest in her and wants to find out everything about her. Although she is quite content being friends with him, she wants nothing more. As soon as he becomes too personal, she reminds him that friendship is the principal of their relationship. As they spend more time together, though, she learns to trust him and reveals the truth about her past. She is living at Wildfell Hall under a false surname, hiding from her husband who is an adulterer. The only other person who knows of this is her landlord, who Gilbert learns late in the novel, is in fact, her brother.
One thing which I found gripping about this story, was the build up of tension Bronte used. She took her time, revealing one thing, building up the tension again, then revealing another. She continued to do this throughout the story, and this is what kept me interested. It is a story, in which two people who love one another, are prevented from being together by society and their own natural reticence. We know romance often has this, but Bronte creates a strong desire in the reader for them to be together. She puts real obstacles in the way of their love for each other, such as the fact that Helen is already married and has a child to her husband. This therefore, causes the reader to understand the story more.
Narrated in part by Mr. Markham, the gentleman farmer who falls in love with her, and partly by herself in diary form, the Tenant of Wildfell Hall is a sad portrayal of the miseries Helen Huntingdon endures at the hands of an immature self-centered husband.
The story starts out with Helen, an intriguing beautiful "widow" who comes to live in a deserted moorland mansion called Wildfell Hall with no one but her maid and young son as companions. She excites the gossip of the local townspeople by her refusal to mingle in the town's social life, her strong opinions on the upbringing of her 5 year old son, and by working to support herself as a landscape painter. Mr. Markham, the gentleman farmer, rather than being repelled by her fiercely guarded independence is intrigued by her and determines to learn more about her, falling in love with her in the process. Helen becomes the butt of sinister gossip when it is discovered that she and Mr. Lawrence, her landlord, are not the strangers to each other that they pretend to be in public, and it is rumored that something is going on between them romantically.
It is in response to this falsehood that she turns over her diary to Mr. Markham, who at last learns within its contents her true identity, why she is at Wildfell, and why she can not marry him. He also learns the astonishing identity of Mr. Lawrence. Helen's diary traces her life from a naive girl of 18 to a courageous woman of 26, and the sorrow and trials she endures in her marriage to a wretch of a husband, the womanizing, alcoholic Arthur Huntingdon.
The love for Lolita Pulido is the essence of the book. Besides Zorro, there is Don Diego Vega, a lifeless caballero with a rich and influential father, Don Alejandro Vega, who asks Señorita Pulido to become his wife. The third man fighting for Señorita's love is Captain Ramon. As a high ranked military captain, he, too, has influence in the country of Old California. The reader will soon realize, that Senorita's heart speaks only to Zorro, the Curse of Capistrano. But Lolita's father, Don Carlos Pulido, a mistreated caballero of good blood, needs his daughter to marry Don Diego Vega or Captain Ramon, as it is his desire to become rich and influential again. In fact, Don Carlos is not informed about his daughter's love to the highwayman.
Zorro's job in the pueblo of Reina de Los Angeles is not done, after he gained the Señorita's love. The Curse of Capistrano helps the oppressed and mistreated natives against the corrupt governor and his army. Zorro fights several times with the governor's soldiers, Captain Ramon and Sergeant Pedro Gonzales. Although the highwayman seems to be an undefeatable enemy, the soldiers, led by Gonzales, always make fun of Zorro, by telling untruths about embarrassing defeats. The showdown, of course, will be in the end, after the Pulido's rescue from the jail, which keeps the reader on the edge.
Johnston McCulley shows an awesome skill for introducing new characters. He plays with the traditional image of good and evil. Zorro, the heroic figure, fights for peace and justice. Although considered a highwayman, he acts gentleman-like and charms the beautiful Senorita Lolita Pulido. On the other side, there are the soldiers and servants of a corrupt governor. Sergeant Gonzales, for sure, is the best example of the evil. Described as a fat landlord the reader often sees him drinking wine excessively in the pueblo's tavern. He does not even get close to capture the Curse of Capistrano. The most interesting character besides Zorro, is Don Diego Vega the lifeless caballero. He seems to struggle for the Senorita's love not with love by himself but with his money. Don Diego, also is a friend of the landlord and because of his name, the Don is highly respected by the governor. The lifeless caballero will show some great surprises throughout the story.
Overall, the Mark of Zorro is an exciting book, which keeps the reader interested from the sword-clashing intro to the dramatic showdown. The story of a heroic rogue, the love between Zorro and the Lolita and the soldiers' unsuccessful chase for the reward produces an awesome literary opus.
EN ESPAÑOL
Spanish paragraph de Cristobal
The Mark of Zorro es un libro muy emocionante. Sucede en California Vieja. El carácter principal es Zorro, Un caballero que lucha para la justicia. Él lucha para el amor de Señorita Lolita Pulido. Pero Zorro o La Maldición de Capistrano es cazada por el ejército de gobernador. Esta situación produce un cuento impresionante. El libro es magnífico y usted lo debe leer también.
Zorro's best-kept secret is the fact that there wasn't *one* Zorro story written by Johnston McCulley -- there were sixty! A wonderful new company is currently in production of republishing every one of these classic stories. I've read some of them; they're every bit as good as "Mark". Truly "must-reads". Miss them at your own expense.