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The photography in this book is amazing, but I think the thing that brings me back to it again and again is the writing. Unbelievably, John may even be a better writer than he is a photographer. Although he has only written about 25 pages of text, the stories he tells of his 25 plus years of travelling Alaska will thrill you and keep you on the edge of your seat. John is truly a modern-day adventurer who has lived an amazing life. The introductions by the publisher and Leonard Lee Rue will also give you some insight into just how unique a man John Pezzenti actually is. In his first two columns of text, John has managed to almost completely sum up my feelings about Alaska. John writes about flying over the Alaska Range on a beautiful day. He reaches for his camera and then realizes it would do no good. The "visual extravaganza" of the scene is too spectacular to ever be "captured on film" he writes. He puts his camera down and enjoys the view. This story puts into words what I have been trying to tell my family and friends about Alaska since I moved here 4 ½ years ago. Now, for birthdays and Christmas, I simply send them a copy of John's book and tell them if they read it, they will understand why I have decided to live here in Alaska. At last count, I think I have FedEx'ed at least eight copies of this book to people in the lower 48!
John is clearly one of the world's top photographers. In spite of his stature, you would be hard pressed to meet another top professional who is more helpful and gracious to anyone he sees with a camera in their hand. John is more than willing to share any of his skills, talents and a lifetime of experience with anyone who is willing to learn. I consider myself blessed to live in the same city as a person of his talent and not only consider John a good friend, but as my photographic mentor.
Thank you for this spectacular lifetime's worth of work. I am looking forward to the next one.
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Connolly's writing is sheer beauty. His manner of description evokes, with seeming ease, any atmosphere he wishes to create. His prose is lyrical, and his descriptions may stop you in your tracks just for a second while you roll them over in your mind, picturing the image perfectly.
In this novel, Connolly has created a wonderful plot, which seethes with an omnipresent, and almost omnipotent, evil and darkness. Also, he give us two of the best villains fiction has ever produced. Mr Pudd, the enforcer of a shady organisation known as "The Fellowship" who is violent, scary, completely without a drop of humanity, and The Reverend Aaron Faulkner, an egotistical religious maniac, head of a group known as the Aroostook Baptists. Faulkner is a completely venemous characters who just oozes poison from every action. Over the course of the novel, Parker, Angel and Louis, will come into contact with both these men, and this contact will try to drag them down into the depths of an equal hell.
The plot is much less complicated than his debut, Every Dead thing, and the entire novel is much more refined and focused, which adds immense power to the book. It's completely chilling and very scary (an effect aided by the way Connolly likes to blend in subtle elements of the supernatural in with his books) and, almost certainly, the best thriller that will be published in the US this year.
This is the best crime novel I have read in years, for two reasons. First of all, the language is exquisite. Connolly writes like a poet, and the first few pages where he described the "honeycomb world" is worth the price of the book alone.
Second of all, Charlie Parker, the main character. With a dry cynicism as sharp as his wit, he delivers one-liners one after one. I found myself going back to re-read passages many times during the course of this book, for the humour alone. But this is not a funny book, not at all.
I won't tell you any more about the story, as it deserves to develop on its own when you read it. Let me just warn you that the ending is not at all as good as the rest of the book, and that did make me sad. The last ten or so pages are standard Hollywood-drama, and lack the originality the reader has been spoiled with during the course of the novel.
Still, Connolly pulls it off.
"The Killing Kind", approved!
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You won't find jerks like Randy Moss or Brian Bosworth in the pages of this book, unless they are mentions solely as a stark contrast to the genuinely respectful and worthy athletes of St. Johns. Reading this book reminded me of the potential of all athletics to reap great good from the hearts and minds of youth, and also reminded me that, as a coach, it's my responsibility to sow those seeds.
The book can be enjoyed on several levels-- as humor, as a description of a sporting season, and above all, as a triumph of what football is supposed to be-- fun for everyone involved, ESPECIALLY the players.
I hope you enjoy it.
But those are small quibbles. Murphy's narrative made me want to know Gagliardi, and made me want to walk on the campus of St. John's. Or should I say that he almost enabled me to do both simply by reading the book. That's good writing.
But the purpose for Murphy isn't to be funny, it's to describe the world of Division III football at the nation's most successful college program, under an ecclectic coach with unorthodox methods. Murphy leaves behind big-time college and pro football reporting for a fall and rediscovers not just the game, but himself and his family. The way he ties football in with the rest of his life is amazing.
Murphy gets close to the players, coaches and fans of the program, and becomes involved heavily in the community of the town, getting to know the monks at the college and local fans. He rediscovers his wife and family, an area he admits neglecting for the past few years.
Perhaps the best part of the book is Murphy's transparency. He's not afraid to admit his faults. He's often the Homer Simpson of parenting: he loves his children deeply but stumbles along in raising them -- letting them stay out to midnight, having them eat junk food and taking toddlers on scary amusement rides made for adults. He's a man of contradiction, admitting he can't help but go with NFL players to strip clubs -- Sports Illustrated ought to put an end to this real soon; what kind of comments is he going to get at such a place, cat calls? -- but feels he is compromising his journalistic integrity by hanging out too much with the St. John's players. Strange logic indeed, but at least Murphy is candid enough to put his faults out there.
It's inspirational, moving, funny and very well written. Anyone who is interested in humanity -- not just football -- and getting back to one's roots, should read this book.
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But I didn't actually read the books until four years later. I was obsessed with it! I loved the idea of a small rebel group fighting something that seemed so invincible. For ages I couldn't draw a landscape without putting a Tripod in it!
These books got me interested in cities and how they'd look when they're destroyed. One of my favourite parts of the story is when the three boys are walking through the ruins of an ancient city. We all know what city it was and we recognise so much that is unfamiliar to them. It's both amusing and moving to see them ponder over the relics of a better time.
These are a series of books I've read over and over. The praise for this trilogy is well deserved.
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I highly recommend this book to readers of The Lord of the Rings. It brings to light the background and philosophy behind Tolkien's writing.
Thank God Tolkien was such a prodigious letter writer. We are all the beneficiaries of his correspondence with family, friends such as C.S. Lewis, fans, and critics alike.
From his wartime correspondence, to his letters of love (and sound advice) to members of his family, to the vast amount of commentary on his literary masterpieces, this volume sheds a great deal of light into the life and thought of the Professor.
This book is a worthy companion to Mr. Carpenter's earlier biography. Both volumes should find a place on the shelf of every hobbit in the Shire.
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The book hits the ketchup and vein image so hard, in fact, that by contrast, I worry for the company now that Jack Greenburg, trained as an attorney, is the Chairman, and now that he has made Mr. Kindler, another lawyer who was with the law departmen of General Electric, head of an operating division. What would Ray Kroc make of this?
Mr. Love captures the drama of Kroc almost losing control of the company to another insider who mis-interpreted McDonald's as a real estate company that incidentally marketed hamburgers. No, said Kroc, it's a hamburger company that just needs real estate.
Getting a grip on what the company is today is more possible by reading what it used to be. Business guys are often impatient with history, and they show it by so frequently repeating it.
Two brothers named McDonald went west to California from the north-east. They came with about $8 dollars and got jobs moving props on movie sets in Hollywood (sound familiar?) After some initial business ventures the brothers opened their own small restaurant in San Bernadino.
In the Midwest Ray Kroc left school at 16, and like almost all other achievers that reached his level of success, he had a strong work ethic and a hard-driving tenacity to succeed at a concept that in+tial+ly proved successful. How ya build on something good. A gifted successful salesman from an early age, he got a job selling paper cups and sold them for 17 years as one of the top salesman of the company. Some of his clients were Wrigley field among other Chicago establishments. In his late thirties, he started selling shake mixers. McDonald's comes into the picture when Kroc noticed that two brothers who owned a drive-in hamburger restaurant in SoCal, kept ordering lots of shake mixing machines, when Kroc's mixer business was dying out everywhere else in the country. He met the McDonald brothers and was greatly impressed by their practices. Kroc become the seller of their franchises in Illinois, and was very successful at establishing and McD's in the Midwest.
For his work he didn't earn a lot because of the deal he made with the two brothers (an inkling of what was to come). So he added a creative and logical way to profit from his diligent work in spreading the franchises. He formed a separate corporation, and when setting up franchises he'd purchase the property where a new McDonald's was to be built. He'd collect the rent or a percentage of the restaurant's profits, whichever was greater. This allowed him to be compensated more fully in addition to his original deal with the McDonald brothers, which wasn't the most favorable.
Kroc was selling the franchises and focusing on keeping the model and SOPs identical for every franchise. Perhaps an analogy to the assembly line of the Ford. Kroc had a methodology. If a winning method was not altered or diluted by a franchise restaurant here and there across the country, the sales, expansion, and growth would continue. McDonald's had tapped into what a large part of the American public wanted in post WWII America. Ray later bought McDonald's from the McDonald brothers for $2.7 million cash. When he discovered after the deal was finished that the original McD restaurant in San Bernadino was not included, and was to be kept by the brothers, Kroc had them change their restaurants name, and he built a franchise across the street to put them out of business.
Advertising:
To help solidify more growth and consumer loyalty, Kroc knew the value of kids. He hired top advertising people: enter Ronald McDonald. After some marketing tests in some particular regions, came the major nationwide promotion to get the kiddies pleading with their parents that they wanted to go to Mickey-Ds. Have you heard kids clamour their parents to do this? I have. And today, McDonald's has continued the kid-concept by investing large amounts into the Playgrounds added onto many of its' stores.
McDonald's represents many things about American culture. To Americans, and today throughout the world. No matter what you think of Mickey D's it's quite an interesting story of how it started, evolved and came to it's ubiquity today. It's a fact that those golden arches are more recognized than the Christian cross. Again, whether we think that's good or not leads to several other issues involving, chemicals and food science, general health, obesity, globalization, homogenization, marketing to children, and corporatization.
For additional insights into the McDonald's phenomenon read, Jennifer Talwar's "Fast Food, Fast Track" and Eric Schlosser's "Fast Food Nation: The Dark Side of the All-American Meal," and Fumento's "Fatland."
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The action of the novel begins with a view of the Allworthy family, a landed gentleman, Thomas Allworthy and his sister, Bridget. Into this family is dropped an orphan, a foundling - a child, if you will, of questionable parentage. This child, Tom Jones, is raised alongside Bridget's child, Blifil, as relative equals. Both are tutored by two ideologues, the philosopher Square and the theologian Thwackum. Jones is a precocious, free-spirited youngster, spoiled by Allworthy while Blifil, the heir apparent to the estate, becomes the favourite pupil and spoiled accordingly by his mother. As the two youths age, Tom develops a fondness for the neighbour's daughter, Sophia Western.
Tom's sexual development begins to get him in trouble, as it tends to throughout the novel, and as a result of one such incident, coupled with the goading jealousy of Blifil, Tom is driven out of the Allworthy home, left to seek his fortunes in the world. Meeting his supposed father, Partridge, on the road, the two begin a quixotic ramble across England. Sophia, meanwhile, pressured into marrying Blifil, runs away from home, beginning her own voyage of discovery.
"Tom Jones" begins with the narrator likening literature to a meal, in which the paying customer comes expecting to be entertained and satisfied. All 18 books of "Tom Jones" start out with such authorial intrusions, each cluing us into the writer's craft, his interactions with his public, and various other topics. This voice is actually sustained throughout the novel, providing a supposedly impartial centre of moral value judgments - each of which seems to tend toward enforce Fielding's project of a realistic, and yet, didactic portrayal of a world full of flawed characters.
Some of the issues the novel deals most extensively with are modes of exchange, anxieties over female agency, and the power of rumour and reputation. Exchange and the ways in which value is figured include a wide range of goods - money, bodies, food, and stories - and are integral to the story. The treatment of women is a great concern in "Tom Jones": from Partridge's perpetual fear of witchcraft to the raging arguments between Squire Western and his sister over how Sophia should be treated, to general concerns about sexuality and virtue. A novel that can be in turns hilarious, disturbing, and provoking, "Tom Jones" is never dull. Despite its size, the pace of the novel is extremely fast and lively. So, get thee to a superstore and obtain thyself a copy of this excellent and highly entertaining novel.
Although I am a fan of Jane Austen I was shocked by the freshness and wit that Fielding's writing still retains. Every book in the novel begins with an essay by the author. Do not skip these, they are one of the best features of the book. My favorite is the essay before the ninth book which explains the purpose of these introductory chapters. What a riot!
The story of big hearted and big appetited Tom Jones and his adventures and misadventures is one long satirical gem. Fielding's interpretation of morals, piousness, love, and high society is still as hilarious and relevant as it was in the 18th century. For anyone who appreciates wit and history, this is a must read.