Having to read and compare Young Goodman Brown to The Crucible as a school assignment first seemed like a chore at first. But after understanding the story and being able to analyze it, it really is a great story although somewhat confusing in the beginning. If you'd like a little backround, Young Goodman Brown is about a Puritan man who takes a walk into the woods and finds himself talking to the devil.

This is a great book. This is what the credit repair companies do. He gives step by step instructions. This book is for those who want to repair their own credit, not just learn about credit and credit reports. It tells you what to do if The Big 3 agencies do not respond. He explains the process and does not tell you to just dispute but tells you what to do after you dispute.... GREAT INFORMATION. GREAT PRICE......... Only problem, This book is OLD........ It needs an update. However, Almost everything is still valid, execpt TRW is now Experian. I recomend getting this book and another book that is updated. Good Luck

Excellent!! Practical advice that works! I've gotten five derogatories off of my credit report using the methods given in this book. Well worth the cost.

It doesn't get any better than this. I was desperate trying to get a book that could help me in the subject. God, am I glad that I got this book. It teached me everything I have to know in order to fix my credit; from getting my credit report, how to read it (and understand it), and how to "repair it". I jumped from a lousy 523 points to 715 points in a period of 6 months. Yes thats right, they are not magicians (not over night fixing), but real fixing of your credit trough very easy and practical steps. You just have to be consistent cause time is important.
Thank you gentleman for saving my life !!!

If you can only purchase one book on the battle of Bentonville this book should be your second choice. I have read Hughes history of the battle as well as Mark Bradley's book on the same subject. Bradley's book covers the battle in much greater detail and has excellent maps. Hughes book is a good book, but head to head with Bradley's work finishes a distant second. Hughes gives a good overview, but I did not find his writing as engaging as I did Bradley's. Hughes book lacks the passion of the other book.

This is a very enjoyable book to read and offers a detailed and well researched account of the final battle between Sherman and Johnston at Bentonville fought on March 19-21, 1865. This was the last full scale battle between the two opposing armies. The book has 9 maps which are well presented and the battle ones are very easy to understand and follow. Overall this book is a well documentated account of this very interesting and bloody battle.

Nathaniel Cheairs Hughes Jr. some years ago did a book on the battle of Belmont, Grant's sort of victory in the early part of the war, and the book was very good. Hughes continues this trend with a book on the battle of Bentonville, which has been largely ignored by historians because the war was essentially over when it took place. Hughes explains the maneuvers with dexterity and skill, and shows why the battle was important and how the Confederates thought they were going to make something of the victory they hoped to achieve. Includes much participant accounts of various episodes from the battle. Recommended

I read these short stories in a haphazard fashion rather than sequentially and unknowingly saved the worst two for last. A few days ago I was ready to give the collection five stars but the egregiously macabre "Ethan Brand" and "The Old White Maid" caused it a few points. These two tales are out of place among Hawthorne's other gems; they seem more suitable to Edgar Allen Poe on a night when he was feeling exceedingly gruesome.

Among the highlights is "Feathertop" an eccentric piece about a witch whose magic pipe gives life to her scarecrow. "The Prophetic Pictures," allegedly based on a true incident, is an intriguing yarn of a painter whose portrait accurately predicted his subject's forthcoming madness. "The Gray Champion," a patriotic tale, must have been a hit with Hawthorne's good friends President and Mrs. Franklin Pierce. A recurring theme through Hawthorne's works is the individual's perpetual battle with character flaws-a motif that makes them suitable to our modern age and indeed timeless. Many of the allegorical elements including the notorious "A," Hawthorne immortalized in "The Scarlet Letter" are scattered throughout these works.

The proem by Newton Arvin offers an interesting biographical summary of the author's life. Much has been written about Nathaniel Hawthorne-unquestionably one of America's finest and most beloved authors, and there is little I can add to voluminous evaluations. However, to anyone interested in building his or her vocabulary, Hawthorne's writing offers a cyclopean lagniappe to dulcify sesquipedalian pursuits. For me that aspect was as beneficial as the enjoyable vignettes.

It's easy for our contemporaries to accuse Hawthorne of being formulaic or using timeworn themes. It must be remembered that in Hawthorne's own day, the many of the "timeworn" ideas represented a truly novel vision, and it was appropriate to use many different stories to convey its fullness. Just remember, if you think it's a "cliche," it's probably because you've read a lot of post-Hawthorne "wannabes"!

In your face, obvious, and heavy-handedly allegorical, still Hawthorne manages to pique my interest and hammer home his point. Switching from historically based stories ("The Gray Champion" and "Endicott and the Red Cross") to spiritual allegories ("The Bosom Serpent" and "The Celestial Railroad"), Hawthorne continually chips away at the danger of isolation. Although he clearly believed in the fallibility and evil of the human heart--particularly pointing out the religious hypocrites--he also believed that one must continue to risk and be a part of the community. In stories such as "Young Goodman Brown" and "Wakefield", we see the gloom that comes over certain men who pull away.

Hawthorne, like Poe, uses graphic and surreal imagery, sometimes repetitively, to set a mood and draw a picture. His characters and scenes are alive and psychological consistent with his tales, and he manages to wring a moral out of nearly every page.

Heavy-handed? Yes, but he aims to state a message, and he states it clearly: The moral nature must never be sacrificed for intellectual pursuits (Ethan Brand). In a world of cheap commercialism and mindless brain fodder, at least Hawthorne has something to say.

Although I'm a big fan of Hawthorne's short stories, this is my first venture into his novel writing. His short stories, by their very nature, move from conflict to climax without much ado. They are preachy, pedantic, and allegorical--and I love them. "...Seven Gables" moves along at a much slower pace, developing symbolism and characters with greater subtlety and depth. The plot itself is not much deeper than one of his short stories. We watch humbled, yet strong Hepzibah struggle for a living from a one room shop in the house. Along the way, she meets a variety of characters and becomes host and confidant to a long-lost relative, gentle Phoebe. Phoebe is sunlight, poking into the shadows of the gabled house, bringing vivacity to its occupants, Hepzibah, Clifford, and Holgrave. Yes, Hawthorne hints at sinister things in the past and present of the old house, but only with the arrival of Judge Pyncheon do we begin to suspect trouble brewing.

The conclusion of the book involves death and hidden riches and suspicions and redemption. The symbols throughout--the house, the chimney, the elm tree, the chickens, etc.--manage to reveal their purposes in due time. In a satisfactory manner, Hawthorne contrasts the insidious nature of religious hypocrisy with the virtues of honesty and gentle love. The horrors of the Pyncheons' past fade away in the light of Phoebe's commitment and care. Her time in the house brings life to all within...all except one.

Hawthorne could've encapsulated this tale in one of his short stories. He could've sliced away words with meticulous demand. Instead, he allows us to know and care for the people in his story. Some readers, granted, will find it difficult to care and will call it a waste of their time; sure, it takes a little effort. But, just as Phoebe and Hepzibah display sacrificial love, a reader who's willing to give the time might find worthwhile rewards by the book's end.

If you're already a fan, you'll enjoy it. I certainly did. If it seems too long, try some of his short works and work up your appetite for these heartier courses. This is rich stuff.

This book is really good. Very deep mystery about a dying witch's curse. It's not a fast-moving thriller, by a slow and methodical one. Every word is chosen so carefully by Hawthorne, that it is fun to read and a challenge for the mind to find the hidden meaning. The novel starts with a discription of the house- the house with human attributes and ends with a lone cat watching the fulfillment of a witch's curse. Really excellent. There's plenty of characterization, hints of incest, and omenious surrounding to keep the reader entertained. Love love loved it, read it in a college American literature class.

The story of "The House of Seven Gables" begins in the midst of Puritan New England (which Hawthorne paints characteristically, and forgiveably, quite bleak) with the fantastic tale of a severe dispute between stern Colonel Pyncheon and alleged wizard Matthew Maule over a piece of land. Maule is conveniently executed (while cursing Pyncheon) for his "crimes", and Pyncheon builds Seven Gables on the aforesaid land. Several years later, the colonel dies suddenly, supposedly the mark of Maule's curse, which is to forever haunt the Pyncheon mansion.

Several generations of Pyncheons come and go, and the family decays and whithers until it can boast only four remaining members, two of which are old and frail. But one, a Judge Pyncheon, rotten under his trim exterior, is up to unsurfaced mischief.

The story tends to move slowly (much of the meat of the plot is not encountered until nearly half-way through!), but every word bears weight. Hawthorne weaves his story in such a way that every moment spent getting to know the characters is crucial. Neither is the slow development boring: far from it! Relax, enjoy the pace, and allow yourself to feast on Hawthorne's brilliant prose. As Henry James once stated, "The House of Seven Gables" is "the closest approach we are likely to have to the Great American Novel."

Ayn Rand is a woman of almost unfathomable genius. I would encourage readers to disregard anything negative that other reviewers have to say about this book. For the small price that you have to pay Rand presents her vision of individual freedom that, even with its holes and shortcomings, is so far ahead of its time, it's difficult to imagine. It was far out ahead of its time when she published this book more than 40 years ago. Sadly, her vision is still WAY out ahead of the current state of the world even today.

Even if you don't agree with her, you will still have the freedom to use your own rational mind to challenge or discard anything that she says. Anyone who approaches Rand with an open mind, however, will have to admit that she had an uncanny understanding of how the value that each individual places on his own life impacts the course of history and the progress of man. She clearly describes how the cult of self-sacrifice is a logical and immoral progression from mysticism and how the resulting psychological, political and economic processes undermine individual liberty, man's pursuit of happiness, the general quality of life for all men, and the advancement of civilization.

The selfless and self-sacrificing among you can take comfort in the fact that when Rand's vision of laizzez-faire capitalism and individual freedom is finally realized (reason always wins in the end), you will still have compete and total freedom to live irrational, mystical, irresponsible lives. No one will have the right to prevent you from sacrificing your own life, mind or values to any person, state, religion, or collectivist ideals. No one will force you to achieve your full potential as a human being. It will still be your life and you will have complete freedom to sacrifice your own value in the service of lesser values.

The big change will be that you will no longer be permitted to force other men to sacrifice their own rational, life-sustaining, self-interest to your own. That is the virtue of your fellow man's selfishness. You will not be able to destroy him or deprive him of his liberty. You will no longer have the "right" to place liens on the success of others, or to force individuals to give up objective reality for subjective or collective delusions. Irrational, angry mobs will no longer have the "right" to enslave rational individuals and force them to sacrifice themselves to what is not rational and of their own choosing. You will not be entitled to legally force the efficient, intelligent producers to support the inefficient, the mediocre, or the parasites, be they rich or poor. All men will be free to use their own rational minds to seek their own values and happiness as long as it doesn't deprive others of individual liberty. All men will be free to learn and create, and trade freely with whomever they choose, which by default elevates the status of all men.

Rand's hyperbole sometimes made me laugh, but this book clearly articulated so many of my own perceptions and thoughts. It also made me see possibilities I never imagined before. This book and Rand's other writings are a must-read for anybody interested in the real meaning of liberty. Everything she talks about in this book is happening all around me.

I am writing, ostensibly, to provide you with some information regarding the book, in order that you may make a more rational decision as to whether you will purchase it.

Rand is often provocative, and mention of her/and or her philosophy can create instant dichotomies. I will not, in this review, critique the ideational content of her work. I offer this review with some "objective", pardon the pun, criticism.

1. This work offers a concise, fairly complete philosophy (which you may or may not agree with), from the essential and foundational steps, to their eventual results in daily life. This complete-package approach is an interesting window into her philosophy. Several issues could have been explored in more detail surely, but this collection of essays acts primarily to spark thinking on behalf of the reader.

2. Her philosophy is a shocking alternative to the present implicity accepted norms in society. Her counter-arguments to both traditional and contemporary systems of ethics are interesting and worth consideration, even if you eventually endeavour to refute them.

3. This work presents profound ideas in rather straightforward text. Topics include: ethics metaphysics politics values comments on contemporary trends in philosophy comments on ethical relativism

4. This work provides some insight into the breadth and depth which simple assumptions may have on daily life. Rands ideas, and those she illustrates for purposes of refutation, are extrapolated from basic intellectual concepts to day-to-day effects on human life. This concept-to-consequence style of writing offers a holistic perspective that can easily be applied to the work of other philosophers. For this reason I suggest this book to students of philosophy to gain a perspective of the impact of philosophical ideas.

5. Finally, this is perhaps the most succinct and most accessible of Rand's works, and a reading of it should allow sufficient insight into the body of her thought to understand her stance on several issues. If you are looking for a 'summary of Rand', this is the book I would suggest.

The heart of Ayn Rand's ethical system is that the goal of ethics is to guide human beings in living full and successful human lives, and that there are no ultimate conflicts of legitimate interest among rational people.

This collection of essays is the primary source in which Rand makes her case for this ethic. Her presentation is indeed flawed; as one reviewer notes, she doesn't make sufficient allowance for human beings to be directly motivated by concern for one another. But making the adjustments necessary to include benevolence doesn't alter the overall ethical outlook much; it just allows the good of other people to be a value legitimately sought for its own sake by rational agents. The standard of value is still "life," and the contention that there are no conflicts of interest among fully rational people still stands.

So it needs a little work, and I'm not entirely persuaded that the result should still be called "egoism" (I personally prefer the term "rational eudaimonism"). But remember the book's subtitle: Rand was trying to offer a _new_ concept of egoism. Both her supporters and her detractors need to keep this fact in mind, or they will charge her with having said things she didn't.

She does not, as one reviewer says, "leav[e] no room for argument" or "achieve . . . absolute certainty with no contradiction." But that means merely that one must read her critically and carefully, just as one would any other author. So ignore the inflated claims of her most ardent "followers" and think for yourself; her die-hard supporters are not worried that you'll catch _her_ in a mistake, but merely that you'll find out that _they've_ wasted their lives serving as dogmatic, "individualistic" mouthpieces for an imperfect spokesperson.

Readers should also dig out a copy of Brand Blanshard's _Reason And Goodness_, which may be the single best volume ever written on ethics. (Or see the section on "ethics" in _The Philosophy Of Brand Blanshard_.) Blanshard's ethical thought presents a much sounder overview of the issues involved, and his clear-sighted "rational temper" makes a nice contrast to Rand's rather badgering tone.

Warning: Some minor parts of the plot revealed

The first thing you will notice when you start reading this book is the words used. This book will certainly drain your mind, and force you to look up many words they used in Nathaniel Hawthorne's time, but are not used today. The work pays off though with a good story.

It tells the tale of what happens after an adulterous affair between a young women (Hester Prynne) and a preacher (Dimmesdale) in Boston's Puritan society. Chillingsworth (Hester's husband), a scholar from England, comes into the story when Hester is being punished in front of the town. He makes it his mission to find who did this with his wife.

The story turns out to show what guilt and revenge can do to people. Chillingsworth and Dimmesdale are both affected by their obsession. Both men allow their obsession to put both pysical and mental pain on them. The effects can be seen in their actions and how they deteriate.

This is a story you will long remember. Do yourself a favor though, have a dictionary close by. I warn you: Do not expect an easy read.

I enjoyed reading The Scarlet Letter. I was not forced into by a Literature teacher; I picked it up on my own because I heard it was a great American classic; and, indeed, I have to agree. It is truly timeless. It has been almost five years since I have read this book and I can remember the scenes and words so vividly. Hawthorne's dizzying imagery provides an adventure into the life of a Puritan woman, Hester Prynne, that one does not soon forget.

Hester, practically abandoned by her husband is left to take care of herself in a lonely new world. She is flesh and bone with desires and passions like any other human being. Hester commits adultery and is found out by a cruel, judging community. She must wear a Scarlet A on the front of her dress; A for Adultery. Hester refuses to give the name of her lover Dimmesdale so he goes free and untouched by the damning society, but must face the tortures of his own conscience.

Hester is humiliated and must suffer the consequences for her actions but she is not a broken woman. She stands, brave.

Dimmesdale comes through in the end and admits his role in the dangerous game. Hawthorne takes the readers on a spinning ride to get to this point. Read it and know the exact ending for yourself. I recommend it; highly.

One of the American classics, THE SCARLET LETTER tells of a woman named Hester Prynne in late 17th century who committed the then-unforgivable sin of adultery. She had been living in Boston for two years and had been found guilty of bearing a child (Pearl) by an unknown father. As punishment for her sin, Hester was forced to wear a scarlet A (adultery) on the bodice of her dress and to stand on a public scaffold before Boston's townspeople.

The opening chapter "Custom House" seemed irrelevant to the rest of the novel the first time I read the book. It was not until a couple of years later I found it not true when I re-read the novel. I do have to admit that Hawthrone's writing style can drag at times, the once-seemed boring opening chapter significantly set the mood for the rest of the novel.

"Custom House" does not seem to be an integral part of the story; yet the passage in which Hawthrone tells of having discovered, in the Salem Custom House, the faded scarlet A and the parchment foolscap sheets containing the facts which he says he used as the basis for this novel. The two landmarks mentioned at the beginning: prison and cemetry, point to the central themes of punishment and death, which will be combined in the climax of the novel. Prison might symbolize how Hester Prynne, who wore that scarlet A on the bodice, was forever locked in by her sin.

This entire tale is filled with symbolisms. The prison is described as "the black flower of the civilized society". The tombstone at the end of the book implies that crime and punishment may well bring about the death of such civilized life. The most popular and conspicuous symbol that is well sustained throughtout the book is the scalet A that is worn by Hester Prynne. Initially it is a red cloth letter which is a literal symbol of the sin of adultery. But the author makes the symbol A much more richly symbolic throughout the rest of the tale. The scaffold is not only a symbol of the stern Puritan code, but also a symbol for the open acknowledgment of personal sin. Night and day are symbols for concealment and openness. The sun symbolizes happiness and freedom of guilt. The list goes on and on....

Arthur Dimmensdale, Roger Chillingworth, Hester Prynne, and Pearl themselves, are symbols as well. They reflect certain view of sins and effects on humans and society. The book might take strength and effort to read; but it's not quite a bad read.

Hawthorne's Marble Faun is not a book I would recommend to the casual reader, unless you are enthralled by highly exaggerated, unrealistic melodramas involving grossly stereotyped, one-dimensional characters (Miriam and Donatello are more intriguing and less one-dimensional, although this is simply my opinion). One must take into account that this is a gothic novel and is written in a period where "political correctness" is not yet a term, and where puritanical ideals and mores are the central focus of the story-teller.Therefore, one cannot hold against Hawthorne the fact that Italians are depicted as uncivilized imbeciles (for lack of a better word), nor that sin and religion are central themes - he simply wrote in accordance with the time in which he lived. Surely the fact that he is a masterful writer excuses his weaknesses in other areas. The story itself, though overly melodramatic and at times frustratingly so, is interesting in the way soap operas or shows like Melrose Place often are; as nauseatingly emotional as the characters are, and as disgusting as their actions or predicaments may be, there is a depth of raw emotion that draws us in, and something akin to the curiosity one may have in looking at a freak show. We are repelled yet drawn in at the same time, unable to resist wondering what lies ahead, yet partially aware of what will happen, of what must happen, for the story to play through the way it was intended. I myself was drawn into the innocent one-sided romance between Donatello and Miriam that gradually grows into a torrid affair - I truly could not put the book down until I found out how it all turned out between them. However, once that part of the novel was resolved, I found little incentive to continue. Hilda was stiff, did not draw sympathy, and her religious piety mixed with a severity usually associated with bitter spinsters I personally found repellent. Kenyon, the sculpture who seeks a romance with her, was equally boring with his wimpy, "I-agree-with-anything-you-say" romantic tactics. Needless to say, I was as intrigued by their romance as by two limp noodles stuck to the bottom of a pot. My suggestion: Read up till the chapter entitled "The Bronze Pontiff's Benediction" (I won't tell if you skip through the endless descriptions of art & architecture and go straight to the good parts). Then skim for plot ("A Frolic of the Carnival" has some interesting parts) and head straight to the last chapter and the postscript that follows - a must-read, as here we get a few last words on Donatello and Miriam, as well as a summation of the question that forms the novel - here you finally discover what thought process drove Hawthorne to write this story in the first place!

A must for romantics and anyone who enjoys a bit of a philosophical challenge!

Thinking about traveling to Italy? Wait! Do not leave behind your most useful travel companion. Disregard Rick Steve's and Let's Go. The Marble Faun was the premiere 19th Century travel guide to Rome and should be for the 21st century traveler. This book will lead you around the ancient city without skipping any of the awe-inspiring sights. For travelers after The Marble Faun's publication in 1860, the novel was a necessary item for their European escapades. Masterfully constructing his story around four distinct characters, Miriam, Hilda, Kenyon, and Donatello, Hawthorne takes the reader on an adventure which holds as much intrigue as the splendid landmarks these travelers encounter in their own journeys. For one who enjoys art and the discussion of art, this book will provide everlasting enjoyment. Indeed, Hawthorne captures the ex-patriot community of artists who settled in Rome during the 19th century in an attempt to associate themselves and their work with the Old Masters. Through Hawthorne's exceptional narrative, the reader gains further understanding of the mindset of copyists who wish to discover the true essence of such famous works as the faun of Praxiteles. This work experiments in its narrative form and one must be willing to flow with it. The chapters at times jump from different characters and events with out much warning to the reader. In addition, Hawthorne interjects his own point of view from time to time. If the reader is sensitive to this un-structure then they will have little trouble enjoying the mystery as well as the valuable description. Hawthorne changed the standards for American travel writing with this novel. Without it, Henry James, among others, may not have followed his lead. It is time The Marble Faun won the recognition it deserves!

I'm not a big fan of The Scarlet Letter, but The Marble Faun is, in my opinion, the best American novel ever written. Although it can move slowly when Hawthorne describes various architectural sites throughout Rome, the rest of the story is a theodicy of great power and imagination. Hawthorne uses a brilliant combination of mythology, history, and humanity in this piece. A must for anybody who loves Italy. This book has been overlooked for more than three generations now...it's time it was uncovered!

Though as commentators below mention, this might not be the best text for beginning magicians (and Schiffman's prose style is a bit choppy at times), this is a valuable overview of the world of magic: the history of professional magic, how illusions work, the elements that go into a stage entertainer's performance, and how the same techniques are applied by New Age gurus, faith healers, spirit mediums, fraudulent religious leaders, and others to manipulate and hoodwink the public. A valuable addition to the literature of the skeptic movement as well as an intriguing peek behind the curtain for the curious.

If you start with this book to learn magic, only in that way will you be disapointed. But if you have at least some years experience in magic will you appreciate this very interesting book and valuable thoughts.

Nathaniel really knows what hes talking about basically every bodys a magician including the Gover ment he tells it in a way that i have never seen before i have tons of illusions books with drawings but this book is the iceing on the Cake! wow! unbelieve cool! the lear jet secret in the book was amazing! it all made scents theres one part i had right its the very loud music to cover the movment of the plane thats really cleaver! i was on the right track! who knew amazing! if you want to know how everything is done then this is the book!

7th in the series, Capt. Drinkwater's action takes place in the Baltic as Napoleon rolls up the Russians in 1807. Ostensibly carrying gold to the British ally, the Tsar, Drinkwater's cruise is episodic and nearly aimless at first, but concludes with an exciting rush under the eye of an ancient nemesis and the guns of the French. I get less of a sense of adventure and curiosity than with O'Brian's Aubrey/Maturin series, whereas the larger political context of alliance building against Napoleon is clearer here. However, the shipboard world of H.M.S Antigone thereby becomes less central and important. Except for some pro forma sail handling, unfamiliar terms are rare, even the regular cursing. This Sheridan House book has lesser art, better paper, and double the price of Warner's series.

This is book 7 in the Drinkwater Series. I have previously read number 10, but the U.S. publisher has not been reprinting the books in the order they were written. To fully appreciate the book, you need to read the previous books in the series. Otherwise you will feel at points as if you have walked in on the middle of a story. In this particular episode, Drinkwater is off on a special mission to the Baltic, only to have his orders changed via a message sent through diplomatic channels in Sweden, and by the request of an agent picked up in Russia. Things are complicated by an unreliable lieutenant aboard the ship. Events lead to the diversion of a cargo of gold, and Drinkwater's participation in an intelligence gathering operation. One of Drinkwater's old enemies (from books 2 and 3) is reintroduced. Part of the plot seems a little contrived, but overall it is an interesting story.

Richard Woodman is perhaps the most underrated writer of naval action novels. His Nathaniel Drinkwater series, of which Baltic Mission is the seventh, combines realism, action, excellent characterization, and a gothic thread running through it. Drinkwater, who is a very decent man although not simplistically so, has to face various levels of human evil and depravity. Drinkwater has had three nemeses woven in and out of the series; the vile Morris from his first ship, the evil but cunning Edouard Santhonax, and his own wayward brother Edward. In Baltic Mission Drinkwater deals with two out of the three.

The time is 1807 and Napoleon has been checked but not defeated at Eylau. Only Csar Alexander of Russia is able to stand against Napoleon and Drinkwater is sent to the Baltic to provide encouragement/assistance to the Russians. However, Alexander may be tiring of his fight against Napoleon and Drinkwater must be sure that he doesn't enrich a potential enemy. A mission to find out the status of the combatants is in order. Along the way Drinkwater has to deal with his irascible First Lieutenant Sam Rogers who is descending into alcoholism.

Drinkwater is now in his 40s and suffering from his wounds. Series regulars Mr. Q. and Tregembo are back. Tregembo is now described as an old man although his age before was never specifically mentioned. I had the impression that Tregembo was a few years older than Drinkwater but he seems to have reached old age in one novel.

Much of Baltic Mission takes place on land so it doesn't have the same level of naval action that other novels in the series have although the rousing conclusion is in keeping with earlier series entries. This one is more cloak and dagger with continued gothic elements and suspense. While Baltic Mission doesn't have the same intensity as Eye of the Fleet or sense of grand tragedy as 1805 it's still an entertaining read and perhaps a bit of a change of pace. To this point there have been no bad entries in the series and given Woodman's writing ability I doubt there will be.