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Even with this flaw, this is one of Branden's more important books. It is brilliant and profound. It is a book to read and re-read at regular intervals throughout one's life. Two of the most important chapters are "Self Reliance and Social Metaphysics" and "Self-Responsibility and Romantic Love". Both of these themes appeared in his earlier "The Psychology of Self-Esteem". In particular the concept of social metaphysics is one of the most vital to understand in attempting to gain true psychological freedom and intellectual sovereignty. In my own case, had I just taken the time to understand how social metaphysics was impacting my decision to seek a divorce, I might been able to save my marriage.
The Introduction to this book is by itself almost worth the price of the entire book. It contains indispensible advice for finding true happiness in life. It also shows Brandon's essential modesty, as he credits his wife for these important insights.
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Central to Branden's insights for leading and managing are six practices (ways of living) essential to building self-esteem: being at a high level of consciousness, self-acceptance and acceptance of others, self-responsibility, self-assertiveness, purposefulness and personal integrity. This book is geared to self development-for helping anyone develop the qualities that underlie a healthy sense of self and effectiveness in living. Branden provides the reader with a 21 week personal development program that has enormous potential, provided you approach it with commitment and sincerity!
Branden's ideas offer the prospect of profound personal growth. The implications of his thinking for creating a highly effective organization should be thought about deeply by leaders. If you are embarked on organizational change, you should read this book before charging forward. Recommended. Reviewed by Gerry Stern, founder, Stern & Associates, author of Stern's Sourcefinder The Master Directory to HR and Business Management Information & Resources, Stern's CyberSpace SourceFinder, and the Compensation and Benefits SourceFinder.
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The threat of now-Emperor Napoleon's invasion requires Nat's constant vigilance over the French ports, destroying any likely transports and incidentally aiding the spy network in their subversive attempts to overthrow the 'little corporal'. During this routine blockading, the intransigent midshipman Lord Walmsley pushes his status too far and ends up over a cannon wearing a check shirt, then a transfer out of Nat's hair - but who turns up in the future, like a bad penny.
Despite the blockade, the Frogs break out and, in company with the Dons, apparently head to the W.Indies, leaving Nat to wait for Nelson appearing from the Med. Nat gets a transfer to a 74, but in a turn of events he is captured by the Spaniards and flung into prison with his officers. The loathsome Santhonax appears again to quiz Nat and do more dirty deeds as the book closes.
Trafalgar forms the high point of the story, with Nat only able to view the carnage from the orlop of the French 'Bucentaure' 80, where he was transferred as prisoner with little Gillespy.
We see more of the character of Mr.Q, Mr. Frey & Lt.Rogers in this book as well as more of the strategy of the defence of Britain, as Nat becomes more accepted by those in command. A small reference in a letter from his wife, tells us that Nat has fostered poor little Billy Cue Maxted, the Mid whose legs were blown off in the action with 'Requin' off Greenland (in the previous volume 'Corvette'). This touching generosity, the tenderness he shows to little Mr. Gillespy and his encouragement of Mr.Frey reveals a different side to the cool, collected tactician we normally see.
Mr.Woodman's writing gets better and better with each story - more fluid and confident, yet providing another level of suspense under the surface; meanings are implicit rather than voiced; inferences made by subtle suggestion rather than bald statement, which makes this a real pleasure to read.
As good as the best in the genre. *****
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1805 starts in 1804 with Napoleon threatening to invade England. Drinkwater, now a captain, must patrol the English Channel to ensure that the French cannot bring a huge army across and subdue the stubborn English. With the powerful Royal Navy besting the French at every tack, was an invasion of England ever a real threat? Woodman makes a strong case that the answer is yes. Woodman, through letters from Drinkwater's wife, conveys the tension that was felt by English people at the time. Whether the threat was real or not, the reader is convinced that it was.
The reader also gets a sense of the loneliness felt by sailors with months or years of separation from their families. Drinkwater becomes a father figure to Midshipman Gillespy. Woodman presents the irony of Drinkwater being a father to a boy who is not his own while his own son is fatherless at home. The loss of fathers for indefinite periods of time or permanently is one of war's great tragedies and Woodman portrays it with some understatement.
Modern readers also know that 1805 culminated in the Battle of Trafalgar, which was Britain's greatest naval victory and perhaps the most decisive naval battle in history. Drinkwater has a unique perspective on the battle. Woodman's description of the battle through Drinkwater's eyes is a vision of hell, a vision that rings very true. Even though the reader sees the battle from the English perspective and the battle is a victory, Woodman emphasizes the tragedy.
1805 is a little uneven but Woodman more than makes up for this by his description of the events leading up to the Battle of Trafalgar and the description of the battle itself from Drinkwater's vantage point. 1805 is a powerful novel that has probably not received the recognition that it should. Without Trafalgar this is just another naval novel but with Trafalgar it's a masterstroke. It's every man's duty to read this one!
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The story line is an child Otter that loves to slide down into the pond decides to venture into the mountains to make a really big, great slide and gets chased by a wolf - but keeps his wits about him. There are morals to the story, when the parent warns you of danger there is a reason; and be resourceful when faced with a challenge.
The State of California, Dept of Education, has this book on their reccomended "level 1" readers list. It deserves it.
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Alas, I forgot the name of the author of "The Chimaera", and even that my favourite versions of the myths were all written by the same person. Some talented guy writing for the series, no doubt, I would have said, if I'd thought about it. A couple of years ago, I started browsing through an impressive-looking illustrated volume of mythology in a bookstore (which you now see before you). Whoa. "Scarlet Letter" Nathaniel Hawthorne wrote *THESE*?
His retellings of Greek myths were originally spread over 2 volumes (the other being _Tanglewood Tales_), but they can be obtained in a single volume these days. I can personally do without the gang of Tanglewood kids providing the official audience for the stories-within-a-story, or the defense against critics put into the mouth of the storyteller Eustace Bright, but then I want more space for more myths. :) Each myth in _A Wonder Book_ has an Introductory and After the Story section where the storyteller leads up to the tale, then fends off any awkward questions from his young audience.
"The Gorgon's Head" - The story of Perseus, from his infancy through the quest for Medusa's head. Hawthorne skates delicately past the question of who put Perseus and his mother, Danae, in a chest and abandoned them on the sea, let alone why (toned down for kids, and all that), and of course doesn't go into detail about what mischief Polydectes might intend if Perseus can be got out of the way.
Hawthorne is otherwise thorough about details: he even includes the Three Gray Women, who share the use of a single eye, who had to be persuaded to reveal the location of the monsters whose gaze turns living creatures to stone.
"The Golden Touch" - The Midas legend, of how a king, blinded by a love of gold, foolishly asked Apollo that he be given the gift of turning things into gold with a touch. Be careful what you ask for...
"The Paradise of Children" - The story of Pandora's box. Hawthorne's version, much as I like his other mythological tales, has been prettified a little too much: everyone in the world was a child who never grew up, before the box arrived.
"The Three Golden Apples" - The 11th labour of Hercules, wherein the king sent him to fetch the apples of the Hesperides. The tale begins with Hercules meeting a band of nymphs, who hear his account (only briefly summarized, alas) of his preceding labours before directing him to the one person who can direct him to the garden: the Old Man of the Sea...
"The Miraculous Pitcher" - Philemon and his wife Bauchis have grown old together - the only kindly folk living for a good way around a prosperous village, whose inhabitants delight in tormenting vagabonds (although they'll fawn on wealthy-looking strangers). Then one day a ragged youth called Quicksilver and a taciturn man with an appearance of great wisdom are driven out of the village...
"The Chimaera" - Bellerophon's pursuit of Pegasus, whom he seeks because only in the air does he have a chance of killing the monstrous chimaera. Bellerophon's long wait beside the fountain of Pirene, where Pegasus descends to drink, is enlivened by several characters living round about: an old man who can't even remember his glory days, an overly timid maiden who'd run from anything unusual, a yokel who only appreciates plowhorses, and a little boy (the only one who really believes in Pegasus).
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Don't pass this one by; it will truly win your heart, whoever you may be!
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"Within the verge of the wood there were columbines, looking more pale than red, because they were so modest, and had thought proper to seclude themselves too anxiously from the sun. There were wild geraniums, too, and a thousand white blossoms of the strawberry. The trailing arbutus was not yet quite out of bloom; but it hid its precious flowers under the last year's withered forest-leaves, as carefully as a mother-bird hides its little young ones."
But Hawthorne is also equal to the task of less genteel, more vigorous images:
"At this sound the three heads reared themselves erect, and belched out great flashes of flame. Before Bellerophon had time to consider what to do next, the monster flung itself out of the cavern and sprung straight toward him, with its immense claws extended, and its snaky tail twisting itself venomously behind."
Adding to the pleasure of these retold tales is the gorgeous art of Arthur Rackham, both in black-and-white drawings and full-color plates, which captures the unearthly beauty and the unexpectedly surprising humor of Hawthorne's work. Highly recommended!
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A King's Cutter features some of the same characters from An Eye of the Fleet, most notably Lieutenant Devaux and seaman Tregembo. The vile sodomite Morris is missing although it was implied that he would be back. Drinkwater has a new nemesis in Edouard Santhonax, an enemy who Drinkwater will face in subsequent episodes. The novel covers a period that begins just before war with Revolutionary France, includes the mutiny at Spithead and culminates with the Battle of Camperdown. Intrigue and subterfuge are as much a part of A King's Cutter as broadsides and boarding parties.
Like its predecessor, A King's Cutter has gothic elements. There are mysterious forces at work, which are neither fully understood nor explained. Even Drinkwater, who is as decent a human being as any in the RN, has a dark side to him. While graphically violent scenes are not present as in its predecessor, it is clear that life at the time is nasty, brutish and short and that warfare is not a sport of gentlemen.
Woodman has carved out a different niche from other writers of the genre; one that is unique, appealing and an interesting contrast to earlier series.
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At the beginning of this story, we find Drinkwater on the beach, recovering from a wound received between novels. Admiral Jervis (now Earl St. Vincent and First Lord of the Admiralty) was known for promoting officers based on ability rather than interest, and he gives Drinkwater (now a commander) temporary command of the twenty-gun sloop Melusine after the ship's captain in incapacitated and resigns (why this would only be a temporary command is not entirely clear - Jervis had the authority to promote officers).
Action finds Drinkwater guarding a whaling fleet in the Greenland Sea, dealing with French privateers and English renegades, and seeking a French base. There is considerable detail about the operation of the whaling fleet and the hazards involved in arctic whaling. John Nicol, in his autobiography, gave a brief description of a voyage on a whaling ship to the Greenland Sea, and noted his resolution not to make another.
Like other novels in the series, characters in this novel carry over into the next.
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I found this one of the most interesting in the series. For all the Napoleonic era novels out there, this contains the first discussion of whaling in the North Atlantic I recall (and only a few other series include the more familiar Pacific whalers). Also, Drinkwater essays humor on occasion, despite his author's rather grim prose and concern with political machinations. Drinkwater often struggles with scepticism and faith, God, and duty to the navy, abetted here by a pastor/surgeon who is philosophically inclined and by a righteously subversive whaling captain. Woodman describes the arctic well, but only occasionally does he evoke its beauty and terror. Pay very close attention to the beginning chapters for there are clues to anticipating a final mystery. If you understand sailing commands and constantly track the state of the wind through the story then all the ship maneuvers make sense; otherwise ignore them as nautical "period atmosphere" and be poorer for it.
We get to hear more sail commands than usual, thanks to an insecure but punctilious 3rd lieutenant, and also learn in great detail the meaning of "jury-rigged." What strange names some fictional captains have: Drinkwater, Hornblower-and quite the opposite of their true characters.
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Several plots run together in this story; the threat of privateers; the differing agendas of the whalers; insubordination in the officers; and a pastor with a past. All are handled by a Captain who has matured as much as his author, in a way that has neither the bluffness of Jack Aubrey, nor the asperity of Hornblower.
Excellent reading; but why can I not find Mr. Woodman on the average bookstore's shelves? *****
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After having killed off the whale population in the Atlantic, the New England whale ships pushed farther into the ocean to find their prey - the spermacetti whale. Hunting grounds in the Pacific were discovered and, after a year's journey rounding South America in which it lost half of its boats in a sudden gale, the whale ship Essex set out to fill its hold with the valuable whale oil armed with only 3 small boats. During a hunt, one of the boats was stove by the death throes of a speared sperm whale and returned to the ship. While enacting repairs, the pings of the first mate's hammer attracted the attention of a large bull sperm whale, a creature uniquely designed for ramming. The bull made two charges, collapsing the bow of the ship on either side of the keel, and 20 men found themselves alone, in 3 open boats, deep in the heart of the blue Pacific, with only faint hopes of rescue.
The Essex did not sink immediately, and the men were able to salvage a few casks of water, some navigational instruments, and hard biscuits (which would later be fouled by ocean spray and induce dehydration in the men). The first mate also had paper and pencil, which he used for keeping a daily diary of their attempts to survive the ravages of storms, thirst, hunger, and attacks by killer whales and large sharks.
I read this book prior to reading "In The Heart of The Sea", also by Nathaniel Philbrick, and I was glad I did. The first-person narratives really bring home the tale, and Philbrick's other book helps fill in the historical background. I would recommend reading this book with a good atlas, so that you can plot the narrator's progress as he tries to bring his ship to South America, against the wind, the current, and his dwindling strength, and realize just how screwed these sailors really were.