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I try not to use too may superlatives when writing a review - they tend to distract the reader and perhaps even cause them to question your objectivity. But this time I just can't bring myself to care, such is my admiration of the book I read just a few short weeks ago. Put simply, this work is a masterpiece, and it's only when you encounter something as rich as this that you realise how often that word is applied to inferior goods.
One line plot summary - "'A Boy's Life' details the adventures of a twelve year old boy growing up in a small town, being essentially a series of vignettes backed by a tale of an unsolved murder." None of which, of course, would tempt you to read the thing were I not to say this:
McCammon has always been a competent writer, but neither before nor since has he approached the heights he attains here. God knows other writers have come close to capturing the simple magic of boyhood (King's "The Body" makes a fine case study), but McCammon leaves them all in his wake. There really is magic in this book, I swear it - the pleasures and pitfalls of early friendships, the thrill of summer break, the bicycle as a near-mythical icon, the joys of childish things and the call of the future - it's like putting on a pair of magic lenses and seeing things as we saw them before the cares of the world came to spirit us away.
I could go on at length, writing about the richly drawn characters, the way McCammon steers a course between humour and tragedy with an unwavering hand, the astonishing writing-style, the way large issues are melded to small events ... but I won't. I will, however, say this:
This book is a wondrous thing, a gift to be cherished, and I cannot believe that anyone who was ever young will ever quite shake away the faerie dust which settles during its reading. It's that powerful.
Or, to paraphrase Jon Landau - at a time in my life when I desperately needed to feel young again, "A Boy's Life" took me back, if only for the briefest of times. And that, friends, is something money can't buy.
Cory Mackenson is 11 years growing up in innocence in a picturesque small southern town during the racially torn 1960s. He and his friends enjoy bikes, baseball, and monster movies at the town cinema on Saturdays. Things change early one morning just before daylight when Cory and his Dad witness a car and its occupant careen off a lonely country road into the deep abyss of a rural lake. Upon attempting rescue, Cory's dad finds the driver unconscious and handcuffed to the steering wheel with a wire wrapped around his neck. This launches Cory and his father on a search for the murderer who is living as a longtime respected citizen in this small rural community.
Who is the man in the car, and what about the tattoo? Can a clairvoyant black lady who lives on the other side of the tracks in this racially tense time hold one of the keys to unraveling the mystery before it unravels the sanity of Cory's father?
In addition to the suspense, Boy's Life also captures the wonder of being an eleven year old boy in much the same way Mark Twain did with Tom Sawyer. I did not realize that Robert McCammon was such a wit when it comes to humor. There are several places where I had to put the book down and laugh out loud. Other places were quite poignant and heart rending as well.
You will enjoy this one.
Thanks for reading.
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Anne Shirely is a smart talkative,very imaginative little girl who lived all over until one day the Cuthberts of Avonlea,Canada adopted her. Deciding to kepp her didn't come easily. They finnally did decide and she was so happy about it. During her stay she got into lots of trouble. Anne then has something that happens that is very nice but sad. In order to find out whatg happened,you will have to read the book.
I liked Anne of Green Gable because the character was very smart and had a big imagination. I also liked it because the plot was excellent. I recommend the book to anyone who is into reading stories with lots of plots and if so you will sure love this book!
Anne of Green Gables is the first book in the Anne of Green Gables series. It takes place, as most of L. M. Montgomery's books do, on Prince Edward Island in Canada. This particular story takes place in the town of Avonlea. It follows young Anne Shirley, an orphan brought to Green Gables to help Matthew and Marilla Cuthbert on their farm. Much to Anne's dismay, Marilla tells her that they wanted a boy to help around the farm, not a girl. However, Marilla changes her mind and decides to keep the dynamic young girl who would become Anne of Green Gables.
This novel is incredibly written, with well-developed characters and an intricate plot. I absolutely loved it. I would recommend it to anyone who is looking for a great example of children's literature at its height.
This book portrays a stunning sketch of Canadian History and Culture in the late 1800s to early 1900s. The character personalities are so real and so amazingly "human" that one cannot help but fall in love with them. You really get a taste of PEI in its glory.
This story is set in Avonlea, Prince Edward Island (Canada), a fictional settlement which is really Cavendish, Prince Edward Island, the place where Lucy Maud Montgomery, the author grew up.
The main character is Anne Shirley...and eleven year old, enigmatic, imaginative, sparkling, highly intelligent orphan who is sent to Green Gables, a farmhouse in Avonlea, under the impression that she was to be adopted by a pair of elderly siblings, Matthew and Marilla Cuthburt. But, apon arrival to Green Gables, Anne discovers that there had been a horrible mistake...the Cuthburts never wanted a girl...they wanted a boy who could do the chores and help Matthew with the farm. Anne was was in the "depths of dispair". Matthew, on the drive home from the train station had taken a great shine to Anne and had his heart set on keeping her, regardless of any mistake. Marilla, however, was not so easily enchanted. She agreed to let Anne stay at Green Gables on trial, to see if she would behave herself and lend a helpful hand to Marilla. After the trial, Anne is welcomed to Green Gables and flourishes under the love of the Cuthburts and all Avonlea folk. Anne, however, has one big problem. Her Hair. It is a hopeless shade of carrotty red and Anne felt that it was the ugliest hair anyone could imagine. She was extremely sensitive about it and she was horribly embarrassed about it. On her first day of school, Anne's hair was made fun of by Gilbert Blythe, the smartest and handsomest boy in school. "Carrots! Carrots!" he said. Anne's temper got the better of her and she was so angry she broke a slate over his head. After that, for many years, she snubbed Gilbert every time he spoke to her and he developed a boyhood crush on her.
Ah, but to keep this review interesting and the book mysterious, I will stop telling you the story and begin reviewing. The characters in the book are so well-defined that it seems to you that you know every character personally, like an old friend or neighbour.
And by all means, don't let the age recommendation fool you either...this book can be read by all ages alike...and I have no doubt that this book will still be my avid favorite at the age of 85.
The book is not boring, contrary to many opinions of those who read the first chapter of small print and historical settings. The discriptions will place you right into the heart of the story and you find you will laugh and cry while reading this story. Every time I read it I cry at a certain part which I'm not sure if I should reveal to you for fear of spoiling the good parts in the story, but it is dreadfully sad. If you read the book, then you will know what part I am talking about. The one saddest part in the whole story.
Although this book has some old ideas and ways of expressing them, you will learn a great deal of Canadian history through them and there's no doubt in my mind that this book will still be popular decades and most likely even centuries to come.
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Claudius plays the part of sharp observer throughout much of the novel. He was born with a stutter and thus was deemed to be incompetent, dull and therefore not much of a threat to the imperial powers. He therefore witnesses many of the most dramatic and terrible events of Roman history, including the bizarre reigns of Tiberius and Caligula. Despite his outward infirmities (which Claudius is all too willing to play up in an effort to save his neck), Claudius' narration is sharp, witty and downright funny in places. Through his eyes, the reader sees the various backroom maneuvering that made imperial Rome so interesting.
This a delightful book that moves quickly under the steady writing of Graves. Even for those without much knowledge or interest in ancient Rome, the intrigues are often more intriguing than what true fiction writers are capable of producing. This is a great novel for all readers. Readers will be sad to finish this book but happy to know that an equally delightful sequel awaits them.
Aside from the historical accuracy which Robert Graves puts into his book, I was impressed with the way he wrote it. Having read other books (non-Claudian) written by Graves, I know that he possesses quite a deft and informative writing style. Here he uses Claudius' own style-a bit clumsy, a bit run-on, all the facts there although not always in the proper arrangement-and it's the finishing touch on a wonderful feat of literary impersonation. You can almost believe that you're reading (in translation, of course) the manuscript written by Claudius himself and buried, on the orders of the Sibyl of Cumae, so that it will be found and read by generations nineteen hundred years from his time.
It's a remarkable book on all counts: historical, literary, and greatly enjoyable. The characters are all clearly and definitively drawn-and Claudius supplies us with the little bits of irrelevant trivia that help round out a person's character-and the setting, though the action takes place almost entirely in the upper tiers of Roman society, is as detailed and believable. For those of you who scorn history as dry and boring: Read "I, Claudius" and its sequel, "Claudius the God." It may still be dry, but boring it is definitely not. Enjoy!
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The account becomes particularly revealing when Griffin describes how towards the end of his investigation he "switched" back and forth between black and white on a daily basis, noting the negative reactions he received from both black and white communities based on the color of his skin.
Additionally, the epilogue by the author is incredible. He bemoans how people, particularly northerners, have tokenized him, seeing him as the only white person capable of communicating with blacks. Specifically, he describes one situation where a city task force brought him in as the "liason" to their black community, yet they had not even taken preliminary steps to communicate with its most outspoken representatives.
I don't typically read books in their entirety at one sitting, but this book drew me in by its interesting topic, and I wasn't able to let it go until I had finished it. This book is a great book, and I recommend it to all. Specifically, I would imagine this book to be particularly helpful for a white seeking to better understand the nature of race in this country, but there is nothing about the book that would preclude enjoyment by another demographic.
BLACK LIKE ME angered white southerners when published in 1960. Griffin (who'd once recovered from blindness) received anonymous death threats, and soon developed health problems associated with his special medication. Too bad we cannot step into each other's race the way Griffin did - it might make for a better society.
Reviewer: Jojo from Oklahoma
Wow, I really needed this one after the heavy stuff I've been reading lately. I enjoyed 'Inner Harbor' immensely. It's a very well written, heart-warming family story. Well.... ok, maybe you wouldn't want your kids reading the sex scenes! ha! Those were pretty hot... (that wasn't the focus of the book though)! :) I had read the first 2 in this trilogy (Sea Swept & Rising Tides) quite some time ago; Not sure why I didn't finish up with this one. I remember really enjoying this whole family in those 2 books also but, if I remember correctly, this is the best of the series. This had a great story for Sybill (our leading lady). Watching her come to terms with her own past & self-defense mechanisms was just great; She surely wasn't perfect in some of her past decisions, but she did a lot of growing, admitted her own mistakes, & worked to correct them as best she could. I loved the way Phillip kind of just pushed her along in this relationship; It was fun & the relationship obviously wasn't going to happen any other way. I also love the secondary characters (as with most of NR's books); They add so much to the story. I won't say this is exactly a light read - there are some real hard truths about real lives in it, but the focus of the book is not about that, it's about growing past it. Once again, NR could make me fall in love with the main characters & really want to spit at the bad ones! :) I do suggest, however, that these books be read in order, the story builds from one to the next. Happy Reading!
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Although this novel is usually thought of as a story of revenge, it has an even deeper meaning than that. This story not only warns people who betray others, but it also promotes love, friendship, and most of all hope. When the Count of Monte Cristo comes back and seeks revenge, he also meets some friends on the way that move his heart. Some of his friends become poor and have a sad life because of his imprisonment long ago, but they still hope that he will return and they wait for him day by day. The count rewards them in a secret way, and shows how important it is to have hope in one's life even when there looks like no hope. So when you read this book, keep in mind that there is more to it than just vengeance.
This book is very pleasant and I finished it in a couple of sittings. It will definitely put you on the edge of your chair and you will hardly be able to put the book down. This book is for all kinds of people, but it is especially for people that think life is hopeless, because as this book will point out, nothing in life is ever hopeless.
Alexandre Dumas's _The Count of Monte Cristo_ is one of the greatest novels of all time and in fact stands at the fountainhead of the entire stream of popular adventure-fiction. Dumas himself was one of the founders of the genre; every other such writer -- H. Rider Haggard, C.S. Forrester, Zane Grey, Louis L'Amour, Mickey Spillane, Ian Fleming, Tom Clancy, John Grisham -- is deeply in his debt.
The cold, brooding, vampiric Count (born Edmond Dantes; known also, among other aliases, as "Sinbad the Sailor," Lord Wilmore, and a representative of the firm of Thomson and French) is the literary forebear of every dark hero from Sherlock Holmes and the Scarlet Pimpernel to Zorro, Batman, the Green Hornet, and Darkman. And the intricate plot provides everything any reader could want: adventure, intrigue, romance, and (of course) the elegant machinations of the Count himself as he exacts his terrible revenge on those who have wronged him -- thereby serving, or so he believes, as an agent of divine justice and retribution. Brrrrrrrr.
The book is also a good deal _longer_ than many readers may be aware. Ever since the middle of the nineteenth century, the English translations have omitted everything in the novel that might offend the sensibilities of Victorian readers -- including, for example, all the sex and drugs.
That's why I strongly recommend that anyone interested in this novel read Robin Buss's full-text translation. Unlike, say, Ayn Rand (whose cardboard hero "John Galt" also owes his few interesting aspects to Monsieur le Comte), Dumas was entirely capable of holding a reader's undivided attention for over a thousand pages; Buss's translation finally does his work justice, restoring all the bits omitted from the Bowdlerized versions.
The heart of the plot, as most readers will already know, is that young sailor Edmond Dantes, just as his life starts to come together, is wrongfully imprisoned for fourteen years in the dungeons of the Chateau d'If as the victim of a monstrously evil plot to frame him as a Bonapartist. While in prison he makes the acquaintance of one Abbe Faria, who serves as his mentor and teaches him the ways of the world (science, philosophy, languages and literature, and so forth), and also makes him a gift of a fabulous treasure straight out of the _Thousand and One Nights_. How Dantes gets out of prison, and what he does after that -- well, that's the story, of course. So that's all I'm going to tell you.
However, I'll also tell you that the 2002 screen adaptation doesn't even begin to do it justice. The plot is so far "adapted" as to be unrecognizable, except in its broad outlines and the names of (some of) the characters. Pretty much everything that makes Dumas's novel so darkly fascinating has been sucked out of it. It's not a bad movie on its own terms, but if you're expecting an adaptation of this novel, you'll be disappointed. And if you've already seen it, don't base your judgment of the novel on it.
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I recommend this book to anybody who likes adventurous and surprising stories. This story is about a mouse named Mrs. Frisby. Mrs. Frisby's husband died one day, but she never knew how and where he died. Mrs. Frisby has to move to their summer home, but her youngest boy Timothy is very ill. She quickly goes to the doctor Mr. Ages for help. She gets the medicine, but Mr. Ages told her that she should go to the rosebush where the rats lived. On the next day she goes to the rats. First they don't let her in, but when she said that she was Mrs. Frisby they respected her like she was a queen. Slowly she found out that the rats were highly intelligent lab rats that ran away. Mrs. Frisby made a deal with them that if they help move her house she would help them.
My favorite part of the story is when Mrs. Frisby enters the rat's home and see that they had light bulbs, electricity, elevators, and even a library and school. The rats told her that when they were at the lab the scientists inject fluids into them which made them more intelligent and bigger. Only group A of the rat and the mouse group survived. They became so smart that they could read the instructions on the handle bar to open their cages. Slowly they got the tools they needed to get out of the lab through the air vents. Only two mice followed the rats and their names were Mr. Frisby and Mr. Ages.
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In a way, McCammon practically re-wrote Stephen King's The Stand. But McCammon paints a far more desparing and wicked picture. The apocalyptic world of Swan Song seems more effective, as it relies less on the supernatural than King's work. King should take a note from the psychotic presence of the "Shadow Soldier". This is an excruciatingly plotted book, as it falls short of 1,000 pages. In the end, I found the books best element not in its silly commentary on "hope", but in its depiction of man's animal instinct to survive.
A motley crew of WWIII survivors - a 7' pro-wrestler called Black Frankenstein, a NY baglady, a deranged Army colonel, a cruel teenage boy and a young girl who holds the key to life in her hands - all become players in an epic battle between good and evil.
I won't pull any punches - the violence and cruelty is horrific and hard to stomache, but the hope and beauty that manage to peak through the clouds outshine the ugliness.
Robert McCammon does an extraordinary job of character development considering he has an enormous cast of characters to work with. I will certainly read more of his books. I can only hope that they are half as good as this one!
Now I think he needs to start work on a screenplay of Swan Song - Hollywood could sure use a movie or miniseries like this!
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Puzo is an effective storyteller and he keeps things moving along at a snappy pace. The Don of the book doesn't seem larger than life the way Marlon Brando does in the movie. "The Godfather" is often described as a "trash" novel, but reading would be a lot more fun if all such novels were as good as this one.
I would highly recommend this book to anyone who would like to read a well-written, thought-provoking, and captivating book. Puzo not only romanticized the mafia, but also shows the power, violence, death, and reality that is associated with it as well.
If you loved the films, you will love this book even more!...