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"Nightfall" Isaac Asimov (perhaps the most famous sf story ever)
"Scanners Live in Vain" Cordwainer Smith
"The Nine Billion Names of God" Arthur C. Clarke
"Flowers for Algernon" Daniel Keyes
"A Rose for Ecclesiastes" Roger Zelazny
just to name a handful
So many other powerhouse writers are also represented: Ray Bradbury, John W. Campbell, Robert A. Heinlein, Clifford Simak, Theodore Sturgeon, James Blish, Alfred Bester, Damon Knight...the list goes on and on and on.
If I could only have one book of sf stories, this would be the one. A classic.
672 pages
Read classics like "Flowers for Algernon" and "The Cold Equations" and see what visionaries some of these authors were. Read "Nightfall" and see Isaac Asimov in his prime, or "Mimsy Were The Borogroves" and muse on the time when sci-fi wasn't written to fit on a Taco Bell cup.
Any one of these stories is worth the price of the book. Nothing else to say. Find it, buy it, read it, keep it.
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I had read this book many years ago when I as 12. I was motivated to reread this book after seeing the blockbuster movie "Pearl Harbor" which goes on from that day of infamy to also include this counterstrike. And I am glad I did reread the book. The book covers the training and the mission in great detail, as well as his escape from China which covers about half the book. The book was written and published between 1942-1943 and there is a great deal of heart-felt emotion in the book about the war and the Japanese.
Also significant I thought is the context in which Lawson places this mission and the amputation of his leg -- they are events, albeit very significant events, that are stepping stones to his true purposes of family life and career.
The mission was great, and had a great effect of America at the time. There is probably no better account of this part of history than this book by Lawson.
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Chris
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For family fun in the car... buy this game! It's great!!
There are two failings, and they are minor: (1) there are still plenty of obscure words and phrases that aren't annotated (the introduction acknowledges this) and conversely (2) there are a number of things that don't need annotations that get them (particularly galling are the annotations that simply tell you that they don't know what Joyce is talking about either).
Still, an essential reference, and pretty entertaining in its own right (like flipping through an encyclopedia or Brewer's Phrase & Fable).
Also recommended: REDEFINING THE 'SELF': SELECTED ESSAYS ON SWIFT, POE, PINTER, AND JOYCE by John Condon Murray
Introduction, prefaces and notes explain how to use this book, and how it was compiled. Each episode is preceeded by a map of where the action takes place helping the reader to visualize the movements of Bloom and Stephen. Each entry is preceeded by the Chapter Number and Line Number according to the Gabler edition of "Ulysses". In addition, a fairly comprehensive index cross-references all entries. If the reader wants to find all allusions pertaining, for example, to the Book of Luke, these can be easily found. I found this Index quite useful.
Personally, I found the following method best for using the book. First, to skim through the allusions, marking those of particular interest, and then laying the book side by side with the Novel and reading the Episode.
As for realiability, I took Gifford and Seidman up on their offered Short Title List, and was able to find almost every reference, including "Thom's Official Directory of the United Kingdom and Great Britain and Ireland for the Year 1904", and have found them to be reliable in their entries.
This Book should suffice for reading, and understanding Ulysses, though many a reader may get caught up by Joyce, as I did, so that the following may be useful: Weldon Thornton: "Allusions in Ulysses", Richard Ellman: "James Joyce", Harry Blamires: "The New Bloomsday Book", Stuart Gilbert: "James Joyce's Ulysses", and of course "The Riverside Shakespeare", "The Oddyssey", and the Bible.
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The Weekend Novelist Writes a Mystery is different.
Step-by-step methods for constructing a tight mystery novel plot with compelling and convincing characters fill every page. Examples of the authors' own novel process along with those of other masters such as Agatha Christie, Martin Cruz Smith, Sue Grafton, and Raymond Chandler illustrate each step.
There are no timid suggestions in vague jargon here. The authors have taken great pains to make sure each and every facet of their combined writing and teaching expertise is explained thoroughly and usefully.
The importance of a solid "backstory" is the focus of early chapters, giving the writer a solid view of their story before moving on to the writing itself. The far too common problem of writing oneself to a standstill is virtually impossible if the plot and characterization techniques are followed. The remainder of the book contains a treasure trove of specific techniques for creating scenes, convincing dialogue, and "real" settings. The reader will learn how to group their scenes into logical "acts", control the story's pace, and use the language to set tone and resonance.
While structured specifically for the mystery writer, the techniques can be applied to other genres with relative ease. Any novelist, whether still aspiring or already accomplished, will find a wealth of insight into the plotting and characterization process. The beginner searching for one all-around USEFUL how-to-write book would do well to pick this one.
This is no-nonsense book crammed with useful, week-by-week projects which will lead the writer to the successful creation of a well-written, satisfying mystery.
The Weekend Novelist Writes a Mystery puts the "HOW" back into the how-to-write book market.
If dialog is your demon Ray/Remick break it into manageable portions; the one-two rhythm, linking to setting, echo words and hooking to the past or future. If you have a tendency to explain dialog, this book makes you aware of authorial intrusion.
As a creative writing teacher and proponent of Natalie Goldberg's creative writing technique, I have used 'The Weekend Novelist' in my creative writing classes. I look forward to utilizing this new book to enhance my own novel writing and to help my students develop their personal writing techniques.
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Description: Roberts starts off with advice on how to shop Parisian style in your hometown (frequent small markets; develop relationships with purveyors), then launches into recipes for every course, which are appended with kitchen tips and trenchant tales of marketing and cooking in Paris. Assessment: During this vogue for all things Italian, Roberts clearly wants to rescue French food from its current reputation as fussy and outdated. He absolutely succeeds with this well-written collection of vigorous, straightforward recipes. The book also paints a vivid picture of Roberts' Parisian crowd, urbane professionals who happen to whip up fabulous meals in their tiny kitchens. -Erica Marcus .
To begin with, you should know that Michael Roberts moved to Paris in 1975 and earned his professional certificate from the Ecole Superieure de Cuisine Jean-Ferrandi. He lived and worked in Paris before returning to the U.S. and opening his own restaurant Trumps in Los Angeles in 1980. He has since that time returned to Paris for several extended visits. He brought his experiences of everyday life in Paris to this book that reveals how the average, working person in Paris shops for food and prepares meals at home. In his introduction to the book, you instantly recognize yourself because he explains how people in the everyday Parisian culture share virtually the same food varieties, cooking equipment, busy schedules and lack of time that people in every other metropolitan area of the world also share.
The discovery that I made is based upon an admission by the author in the opening of his book when he speaks of his youth and says 'The realization that I had learned to cook but not to nourish, that I hadn't grasped the gastronomic world of the average Parisian, disheartened me.' So, he set upon a course to correct that oversight and wrote about his experiences that revolve around one simple philosophy from which we can all profit. 'You start with fine ingredients. You cook things in a way that coaxes out the flavors. No need to complicate a recipe with many ingredients, because they only end up fighting each other. ' Let the ingredients speak to you.' He goes on to say 'The charm of a French meal lies in their insistence on quality ingredients and balanced flavor, in respecting those ingredients by not overcomplicating the cooking.' I enjoyed and wholeheartedly agree with his comments that shopping for flavorful ingredients should be a delight, not a chore; that cooking delicious meals doesn't really take very long; that the resulting enjoyment breaks up the tension of the day from which we can all benefit; that the devotion to this splendid ritual of eating well should become part of the rhythm of life; and, finally, that families who share this pattern of living will pass on the gift of memories of yesterday so that familiar flavors or aromas will 'unlock the memory of childhood, ' what most Parisians do nearly every time they sit down at the table.'
The book's 175 recipes that reflect the author's philosophies are easy to prepare and suit a variety of tastes for various courses of a meal, including soups, salads, entrees, and desserts. My copy of the book has already shown wear on its edges and stains on its most used pages which, if you will pardon the expression, speaks volumes about what I think of this book.
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"Pity the Nation" is a readable and riveting account of the Israeli invasion of Lebanon in 1982, and the consequences of the same for the Palestinians, Lebanese and the rest of the Middle East. This is essential reading for understanding the current situation in the Middle East, and all the more timely considering the current US posture towards Iraq.
If you're a blind supporter of Israel, the PLO, any of the Lebanese factions, Syria, or even the US government, be prepared for some unpleasant truth!
But whatever the case, do read this book. You won't find this level of detail in ANY of the other popular books on the subject.
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We all make mistakes but if you take the advice in this book and put it to work, with love, your daughter will have an advantage in life.
I especially liked the chapter on communication. This seems like the key to building a great father-daughter relationship and helping your girl communicate well with others.
From discipline to faith to laughter, the author covers the most important aspects of nurturing the early life of your daughter.
A great, useful, and easy read.
I look forward to sharing the book with others lucky enough to be the father of a daughter (or two).
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I have read this book cover to cover and it is extremely well written, comforting, and humorous at the same time. The stories of the Almost Brides are so helpful to someone going through this - it helps to know you aren't alone.
"Nightfall" Isaac Asimov (perhaps the most famous sf story ever)
"Scanners Live in Vain" Cordwainer Smith
"The Nine Billion Names of God" Arthur C. Clarke
"Flowers for Algernon" Daniel Keyes
"A Rose for Ecclesiastes" Roger Zelazny
just to name a handful
So many other powerhouse writers are also represented: Ray Bradbury, John W. Campbell, Robert A. Heinlein, Clifford Simak, Theodore Sturgeon, James Blish, Alfred Bester, Damon Knight...the list goes on and on and on.
If I could only have one book of sf stories, this would be the one. A classic.
672 pages