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Each sub-section is alphabetically ordered making it quick and easy to find whatever drug you are looking for, and there is a comprehensive index in the back containing both generic and trade names as well as some diseases and therapies! The down side of this is that the trade names relate to Canada and USA so some of the British drugs aren't listed by trade name. I haven't found this to be too much of a problem, but sometimes it is difficult to find drugs if you only know the trade name.
I found the drug dosages sections very useful as not only does it give the dose but also it gives the different doses for different indications and administration routes. I especially liked the exotics section since it gives you detailed information on rodents, rabbits, ferrets, reptiles and birds; subjects on which data is usually difficult to come by.
The size of the book makes it very handy to keep in your bag for reference during lectures and it is small enough to fit in your pocket when on clinics.
This book provides the usefulness of a formulary and the convenience of dosage charts, all combined into one pocket-sized handbook. It has been a great aid to my studies and I highly recommend it to vet students on either side of the Atlantic.
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We understand a lot about our dogs because we know them and we're able to use our common sense to figure things out, but sometimes it's helpful to hear what an expert has to say. Because
they love us, we all would like to think that our dogs are excellent at judging character, but how about the times when they are suspicious of someone who we know is a good person? Check out "Why Are Dogs Distrustful of Some Strangers and Not Others?"
Vicky, our Bearded Collie was the greatest of diggers. She could and did push cinder blocks out of the way in order to dig under a fence. Read "Why Do Dogs Dig Holes?"
Princess Poppy, a Beardie Husky mix acted the most like a wolf. She would put her head up in the wolf stance and really give off a couple of piercing howls. The author gives several reasons for this behavior in "Why Do Some Dogs Howl?" My favorite of his answers is: "Do a pub full of Irishmen need a reason to sing?"
This book was a gift from my friend Karin who, along with our dogs has shared a lot of daily walks with me where we have pondered the question that all dog owners want to know, "Why do dogs do that?"
A fun book!
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As for the book, I'm only just thinking of reading it. I'll use my local library to find a copy, however.
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Pilot is the most interesting character. The story is told through his eyes and the fact that he is omniscient is chilling. We see things from his perspective, even when he isn't really there. He is also schizophrenic. We are inside his mind throughout this story so we're constantly wondering if we're seeing and hearing the truth or just his version of it. Pilot is adamant that his brother Eric, the neurosurgeon, is the killer...or is he?
Psychologist Katherine DeQuincey-Joy steps into the picture to uncover the dark family secrets and pull Pilot from his psychosis. She is a fascinating character with her own problems to solve.
This is a wonderful, fast paced, intensely written novel. I look forward to reading more books by this author.
Pilot James Airie is a diagnosed schizophrenic. The story of Raveling is told first person. However, Pilot, aside from being the main character, is himself, omniscient. This means when his brother, the successful neurosurgeon, Eric Airie, is on a secret date with Pilot's psychologist, Katherine Jane DeQuincey-Joy, Pilot knows what they are saying and thinking.
Everyone is worried about Pilot. When he was nine, his sister was abducted and was assumed to be dead, though no body had been found. This tragic event may have triggered a schizophrenic episode in Pilot, when he began acting like a wolf boy. Pilot's life, though he went to college, and to LA to become a screenwriter, has been a blur. When he is back home, his mother calls. She is seeing ghosts -double vision-and has pulled her car off to the side of the road. Pilot cuts through the woods in the backyard to get to his mother quickly. Only it is three days before someone finds him. A second episode has struck. But why? That is what Katherine is trying to find out. But Pilot thinks he knows why. He knows who murdered his sister. He claims he has always known. But who is going to believe a heavily medicated, mentally ill person?
Raveling is non-stop, hard to put down, nearly impossible not to think about if you have set it down. The characters are so well developed I felt as if I knew them all. I eagerly look forward to another novel by Peter Moore Smith.
--Phillip Tomasso III, author of Third Ring, Tenth House & Mind Play
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It's about:
First of all it's very vital for new-to-supermythos readers like me to pay attention to the written intro. It tells about who Supergirl was, is, and how she came to be what she is now.
The actual illustrated story starts off with Supergirl being in a major indentity crisis. It turns out she is somehow in the body of a woman named Linda Danvers. Not only is that utterly confusing because she is in someone elses body, but also because this is the first ever time Supergirl is in a fully valid human body. She is now trying out to find out what exactly she is now. Also, her powers are changing.
All the while there's a man appearing on and off who is responsible for Supergirls current state of being. He 'murdered' Linda Danvers in order to force Supergirl into her body, and former Linda Danvers isn't exactly that innocent herself (sounds confusing but it's all explained).
A big part in the second half of the book is about how Linda, who started off as an innocent girl, grew into the person she was just before she 'died', and how. For me that is also the most interesting part.
Overall storywise it's nice to read, although for non-superpeople-interns a little hard to relate too. An up-point for me is that Supergirl is less noble-hearted than Superman. She doesn't fear to use harsh ways in getting what she wants. The art in the Supergirl issues is clear and nicely styled, although I think it could have been a little more powerfull. This being a (hyper) superhero-title. It's a little in between the styles of Moebius and David Mazzucchelli (in his 'Batman Year One' days). The art in the Showcase issue with which the trade starts is better, in my taste. More contrasting and colorfull.
I'd recommend it to 'Super-fans' and overall fans of Peter David (who's hand is clearly seen). But I would steer clear of it if you're not. Not because it's bad but more because there is so much better stuff out there.
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It also has some wonderful pictures - especially one showing an old woman experiencing voting for the first time. Something that is so familiar to most of us was so alien to her. She was ninety and old enough to remember Tsar Nicholas.
The coverage is heavily bent towards the first half of the century since most of the action took place then. Moynahan's big picture style means that you really get a feel for how traumatic and vengeful these times were for ordinary people. The revolutions and the spread of communist power throughout the empire was quite simply government by a gang of murderous thugs. Fiends of the worst possible kind with a liking for violence.
The end of the party and the Russian Empire is dealt with only lightly since the book was first written in the early 1990s. (I read the 1994 version and haven't got around to reading an updated version). That, I don't, think is a big issue since most readers will have been around long enough to have a pretty good handle on the Gorbachev and Yeltsin years anyway.
All too often, these types of histories are academic (often mind numbing) and/or far too long. This one is short, sucinct and highly entertaining. In fact, anyone wishing to get into the excellent accounts of the revolution by Figes or Pipes should read this one first.
Moynahan is a journalist and not a historian -- he gives the reader the feel and flavor of the Russian experience instead of a hardcore analysis. It is the sizzle of Russian history without the meat. This is a book where one learns that Lenin disguised himself with a gray wig during the Bolshevik Revolution, and that Stalin once fired a famous jazz singer because her songs were too complex for his taste. On the other hand, the Yalta conference is alluded to in just one sentence and never discussed again. Raisa Gorbachev's shopping habits receive several mentions, while the complex internal politics behind glasnost are glossed over.
These are not faults -- just differences. The Russian Century is the perfect "survey course" for someone new to Russian history. They can get the quick overview here and then learn more about specific events in other books.
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thank you!
Each of the thirty-six houses is covered in the same way with:
1 A short introduction by editor Smith
2 The relevant editorial copy from Arts & Architecture magazine about the house.
3 Photos, plans, diagrams, illustrations. Lots of the photos are by the brilliant Jules Shulman and I doubt you will see them this big anywhere else.
4 Color photos of the house today.
Some of houses only have a spread or two (the unbuilt ones) while others have several spreads, Pierre Koenig's famous Stahl House (#22) has twenty pages. I was intriqued by a photo on one of these, it shows the living room with a small table on which are the obligatory selection of magazines, two of these are 'America', the Russian language publication put out in the sixties by the US Information Agency, were these on display when the house was open to the pubic or did Shulman put them there just for the photo session?
I have given this glorious book only four stars because it is not as complete as it should be, the focus is very narrow, essentially a visual history of the Study Houses and that's it! What is missing is any historical and contemporary background and surely the reason the whole project was important was the influence it had on other architects, house builders, planners, the public and manufactures.
To get a perspective you will have to get Elizabeth Smith's earlier book 'Blueprints for Modern Living' published in conjunction with an exhibition in Los Angeles in 1989-1990. As the sub-title to the book says...'History and Legacy of the Case Study Houses' I found this a marvellous book telling me every thing I wanted to know, though there are only forty-two pages of text and photos on the actual houses. It is a pity that a lot of the information in the remaining 214 pages was not included in this huge volume.
Now that I have the book, where will I put it, who makes bookcases over sixteen inches deep anyway? Maybe I'll just leave it on a table. I bet it will soon pop up in those house interior photos you see in glossy magazines where folk have piles of large art books neatly arranged on their coffee tables, the cover with its black and white diagonal design will make it very visible. Send me an email if you catch a glimse of it in a magazine.