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In addition to a good story by an excellent writer of historical fiction, Douglas C. Jones, ("The Court-Martial of George Armstrong Custer"; "Elkhorn Tavern"), it describes the relatively unfamiliar operation of an Indian nation in the "Indian Territory" a few years before Oklahama statehood in 1907.
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I know that this is not the full collection of tales. I was disappointed that the editors didn't give us much of the framework that the original was set. There are only ten stories here, and they are not really linked together at all. It is more like reading an anthology than reading a coherent piece of literary work.
I also felt that something was missing in the translations. Although Allah is mentioned, they typically refer to God. Whether this is what the originals stated or if this is how it was translated by western scholars, I don't know.
When I saw this was illustrated by Parrish, I had images of his work throughout the book. Unfortunately, they are grouped together in a couple places with a small quote from the story they represent. Some of the pictures seem like they were created for something else, but looked close enough to work. Although the art is good, it doesn't fit into the book very well.
The flights of fancy are fun and this would be appropriate for children. I don't think adult readers would want this one.
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In the world of Ian Smith as he would have you look at it, hearty Rhodesian farmers held the land in trust for grateful, happy blacks, while putting in place a slow and gentle programme of steady reform which would gradually empower a black population who were clearly not in any position to responsibly govern a great country. Meanwhile, he was brutally sold down the river by the mother country (Britain) who got foolhardy liberal ideas about self-determination and black empoerment.
The reality is somewhat different. Smith's regime has the dubious honour of outdoing Apartheid South Africa in the unpleasantness stakes. Smith's [associates] lived the high life while disenfranchised blacks were used for ... labour and segregated from white society. The failure of post-colonial governments such as Robert Mugabe's has aroused a new debate about the merits of a "benevolent colonialism." Whatever the merits of this argument, it's pretty academic because Smith's government was in no way "benevolent" and could never be held up as one of the better examples of colonial management. In fact, it could be a case study in ... abuse of power. What reforms the Smith regime implemented were hollow and deliberately rigged to make no real difference. Herculean efforts were made to stall the emergence of a well educated, politically aware black middle class which might ultimately challenge white rule. And if any of the "kaffirs" got too uppity they could always be dragged off to a cell to have electrodes attached to their privates until they changed their minds. Of course, this all came back to bite the Smith government in the backside because when it came to a shooting war, even moderate blacks had no real stake in preserving the status quo and little incentive to fall in behind the government.
During the run-up to the negotiations which resulted in the handover to black rule, Smith (who was acknowledged by everyone who dealt with him as a foul mouthed thug) toured London lecturing parties of the hard right faithful on the importance of teching the blacks to "know their place". Willie Whitelaw, not an ungenerous judge of character, described him as possibly the most unpleasant man he'd ever met. Don't be lured by the revisionist nonsense about a paternalistic, essentially benevolent regime. It was nothing of the sort.
It's too bad that inevitably down the road the so called "rich countries" will have to bail that country, with or without Magabe.
We shouldn't help. Let them lie in the bed they have made.
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Otherwise, I would have to say that almost all the magic, wonder, and adventure that are associated with the 1,001 Nights are to be found herein. The Maxfield Parish paintings are wonderful.
One of the most dissapointing elements is the decision to not include the "frame story" about Sheherizade telling these tales over the fabled 1,001 nights. Also much reduced is the constant use of tales-within-tales, a hallmark of the Arabian Nights collection. Both these changes tend to simplify the book, perhaps in a way that will make it more accessible and less confusing to young readers. But, then, this is hardly the book for young readers who do not like a challenge, especially since writing relies upon a lot of outdated words and word usage.
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Personally if one cannot write proofs(The basis of the book) don't bother with this book, buy just about any mathematics book titled "How to read/write proofs".
There is a lot of overlap between the first four chapters of this book and what is often taught in discrete math but the book is more thorough and rigorous. In addition, there is a chapter on cardinality, and introductions to abstract algebra and real analysis.
Teachers may not get a chance to take many upper level undergraduate courses that are oriented to math majors. This book is a transition to math for mathematicians (rather than engineers and science students) and covers the fundamentals in a very accessible manner.