This book sheds a bright light of truth on many of the myths and marketing ploys used in the food industry today. Furthermore, Dr. Maffetone's writing style is clear and he provides ample supporting data and references for his assertions. I have been following the "Maffetone Method" of fitness and nutrition for 9-months. Close friends and relatives see a measurable difference in me - weight loss, more energy and a youger complexion. Additionally, I have less aches and pains, and have greatly improved my aerobic endurance. Finally, this book is especially important for parents who care about their children's nutrition. You might be surprised to know that the glass of juice and bowl of fortified cereal with low-fat milk you fed your child this morning is causing them to fall asleep in class...

This book changed my life! It gave me a whole new perspective on exercising and fitness. It actually helped me bring down my weight and keep it off by increasing my metabolism. One of the most important books I have. I am constantly lending it out to people, or at least telling people I will lend it to them when i get it back from the last person I lent it to!

This book has changed my eating habits - hopefully forever. Dr. Maffetone writes in an easily understandable style. Being freed of my Carbohydrate addiction is the best thing that ever happened to my diet.

There are many gems in this book that will explain otherwise difficult biblical texts. The authors are interested in using the latest archaeological data to shed light on the Scriptures (see, for example, King's earlier commentary on Jeremiah). It will take time for all of the information in this book to make it into popular biblical commentaries (it is cutting edge information, as the authors themselves are active archaeologists). This book is a concentrated collection of journal quality insights written at a popular level.

Before I bought this book, I heard one of the co-authors (Dr. Stager of Harvard) lecture on his contribution to the book. He is a master investigator of the ancient near eastern ideas of temple and garden. Stager brilliantly communicates how Israel's Temple and Garden Story relate to (and are informed by) their original contexts. Adjective fail me, I can only say that his work is staggering.

I would be remiss if I did not make this plug: the pictures alone are worth the price of the book. The book is printed completely on photo quality paper with full color images throughout.

This book is a must have for any student of archaeology, the Bible or Israel.

Though written for the layperson, this book is still an excellent resource for the scholar in Bible, ancient Near Eastern studies, or any study of culture. Life in Biblical Israel describes the setting of the Hebrew Bible, but not in terms of wars, leaders, and elite society. Professors King and Stager recognize, like Fernand Braudel and Annales historians, that a large part of society is often neglected by its own histories. Thus, they seek to describe how that silent majority lived their everyday lives. The authors of Life in Biblical Israel attempt to describe all of the aspects of the lifeways of the Israelites - how they produced their food, built their houses, procured water, defended their cities, organized their society, kept themselves healthy, expressed themselves through clothing, art, and music, and how they interacted with the divine.

For those skeptical of the Bible's credibility, the book may seem to be a simple attempt to draw archaeological correlations, that is artifactual evidence, for Biblical terminology. Certainly, the book does this, but not out of any theological or apologetic attempt to prove the Bible as accurate. Accepting that the archaeological record and the Bible provide two types of descriptions of the same society, King and Stager gather all of the information they can from both sources. The many photographs and drawings in the book show many examples from the archaeological source. A quick glance at the Scriptural Index at the back of the book shows how thoroughly the authors combed the Biblical text. At the same time, the authors use each source to supplement the defficiencies of the other. For example, artifacts can often be identified as to their uses, but they have no names in their native languages, and how they are used is often not known. King and Stager do an excellent job with the details of exactly how the ancient people accomplished what they did.

There have been very few other attempts to so document ancient Israel as a cultural and social entity. Previous works using both the textual and archaeological evidence in concert mostly have focused on one aspect of the culture, usually something relevant to the upper classes or the political or military establishment. Others have subsumed their archaeological and biblical discussion beneath other arguments, in which case they have reduced the amount of evidence and increased the number of conclusions to be drawn. King and Stager, on the other hand, have written a book which deals primarily with the culture of all of Israel as expressed through its material and literary remains; they have no other axe to grind, and they present more data and fewer conclusions. Instead they are working first and foremost to describe as best they can how people lived in the Iron Age in Israel.

This book will serve as an excellent textbook both in archaeology and Bible courses. It can also serve as a reference work both for the layperson and the scholar interested in either subject. Perhaps the best reason to use this book, however, is that it succeeds in its aim of portraying the details of ancient Israelite life. The many illustrations truly enable readers to visualize each aspect of the culture.

Life in Biblical Israel, despite its conversational tone and appealing visual layout (it contains copious and remarkable photographs, many of them in color), rests on a simple premise: great ideas are as much an expression of a culture as the shape of the pots it uses for wine or the letters it uses for writing. This is the central tenet that undergirds the excellent new volume by L. E. Stager (Harvard) and P. J. King (Boston College). In the case of Biblical Israel, of course, the main artifact bequeathed by the Israelite culture to the modern era is the canon of the Hebrew Scriptures, or Old Testament. The idiom of the texts that comprise the canon, King and Stager argue, is as much rooted in the reality of Iron Age western Asia (1200-540 B.C.E.) as are habits of personal adornment (ingeniously illuminated by the authors) or domestic architecture. Biblical texts, therefore, at once express the culture of the Iron Age which archaeologists can reconstruct and are illuminated by that culture. For readers who recognize the productivity of this dialogue and seek the means to enhance it, they can do no better than acquire this book. Ancient interpreters, beginning with biblical authors themselves (who glossed alien terms of antiquity with ones familiar to their audience) and continuing with such seminal figures as Philo and Origen, wrestled with the language, customs, and manners described in the texts. Why? Because texts are not disembodied, even when long traditions of interpretation continuously make those texts meaningful in new contexts. Thus, for anyone who takes the texts seriously, engagement with them requires engagement with the realia of Biblical Israel, from calendars, to family structure, to the implements of war, and the names of pots (ill. 70a-b). These and many other topics are meticulously presented by King and Stager, with insights that go beyond recitation of the data available in standard reference works (including not a few interesting philological observations about the meaning of Hebrew words). This book, then, presents the highest caliber of scholarship in a package that is readable, enjoyable, and very important. It also demonstrates persuasively that the culture of ancient Israel in the Iron Age II-not in the Persian or Hellenistic periods-was the one in which the greater part of the Hebrew Scriptures was conceived and transmitted.

I read this book in first grade and noticed that the details of the story are very similar to the cartoon movie, "Pinocchio" for example, Sam the owl tries to teach Gus the firefly right from wrong(like Jiminy Cricket)and Gus doesn't listen, and just like when Stromboli locks Pinocchio in a cage, the Hot Dog Man cages Sam in a glass jar and drives him off, only it's in a pickup truck rather than a horse-drawn trailer. The only differences are that there were no characters taking the place of Foulfellow or Gideon, and that in Pinocchio, the Blue Fairy saved him, not his conscience.

This was a very, very cute book.

This was my favorite book growing up. I owned a copy and I still checked it out of the library so I could read it at school. At age 4, the story was engaging and the moral easy to understand. At 5-6, the story was still great, but the challenge of reading words with such a wide range of difficulty kept me interested for years.

I still remember going to the book fair with my mother when I was in kindergarten. She said I could pick any book I wanted, and I picked this one. It was the first book I ever owned and read, I still have the same copy, and I laugh every time I read it!

This book is written in the same type of rhyming style that made Dr. Suess' books so famous. However, unlike the good Doctor there aren't any made up words in this book. The rhyming story tells of two siblings adventures in the snow: from sledding to snowball fights to building an igloo. The vocubulary is simple enough that doesn't make reading difficult for younger readers, yet it is challenging enough so that young readers improve their skills without realizing it. The illustrations that accompany the test are delightful. Children love listening to this book and often squeal with laughter at several scenes.

It's very rare for a beginning reader book to become a favorite, but this one definately is! I have owned a copy of this book for over thirty years, since before I could read it myself, and have since read it to my children. Whenever it snows here, we always ask, " Do you like it in your face?", to which one of us will answer, "Yes! I like it anyplace!" A true classic.

Hey everyone! Don't even bother paying ANY attention to the ...peter kline spouted in his horrendous review of The Spanish Tragedy. Shakespeare wrote Kyd's masterpiece? Give me a break! And I suppose you're also going to say that Shakespeare secretly wrote Marlowe's plays as well, right? Kudos to Mr. Richard for being a well-informed reader of the English Classics! And as for Mr. Kline, you should do some research ...

J.R. Mulryne's edition of *The Spanish Tragedy* is without a doubt the best that may at present be bought: informative, helpful, intelligent and accurate in introducing the text, presenting it, and glossing difficult words and phrases where necessary. The play is among the most exciting and artistic of its period. Kyd writes, and constructs his plot, with a level of skill comparable to that of Shakespeare, who was much influenced by *The Spanish Tragedy*, particularly in writing *Hamlet*, which is possibly yet "richer", but undoubtedly less clear and focused. Kyd shows us in an extremely sophisticated way the workings of revenge, both at an earthly and at a supernatural level. From the beginning the audience knows, in a way that the characters do not, that the supernatural world will insist on revenge. The pain of those who suffer injustice here on earth and clamour for revenge is painful to behold. Ultimately, however, in a baffling way, evildoers are punished: Hieronimo, the main character, manages to take matters into his own hands after exhausting all other possibilities, and thus ironically enacts the wishes of the higher powers. The FORM of Hieronimo's revenge is extraordinarily interesting: under the cloak of art - of a theatrical plot - he manages to kill his evil opponents quite easily. The tension between "art" and "life" is thus handled by Kyd in a very innovative fashion which still shocks modern spectators and readers. The role of language, too, is called into question: much of the play demonstrates that in real life finally action does speak louder than words, which often do not make their point or simply get ignored. Any reader who wants to get a notion of the superb quality of plays written by Shakespeare's contemporaries is certain to admire and enjoy this striking work of art. - Joost Daalder, Professor of English, Flinders University, South Australia

I reviewed this play a year ago; my purpose here is only to correct some of the astonishing misinformations given by Mr. Kline for fear that some students or others interested in Kyd might be misled.

First of all, there is no evidence that Shakespeare wrote a word of this. The play was ascribed to Kyd by Thomas Heywood in 1612, when Shakespeare was still living. The Spanish Tragedy is not mentioned in Francis Meres's list of Shakespeare's plays made in 1598; and at the very latest The Spanish Tragedy was in existence by 1592, when it was published, and performed as an old play by Henslowe. And how anyone who has read Shakespeare could possibly think the style of The Spanish Tragedy is his is beyond me; both Kyd and Shakespeare possess very distinctive styles, to neither's demerit.

The existence of the earlier version of Hamlet is not doubted. It is mentioned by Henslowe in 1594 as an old play, and alluded to by Thomas Nashe in 1589 and by Thomas Lodge in 1598 (I think). Nashe links the old Hamlet to Thomas Kyd. The fact that its text did not survive is not extraordinary; most plays in the Elizabethan period have been lost as well. The date of Shakespeare's Hamlet is almost universally accepted to be 1600 or 1601.

It is incredibly absurd to even suggest that Henry V may have been written at the same time as TST. Because of a reference to the Earl of Essex's expedition to Ireland, Henry V can be securely dated to the spring or summer of 1599. The Spanish Tragedy was at least 7 years old by then, and probably 12.

I agree that the Spanish Tragedy is worthy of frequent theatrical performance. Just don't pass it off under the mock-guise of Shakespeare.

Larry Collins wrote "Is Paris Burning". At a dinner party a retired General told him he should research Operation Fortitude. From that research came his book "Fall from Grace." It is based upon the disinformation that was generated during Operation Overloard to make the Germans think that the Normandy Invasion would actually be 200 miles north at the Port of Calis.

The Nazis actually had enough tanks and army troops to Port of Calis to completely defeat the invading forces of the Allied armies. Because the Germans were so convinced that Normandy was only a diversion these tanks and troops were never committed to fighting the invading forces until it was too late. It is now thought that the English used double agents to let the Gestapo capture about 20 French resistance fighters who were in the Port of Calis area. These French were convinced that the invasion would take place in The Port of Calis. Under severe torture these agents finally broke and revealed the invasion plans that the British had fabricated. All of these agents were finally executed. The details of these betrayls were so repulsive to our Christian ideals that they were kept secret until 1980. The book that Mr. Collins made from this ordeal is absolutely spell binding. He has substituted a gorgeous and corageous American Girl of French ancestry to be the Spy who is broken by the Gestapo. The French spy is actually a double agent who, under British orders, has involved the Gestapo in his plans. When the British want to make the Germans believe that he is truly a Frenchman working for the Germans they order his execution. The best part is TF O'Neil who is the son of an Irish imigrant who is on the general staff of the USA. He has graduated from Yale and is told by General Marshall, before going to England, that America needs to fight with honor. So he is outraged when he learns that Catherine is sent into Occupied France not knowing that she is to be captured by the Gestapo and tortured to the brink of death. We are finally made aware of how Draconian our side was when she takes her Cyanide pill and then wakes up only to learn that it did not work.

FALL FROM GRACE es de esas novelas que te dejan el cuerpo hecho polvo... porque no puedes soltarlas hasta que acabes su lectura. Cuenta una historia dentro de otra. La que interesa es la primera,la de una mujer decidida, aventurera y con gran sentimiento patriótico a quien el destino fatal empuja a la caída en desgracia del título. En España fue traducido como Juego Mortal, título convencional aunque no deja de ser adecuado. La otra mujer con más peso en la novela actúa más de contrapunto. Otras relaciones interesantes son las que se establecen entre Paul y Stromelburg, el americano y Ridley y, naturalmente, Catherine y Paul. Muy recomendada.

...This book: FALL FROM GRACE by **Larry Collins** is a World War II spy thriller. It's the story of a female agent on the side of the allies and a male agent on the side of the Nazis and the relationship that develops between the two spies. This is a super spy thriller that grabs you by the seat of your pants and doesn't let go! A great book!

A brilliant action-oriented plan in 3 steps that give your business the steady growth it needs to survive and succeed in today's fast business world. Step 1: Identify the Issue. Step 2: Develop a Plan. Step 3: Manage the Plan. Very well explained with examples for better understanding.

If you have a need to get your business strategy together, BUY THIS BOOK. After reading it myself, I bought one for everyone on my management team and have given copies to many fellow business owners. This book takes you through a very practical step-by-step approach to business planning. Many templates, help aids, and real-world suggestions provided. I believe any small or medium size business owner will benefit from applying the principles outlined within. Following the plan will help you get your business focused in no time. A MUST READ IN TROUBLED TIMES!

I have a degree in finance and have run many businesses. This book is one of my top recommendations to anyone wanting to improve and/or focus their business. I've purchased other books in the "Fast Forward" series, and maybe 6 others on business strategy, and this is the best. Buy a few copies, you will mark your copy up and not want to give it away. Highly recommended. Enjoy!

It's really great book as for beginners, as for already established ones in Business. Book is covering all essential items, which you can be in touch during Business Planning. Just one comment. I found it strange that Information Technology was not shown clearly as one of the major items. Of course it may be included to operational expences for example. But issues regarding this are not lighted also. Anyway it couldn't decrease rating of this book. The book is really great and my personal thanks to author for such succesful work.

The quality of this book is what first grabs you. The paper is thick, glossy and has weight, it reproduces 19th century photographs beautifully. The text is ancillary and never intrudes upon the primary focus here, which are the photographs of Lincoln, his family and the people who shaped his extraordinary life. The text illuminates and expands upon the photographs, giving dates and other pertinent information.

If you're looking for a full-scale biography of Lincoln, look elsewhere, this is primarily a visual treat and one of the better photographic compilations on any President.

Kudos to the publisher Knopf and all involved on the quality of this book. The reproduction of the 19th century photographs is first rate. The sepia toned image of the great man inside the front cover is exceptionally gorgeous - just breathtaking.

John Updike said Knopf publishes the most physically beautiful books in America, and this book leads me to believe he's right.

This is not a comprehesive, scholarly biography of Lincoln, nor does it pretend to be. But the text reads well, and the Lincoln photographs are beautiful, all-inclusive and presented in sound written context. The large size of the book works particularly nicely here. Well done!

Philip B. Kunhardt is to be highly commended for this outstanding photographic history of Abraham Lincoln. Not only are the photographs captivating, but the narrative of Lincolns life and the important events during his lifetime are interesting and enhance this book. Many interesting stories go along with the photographs of Lincoln from his 40's to his last days, however the most interesting part in my opinion is the month by month account of his presidency and the important events that occured. So much about the man has been written, but until this book was published not as many photos of President Lincoln were circulated or published. Just as important, are the events and stories which swirled around Lincoln. From his habits and humor to his history changing decisions are written in clarity and interesting form. His life and his loves are given with compassion, and his impossible losses of his sons and his mentally unballanced wife Mary Todd Lincoln is given unflinchingly. The last chapter of the book is about the assassination and the controversy surrounding Lincoln's remains, a very interesting and informative chapter to close with. I highly recommend this book to anyone with an interest in U.S. History or 19th Century U.S. History.

The books content is straight forward and to the point unlike other books that "sugar coat" definitions, etc. I enjoyed learning about the Ancient Chinese.

Basing her study of Chinese tradition and philosophy, the author relates how informed [special type of] practice can not only strengthen relationships but also bolster the immune system and increase health and wellbeing. The author focuses on changing ... habits with your partner to increase pleasure and harmony, thereby enhancing health. Further work involves cultivating chi ...and using it to mutually increase energy. This is good text for introducing concepts and aspects of [human characteristics] as understood and practiced in traditional Chinese lore.

This is one of the best books on the market, besides Sexual Secrets and How to be a great lover
This book explains how our sexual activity is affected and affects our health
Absolutely the best

Patrick O'Brian is more than a writer. He's a publishing phenomenon via his superb Aubrey-Maturin series.
But TESTIMONIES was his first novel, originally published in 1952. It tells of an English professor of Welsh origins, Joseph Pugh, who abandons teaching at Oxford and moves to a cottage in Wales. There he explores the primal mountain back country and tries to understand the farming culture of his ancestral land. A lonely, middle-aged bachelor, Pugh can hardly keep house, even to basics--cooking, cleaning, maintaining his clothes. He has never known intimacy, let alone close friendship, but he falls fatally in love with the wife of his sheep-farmer neighbor Emyr Vaughan, a violent man . . . He pines for months, keeping his love sickness to himself, but when he becomes gravely ill he is taken into the Vaughan house, where he and Bronwen discover each others' feelings, with tender reserve. The denouement is poignant, inevitable, yet O'Brian handles this difficult material deftly, without over-writing. For a beginning writer in his 20s this is masterful work at the pinnacle of writing.
An acute recorder of time and place, human behavior and motivation, action and reaction, O'Brian uses words persuasively, passionately, a craftsman to the core. He captures country, culture and character with Hardy's lyrical affection, idiosyncratic ethnicity, thoughtfully observed. His meticulous work is reminiscent of the great American writers Faulkner, Steinbeck and Capote, or O'Brian's fellow Brits John Fowles and William Golding.
Back in 1952 O'Brian anticipated with TESTIMONIES the struggle for relationships, understanding and love in an era--the last half of the 20th century--in which men and women judge and choose first from ethnic or cultural biases or appearances or political/social correctness and only later, maybe, start to understand each other and become acquainted. Or is xenophobia genetic, eternal?
Fast forward to Norton's republishing of TESTIMONIES in 1983. We see that beyond Aubrey-Maturin, O'Brian had the chops in 1952, though few knew and it took many years for many of us to find him. Doris Lessing in the '90s offered two books under assumed names to test the market for unknowns. Result: rejection (she couldn't even get the books read!). So how many others like O'Brian flower unknown, unappreciated? What is their 'testimony?'
Napoleon allegedly remarked that ability is useless without opportunity. O'Brian won his opportunity, finally, and made the most of it. We are the beneficiaries and TESTIMONIES is the proof--res ipsa loquitur.
This book is one of those few that is unforgettable and will remain in the mind and heart for the rest of the reader's life.

Having been so affected by this book, it is so pleasing to see the unanimity of readers. I finished the book last evening and have been engrossed all of today without waning; it just won't go away. What a mavelous love story where passion is never enjoined except in the spirit. What a painful tragedy that leaves one stunned and wishing himself dead. What a range of humanity. What a blessing on us all that there are writers of the power and imagination of Patrick O'Brian.

I cannot describe how much I think of this book, even 4 years after reading it. How many books have that effect?! For me, it was one of the most vivid renderings of passion, loneliness, the relationship between men and women, and most importantly, the parallel of our emotional state to the land we occupy. The country of Wales was just as powerful as the relationship between the characters in the novel. What more can you ask for? Find a quiet spot and read this book!