This nugget will surprise you. I hope you enjoy it.
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In both these books the authors take us into the world of medicine as seen through spiritual eyes. The parallels between our own bodies and the Body of Christ are fascinating to say the least. Read, for example, how when one area of our physical body is injured an urgent call goes out and hundreds of thousands of cells respond by plugging the holes in the walls, protecting the weak, cleansing the area and rebuilding itself. Read also how the body responds when there is rebellion loose within it. The list includes the workings of: (Fearfully and Wonderfully Made) cells, bones, skin, motion, (In His Image) image, blood, head, spirit and pain.
The reading style is very relaxed and everything is explained simply so that you don't need a degree in chemistry to understand what's going on. A special bonus is Dr. Brand's focus on his life's work with lepers which is interwoven throughout both books. If you've got an interest in how the physical body works and how it relates to biblical concepts, get these books - you won't be disappointed. -- Moza
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The book as great as it is, has some short comings. Kenneson doesn't really like the term "self-control," and akwardly struggles to define it and look for a better word in the English language. He prefers to call the last of Paul's fruits of the Spirit "continence" instead of "self-control." Kenneson's find's the word "self" a little too bitter for his tasting, thinking it takes away from the work of Christ in some fashion.
However, I think the word "self-control" works just fine if the Christian realizes that "you are not your own." So, if we say "self-control" as a Christian, we simply must understand that it's not that we control ourselves, but rather, we yield control of ourselves over to Christ. Kenneson's alternative translation of "continence" in place of "self-control" I don't believe is warranted, and is too close of a synonym to hardly be considred better replacement.
Also, a somewhat minor beef I have with this book is that while it tries to refrain from being overly academic, it is still academic enough to be "over the heads" of many readers. I admit that as a Jr in Bible college, I had some difficulty reading the book at times because of Kenneson's superior command of the english language (even though I did read the book in about half a week). I had to use the dictionary enough to be minorly annoyed (maybe I should go read again the chapter on patience!). I fear that this book will not have the impact that it could because many people will not be able to read it.
However, this book could still be a useful tool for any church bible study on the fruit of the Spirit, and I would highly recommend it. This is the second book I've read by Kenneson (previously read the must-read "Selling out the Church"), and am amazingly refreshed to see that there are still good Christian reads out there. I look forward to reading this book again.
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Probably the most important messages in the book, however, are those regarding conservation and utilization of water resources. Certainly the information about the disparity of water availability and quality between the western and 3rd world countries, between urban and rural use, and between countries and states that have competing interests in a particular watershed were very enlightening. It was surprising to learn that part of the problems of the Middle East revolve around water availability and use. These issues certainly provide previews to future problems that will almost certainly arise globally in the not too distant future!
A very thorough, interesting and multifaceted book.
And like a good biography, the book covers all the aspects of his subject. He goes into the origins of water back to the big bang. He shows how we found it on the moon and Mars, and of all places, our Sun. Since he is a doctor of physics, it is not really surprising that he looks at the chemistry and physics of his subject, detailing why ice expands, and why you can ski on solid water but not on asphalt. He tells how its currents run the oceans, and how we don't completely understand the molecular happenings in water flow, or in the formation of snowflakes. He tells us about the dire problems we could have if we don't start handling this most precious and most taken-for-granted resource with more wisdom. He reports at length on the foolishness of cold fusion of heavy water, or of polywater.
In short, this book wonderfully covers every aspect of water you could think of. Ball writes with humor and excellent analogies, and even when the science gets complicated, he is an excellent guide.
And like a good biography, the book covers all the aspects of his subject. He goes into the origins of water back to the big bang. He shows how we found it on the moon and Mars, and of all places, our Sun. Since he is a doctor of physics, it is not really surprising that he looks at the chemistry and physics of his subject, detailing why ice expands, and why you can ski on solid water but not on asphalt. He tells how its currents run the oceans, and how we don't completely understand the molecular happenings in water flow, or in the formation of snowflakes. He tells us about the dire problems we could have if we don't start handling this most precious and most taken-for-granted resource with more wisdom. He reports at length on the foolishness of cold fusion of heavy water, or of polywater.
In short, this book wonderfully covers every aspect of water you could think of. Ball writes with humor and excellent analogies, and even when the science gets complicated, he is an excellent guide.
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This book tells the musical history of Ira, Nicknamed "the Jeweler" because of his meticulous fitting of words to music, or as he put it, the construction of a music/word mosaic, the sometimes under-appreciated Gershwin wrote the clever, ironic, and always intelligent word to Gershwin tunes as well as collaborations with (Harburg, Kern, Arlen, Weill, Wodehouse, Bolton, and Duke).
As in his brilliant "Poets of Tin Pan Alley," Furia's masterfully dissects the lyricist's craft, explaining such techniques as pseudo rhymes, internal rhymes, alliteration and assonance, allusions and tone. He examines the importance of a song's "singability." Furia, as in 'Poets' traces the history of the theatre song as a stand-alone number (a la Ziegfried Follies) to its height as an integral "character" that advances the show's plot (first accomplished in "Showboat" and "Oklahoma." Finally, he shows how Ira Gershwin's style (and often his skill) was different from other lyricists of the Golden Age.
The problem is that there is a dearth of original research, especially about Ira's latter non-writing years. I wonder why the author did not interview Michael Feinstein, who befriended Gershwin in the latter year, and here receives a one paragraph cite on the next to the last page. Most of the references on the latter years come from two books alone. Furthermore, while not the life of the party like George, we don't get much of a clue as Ira's personality or personal life. Some original research into Gershwin's personal life and post-writing years would have added greatly to the book. Finally, his use of phrases such as "saying I love you in 32 bars" and "singability" is so repetitive that it becomes grating.
Still, this is an excellent book for students of songwriting and Gershwin fans in particular. There are some excellent behind-the-scenes details about how songs are written (and sometimes ruined) and it's mostly an enjoyable read. For a better overview of the best lyricists of the era, I highly recommend his earlier "The Poets of Tin Pan Alley."
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Philip St Romain's humility throughout the book gives it greater credibility and lets the reader vicariously enjoy the experience. This is one of the most helpful Kundalini books I have ever read. I would recommend it to anyone undergoing a Kundalini awakening, and anyone interested in this evolutionary energy that is often misdiagnosed and misunderstood.
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Foremost, in the steps for acquisition of knowledge, was the advice given for taking up the study of various languages, especially Latin. The book makes for compulsive reading and must adorn every library.
Each man is born with all the passions, but in each there is a governing passion which runs stronger and deeper than the rest. Seek out each man's governing passion, and when you have discovered it, remember never to trust him where that passion is concerned. Play upon it to your own advantage if you wish.
The text is full of wisdom such as this. I'm delighted that Amazon can find it for me.
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That said, I enjoyed this very much. There's a great story and the take on vampires is wonderful and effectively chilling. But be careful, it is strong stuff.
I've been very disappointed with horror novels recently, but this is a restoration of faith. There are a number of elements I really love - good violence, fun, some decent heavy breathing sex and plenty of atmosphere. Parts of the book grabbed me especially, but the whole thing is superb. If it was a film, think Evil Dead 2.
It is full of life and action in only 29 pages.
It teaches small children, the meaning of words, as they are taught to the dog.
Finally it teaches the meaning of procrastination, as the owner of the dog, with all his big dreams for his pet, on the last page says:
'I think I'll start next year'