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At that time I was thirsty for "true" knowledge about engines, especially high-performance engines, and quickly came to the conclusion I wasn't going to get that from my buddies who inanely swore that their 2-barrel 350 Novas were turning 10-second 1/4-miles ("I'm certain of it man, I clocked it myself"). This book was reviewed in a Road & Track issue, I picked it up, and became truly educated about all facets of basic engine design and the physics and principles behind true horsepower production.
I found the text easy to read and understand, and the delivery of information, although technical, certainly not above anyone's understanding. This is not a "get out your slide rule" type of book; but it does lay things out in a clear, direct manner, making it easy to absorb and understand, even as a newby 17 year-old gearhead.
Even though we've seen a tremendous advance in engineering regarding the internal combustion engine since 1979, to this day the principles delivered in this book ring true. You cannot go wrong, nor do I think you can do better, than starting here on your quest for horsepower knowledge--learn the basics first, and go from there. (For real slide-rule stuff, consult the book Scientific Design of Exhaust and Intake Systems, to learn where the heart of any internal combustion engine resides.)
I still have guys my age swearing that they're doing truly unbelievable things with a certain engine and car; the crazy stories never fade, but you'll do better than tell stories after learning what this book has to say.
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"Fool of the kingdom" explains how to develop a clown character, how to juggle, how to do origami and string games, and also provides many other clown tips. It is full of ideas, advice, instructions, anecdotes, as well as sketches.
Philip wants us to know that although performing is a great idea, we must make sure that the message of the sketch or story always remains clear.
What I appreciated most about this book were the sketches and origami, because I enjoy drama and like to show my friends new tricks. People who want to use acting or story telling to help them communicate God's message to others will be interested in reading this book.
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As the MTV programming, this book has a continuous flow in which each chapter looks like a new video clip, which is totally related with the preceding, and flows directly into the following. However, instead of creating these connections with complete paragraphs and nice connectors, the editors choose to throw isolated pieces of pictures, paragraphs and quotations. It is the inner most meaning of every written and visual piece what makes a unified theory out of this book. A new way of communication which McLuhan would define as "Any new structure for codifying experience and moving information, be it alphabet or photography, has the power of imposing its structural character and assumptions upon all levels of our private and social lives" (106). Therefore, a chapter named "Violence and Identity" will start with a two-page-black and white picture of a Ku Klux Klan's ritual followed by a quotation: "Violence, whether spiritual or physical, is a quest for identity and the meaningful. The less identity, the more violence." On the next page, a picture of a ten-year-old child wearing latex gloves and a gun in each hand; then, McLuhan's theory is introduced with big blue letters: "IT'S WHY THEY HAVE TO KILL," and so forth. This continuous fluidity of meaningful images and writings, involves the audience in an exciting rhythm, making it interact and experience what McLuhan was trying to say by "The Medium is the Message."
Instead of having a defined introduction, body and conclusion, Forward through a Rearview Mirror is composed of three different types of writing: biographical information, writings by McLuhan, and writings on McLuhan. Each one of them is placed by the editors to ease the reader's understanding of McLuhan's speech. Information about his background, life, and surroundings is provided by a timeline that covers his most important years: his experiences at different stages of his career, the birth of his own family, and his social life. All these factors influenced his way of analyzing our culture. From interviews, speeches, and books, Benedetti and DeHart quote McLuhan to provide objective information about his insights. Because most of his citations are abstract aphorisms, the audience can read his words either superficially or deeply, stimulated by the adventure of discovering his hidden insights, always present in his works. However, the reader is not alone in this adventure. Other media theorists such as John Fraser or Lewis Laphom share their experiences when reading the philosopher. Moreover, as the biographical information, these media producers also help to guide the reader by providing him/her with different analysis and points of view towards McLuhan. Although the book doesn't follow the conventional three-part linearity, it seems custom made for the rushing reader of the nineties. It doesn't matter on which page we open Forward through the Rearview Mirror. It can always provide an interesting analysis of our own society.
However, Paul Benedetti and Nancy DeHart do not only keep McLuhan's organization and writing style, but also preserve his idea of convey insights using the visual medium. Therefore, Forward Through the Rearview Mirror is designed to the image of McLuhan's major works The Medium is the Massage and Global Village. These two books submerge the reader into a multidimensional medium of meaningful abstract and figurative visuals. For instance, the editors create the same type of metaphors that McLuhan employed in his publications, by explaining the world's current globalization with ten bottles of Coca-Cola all written in different languages. Moreover, as Marshall McLuhan's last works, the unconventional format of this book also stands out in the reader's library. While both the medium is the massage and Global Village are smaller than any standard size book, Forward through the Rearview Mirror is wider and shorter than any conventional book.
Forward through the Rearview Mirror shows the complete involvement of Paul Benedetti and Nancy DeHart in McLuhan's life and ideas. Following Marshall McLuhan's guidelines, they carefully place each element in their book to create an outstanding piece. From its outside cover to its inner most meaning, this book breaks all standards, thus, draws the attention from an audience willing to find a new and high-quality product. Guided by McLuhan's print media by juxtaposing significant images and phrases to create movement and rhythm. When experiencing this book, the reader combines the sound of his reading and the meaningful visuals inside his mind, creating an audio-visual medium out of Forward the through the Rearview Mirror. If this phenomenon is achieved, McLuhan's theory is confirmed: "It is man who is content of the message of the media, which are extensions of himself" DeHart and Benedetti understand McLuhan, preserving his thoughts alive, and honor him in their piece of art.
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Very good.
Almost no mathematical knowledge is required, because the text focuses on the ideas not the math.
Even if you want to learn about Game Theory including the mathematical foundation, I recommend to read this book first. It will wet your appetite for Game Theory and show the breath of ideas and applications.
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It was not the greed and brutality of the capitalist overlords that provoked a mass rebellion. It was that they made life virtually impossible for the working people. The great strike was centered in rail and began in the summer of 1877 in response to yet another wage cut.
A group of bold rail workers in West Virginia walked off the job. With no union, no organization, and nothing but a desperate urge to reclaim their humanity, their initiative spread like wildfire to thousands of other rail workers from Baltimore to St. Louis in a rolling surge of strikes, mass mobilizations and confrontations with the armed minions of capital. Ultimately general strikes of all workers were precipitated in St. Louis, San Francisco and other cities.
The rail barons sought to put down the uprising with military force, mobilizing state militias, police and national guard troops, firing into the crowds, killing dozens. For them it was only a question of forcing the masses to do their bidding. They believed that they were the rulers, the workers were there to serve them.
This great labor battle awakened the true spirit of liberty and solidarity among the laboring masses. In their struggle against the tyranny of capital they became the one true embodiment of democracy and the only hope of progress for toiling humanity. They laid the foundation stone for the worker's movement in the U.S. It gave a huge impetus to the organization of labor unions as well as the beginnings of labor political action: the formation of a workers party.
Reading this book brings home the reality of the class struggle in the U.S. and helps us to understand how and why it developed as it did. It also helps us understand why this class struggle won't go away as long as capitalism exists. It helps us to appreciate the organized struggle of the workers as the only way forward for humanity in its quest for a truly livable planet.
Foner's book is an exciting history of these days. He quotes extensively from labor and capitalist press of the day, from speeches and declarations by workers' leaders, and from government reports and documents to give a real feel of the roots of the uprising and the conflicting interests that lay behind it. I particularly found useful the description of what different workers leaders did at the time-- from conservative trade union presidents to militant socialists. Also the challenge and experiences of native-born and immigrant workers fighting together against their common exploiters. There is a lot to learn from this book today!
While this book gives a rich detail of the day-to-day struggles in 1877, two others will help get a broader perspective on the key issues political posed: American Labor Struggles 1877-1934, by Samuel Yellen, and Revolutionary Continuity, Marxist Leadership in the U.S. 1948-1917, by Farrell Dobbs.
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