List price: $12.95 (that's 20% off!)
These are just random thoughts I had. I enjoyed reading the book. This book does not require prior knowledge like some biographies.
A boy named George wakes up one morning to find that he is only three inches tall. He also finds a note from his parents with a list of chores he must do (which becomes Joyce's unique way of telling the story--the parent's note is the actual text of the book). The story follows George as he heroically navigates through the now gigantic house, evades the hungry house cat, and completes all his chores in very creative ways.
The illustrations, done in watercolors (though not pale and washy), are a mixture of highly realistic details (the house and surroundings), and a comic style (the characters). Included are several wordless full-page spreads of George flying a toy airplane which on their own are worth the price of the book.
If you can, buy the new large format of the book (November 2000 edition). The illustrations are much larger and the colors are more brilliant. The illustrations were probably rephotographed since the original edition is back from 1987 or so. (...) The newest version has a brand new cover illustration recently done by William Joyce.
Well, enjoy this book and happy shrinking!
A boy named George wakes up one morning to find that he is only three inches tall. He also finds a note from his parents with a list of chores he must do (which becomes Joyce's unique way of telling the story--the parent's note is the actual text of the book). The story follows George as he heroically navigates through the now gigantic house, evades the hungry house cat, and completes all his chores in very creative ways.
The illustrations, done in watercolors (though not pale and washy), are a mixture of highly realistic details (the house and surroundings), and a comic style (the characters). Included are several wordless full-page spreads of George flying a toy airplane which on their own are worth the price of the book.
If you can, buy the new large format of the book (November 2000 edition). The illustrations are much larger and the colors are more brilliant. The illustrations were probably rephotographed since the original edition is back from 1987 or so.
Well, enjoy this book and happy shrinking!
William Joyce, who will be most familiar to folks as the creator of Disney Channel's Rolie Polie Olie. George too has his own series now, on PBS, and a spanking new
reprint of his original adventure.
The story here is fairly basic : George, suddenly three inches small, follows the instructions his parents left behind in a note, to clean up the house and watch his little
brother (now a BIG little brother). Along the way he avoids an ornery house cat and rides in a toy plane. Our kids favorite page features George scrubbing dirty
dishes by skiing down them on a sponge.
As with Rolie Polie Olie though, the story is secondary to Mr. Joyce's remarkable artwork. In Olie he manages to combine Art Deco with Futurism; here it's all
throwback. George Shrinks looks like a really hip version of the Dick and Jane books. A story with a miniature hero kids can relate to and illustration interesting
enough to hold adult attention--what more can you ask?
GRADE : A
List price: $29.95 (that's 30% off!)
It is only after reading this I have realised how accurate Herge was with his subject matter. Again and again you suddenly realise that all the backing images, all the characters are founded on intricate real detail and people to create authenticity.
Quite simply, any fan of Tintin must read this book. It supplies answers to questions you'd never think of and opens you to a whole new side of the hero and his creator.
Contains detailed background on each and every title that Herge published upto the unfinished 'Alph Art'. Contains several sketches and reference photographs the artist used. You live through the mind of Herge, the times and his efforts. How carefully he chooses realism, timely topics and authenticity to spin those wonderful tales of Tintin! It is fascinating to go behind the scenes of the favourite stories. contains tons of information.
This ought to serve as a wonderful reference for artists.
If you are a diehard fan of Tintin & Herge, this book is a must! Great paper quality & print too!
I have enjoyed it a great deal and I know you will too!
Only two things about Harry Flashman I found really hard to believe. One is his linguistic ability, which sometimes borders on supernatural (although in this book it is merely very good). In "Flashman and the Dragon" he becomes near-fluent in CHINESE in less than a month - his first tonal language, I might add, - and in "Flashman and the Redskins" he switches to thinking in Siouxan upon hearing it for the first time in 25 years. And the second thing which defies belief - how did a man in his nineties manage to write all these manuscripts in a few short years? His fingers should have fallen off!
The price of this notion, is, of course, massive death, but because the massive death does not happen to the nobility, nobody important really minds. This is one reason the Charge of the Light Brigade, with which _the Reason Why_ primarily deals, was so different, and worthy of eulogizing in prose and song (Alfred, Lord Tennyson, by the way, appears absolutely nowhere in this text)--those dying, those paying the price for the Army's obsession with aristocracy, were aristocrats themselves.
Woodham-Smith manages to trace the careers of two utterly unsympathetic characters--Cardigan and Lucan--in a fascinating manner. This is no small feat, considering the reader will probably want, by the end of _the Reason Why_ to reach back in time and shake both of them, and maybe smack them around a bit.
Again, Cecil Woodham-Smith proves herself a master of the historian's craft, and produces a well-researched, thorough and driving account of what is probably the stupidest incident in modern military history.
The Crimean War changed so much about how war is waged--the treatment of prisoners and wounded being tops on the list of reforms brought about in the wake of the debacle. _The Reason Why_ is an excellent account, and should be required reading for anybody with even a remote interest in military history, or European history in general.
The heart of this book concerns the relationship between society at large and the military. Military leaders feared nothing so much as public scrutiny, for widespread discontent could lead to political interference and, indeed, political control of the army. Whether in dealing with the incorrigible personalities of Lords Lucan and Cardigan or in covering up the series of blunders that resulted in the sacrificial ride of the Light Brigade, the military leadership acted with the overriding principle of preserving the Army from governmental control.
The embarrassments of the Crimean campaign proved uncontainable. A great source of difficulty was the incompetence of the Army staff; rank and privilege were held to be superior to actual experience. When these difficulties led to humiliation and defeat, the commanders' concern was not with the men they had lost nor the future of the war effort; to the exclusion of these, their main concern was that bad publicity would appear in Britain, that the public would hear of the lack of success, that the House would begin to ask questions of the military leadership, that the press would begin to criticize the Army. This great fear of political interference was realized in the aftermath of the Crimean War. The author portrays this as the one positive effect engendered by the War effort. A new era of military reform was born in Britain, Europe, and America. Experience now became a prerequisite for command, and officers were trained in staff colleges. The author's final point is that, above all, the treatment of the private soldier changed as the military system was humanized to some degree. Her assertion that at the end of the Crimean War the private soldier was regarded as a hero seems rather bold, but it is clear that he was no longer seen as a nonhuman tool of his commanders' designs.
List price: $39.95 (that's 30% off!)
This is also a great book for MBA students who want to understand a topic before taking to a whole class.
One final point, the caliber of the authors is incredible. Each author is writing about his/her specific areas of expertise, and the topics are extremely timely.
These are my opinions alone and not necessarily those of my employer.
Part I - Understanding Advantages in a Changing Competitive Environment - discusses competitive arenas, competitor analysis, and competitive advantage. The first two chapters expand largely on Michael Porter's (Harvard Business School) frameworks, whereby the other two chapters introduce approaches to include policy and technology trends into the strategic planning process.
The aim of Part II - Anticipating Competitors' Actions - is to get inside the heads of competitors. Chapters 5 and 6 explain the possible use of the game theory within competitive strate!gy and strategic decision making. Chapter 7 builds on these chapters to integrate the economic frame (chapter 5), the behavioral frame (chapter 6), with an coevolution frame. The final chapters of this part introduce frameworks and approaches to understanding competitor response and competitive relationships.
Part III - Formulating Dynamic Competitive Strategies - builds on the first two parts and introduces approaches to designing strategies. It introduces reactive strategies, preemptive strategies, signaling opportunities and uses, competitive positioning, and antitrust constraints (which is increasingly important to companies).
In Part IV - Choosing Among Alternative Competitive Strategies - the three chapters introduce methods and frameworks for choosing the right strategy. Chapter 15, in which conjoint analysis is combined with scenario analysis, is perhaps the most complicated chapter of the book. Part IV also introduces the possibilities to use simulation !tests for analyzing and testing strategies.
Although this book is named "Wharton on Dynamic Competitive Strategy", there are various chapters from other academic institutions. Each chapter is an excellent piece of work and can be read on a stand-alone basis. For beginners in the strategic field I recommend chapters 1 and 2 highly. The book is written in business US-English.
But I find 'Mastering Strategy: The Complete MBA Companion in Strategy' by Financial Times Editors to be a better book with greater depth and broader spectrum.