I just received this mornin' the fresh flash book, i already own the Flash Math Creativity book, and i have to admit that this fresh flash book is a great source of inspiration for designer, or good programmers, as the Flash Math Creativity, the authors still does not explain very well what they "paste" in the book, full pages of code with // explanation if you begin do not get this book, if you have solid knowledge of actionscript so this book is for you !!! you will scratch your head while reading the book, and that is the GAME !! Even if it is, a little bit more explanation in the book would have been a pleasure that is the reason why i would give 4 stars, because some parts of the code are very hard to understand...

Finally, this book is divided into 9 parts, one for each author, each one got his own way of coding and that is funny to see how they solve different problems, they got their touch !!

So, designers, coders get this book !!!!!!!

This is a _very_ nice book. I have recently changed my field of study at my university to design and media. Lately I've been wanting to break in Flash so that I could add motion to my art. This book was perfect. I didn't need to learn how to create a tween or any actual respect of Flash really, but instead how to explore the creative potentials that permeate from Flash. It was quite incredible.

Particularly, I found the chapters on video and 3D, runtime 3D, "bezier creatures", and the set interval enticing. You should see the chapter on runtime 3D! A _full_ library of 3d code that is extremely easy to use (including incredibly insightful comments in the code). You do not need to know much math to make some crazy effects. Also the chapter on video and Flash enlightened me as I did not know of flash's capabilities in this field.

So, in the end, get this book! It is awe inspiring.

The story of Max Factor as he rose from Russian immigrant to Hollywood royalty-the man who brought glamour to the stars and regular folks alike with the invention of pancake makeup, no fade lipstick and the idea that makeup should fit a woman's coloring. (He had rooms in his store for blondes, brownettes, brunettes and redheads-all color coded and enhanced to work with the skin tones of the women in each category!) The star of this book is definitely the photographs, however. Make-up test shots, his early years in Russia, wig making contraptions, print ads of the stars endorsing his products-the pictures tell a better story than the text!

Filled to the brim with glamour shots of some of the Western World's most beautiful women, this book shows us the man beind the mask, the incomparable Max Factor. Almost every shot is shown behind the scenes, how the look was created, etc. . .Truly a masterpiece work.

Talking With Artists volume.3

This book is pretty interesting. It is about artists who share what they like to draw and about their lives. They are asked questions such as, "Do you have any kids or pets?" The illustrators show some of pictures that they drew when they were children. They also show how the children illustrators got their inspiration to draw.

I liked this book because it was neat to see how good some of the kids are at drawing and then to see them draw as they are older. Also that was cool it showed how to draw pictures in the back of the book. I recommend this book to people who are just stating to draw and people that want to read an interesting book.

I got this book at the library for my children, but I think I enjoyed it as much as they did! (I plan to buy a copy of my own!) Instead of a cool, impersonal presentation of artists and their work, this book provides a refreshingly personal view. The artists talk about their childhoods, how they spend their days (the answers are fun & honest!), their families, and best of all, they give us peeks inside their studios. I don't know about you, but I love seeing inside of an artist's private workspace! It's like a glimpse inside his/her mind.
The styles of the artists are very diverse and they use many different techniques that kids and adults alike would like to try out. I highly recommend this book!

This is a great book for any young reader, especially those interested in fantasy and mythology, although some parts are much different than the "tradional" view of merfolk in general (such as removable tails), but the story was good. What I noticed first was the ommission of various details, such as how they suddenly learn of the mermaid's name or leaving out details in the battles towards the end. I did find, however, that the narrator does a good job of telling the tale, like a mother would tell it to her daughter. All in all, a good story with a little action and lots of magical adventure.

I love all of E. Nesbit's books; they are some of my dearest childhood favorites. I also really like the Enchanted Castle, The Magic City, and The Story of the Amulet. Wet Magic is more poetic and literate; there seems to be more visual beauty, and I love the scene where the book characters are literally coaxed out of all their books to help with the battle.

I have been my own boss for several years and compared to the 20+ I spent wokring for someone else, this is heaven! When I decided to take the plunge and work at home, one of the first books I read was The Edward's Making Money With Your Computer at Home. In their new book I found the boost to my self confidence that every beginning or experienced business owner needs now and then.

I particularly enjoyed the many tried and true words of wisdom and found reassurance learning that others make some of the same mistakes I have. Over the years, I read a variety of books about being self employed.

There are many others who have shared their working formulas in this best yet HOW TO BOOK by Paul and Sarah. One is Jodi Lynn, author of Mommy-CEO. In her book, Ms. Lynn brings first-hand guidance to the challenges of balancing family life, personal life and running your own business.

Kudos to the authors and everyone who was brave enough to take a stand and "tell it like it is."  Now, I know why I decided to be my own boss and am inspired more now than ever before. 

T. Collins, Founder
SilomarkHouse.com

Paul and Sarah Edwards founded the Working From Home Forum on CompuServe back in 1983 (that's 20 years ago, folks!) and they have been going strong ever since! Not only were they the first to spell out the necessary steps to start and run your own home business, but they have also proven to be the far and away leading mentors in pursuing a dream to become your own boss. They meticulously detail steps you need to take, questions to honestly ask yourself, and strategies to ensure your success. And, as with every book they have written, they include many interviews with people who have gone through the rigors of self-employment and pass along advice to those just starting out.

If you are serious about finding out if you can make it on your own, then this is the book to start with!

What a book..."The Book of life." Why it's a modern cartoon book of paleontology. Though its wonderful life-like illustrations and tree-of-life charts are delivered as scientific facts, they are simply graphic theories that illustrators doll up into hypothetical reality. If you like science and fiction, here is a book for you. The realistic pictures belie the text, which says: "We do not even know how to conceptualize, much less to draw the worldview that would place Homo sapiens into proper relationship with the history of life."

Its authors caveat is that "science can only operate as a work in progress without perfect knowledge, and we much therefore leave a great deal out from ignorance --- especially in a historical field like paleontology, where we must work with the strictly limited evidence of a very imperfect fossil record." It's that fossil record, that the book presumes is accurate in its layer-by-layer record through time, that requires scrutiny. The oldest fossils are found in the bottom layers and the youngest in the top layers of rock, but little or no evidence is presented to provide skeptical readers information they can decipher for themselves as to the accuracy of fossil dating by rock layers. Are we to believe, without exception, that the fossil record is progressive from bottom to top? What about fossilized trees that protrude through millions of years of time? They are conveniently omitted. Michael Benton of England's Bristol University, one of the book's contributors, says "All the periods in the geological time scale receive their names in recognition of obvious changes in the fossil record." Yet, to the contrary, Benton adds, "the history of Earth's crust has been far too violent to preserve much more than a random sample."

Its general editor, Stephen Jay Gould, is magnanimous in his promotion of a single theory of man's origins, from monkeys he and most other fossil hunters say.

There may be missing pieces to the paleontological puzzle, but the bone diggers cliam they have finally filled in the evolutional blanks and can conclusively attest to the idea that life evolved from simpler single-celled organisms into modern man. The book's most ardent opponents are taken head on by Gould: "The lack of fossil intermediates had often been cited by creationists as a supposedly prime example for their contention that intermediate forms not only haven't been found in the fossil record but can even be conceived." But Gould holds a trump card. He says: "a lovely series of intermediary steps have now been found in rocks.... in Pakistan. This elegant series, giving lie to the creationist claims, includes the almost perfectly intermediate Ambulocetus (literally, the walking whale), a form with substantial rear legs to complement the front legs already known from many fossil whales, and clearly well adapted both for swimming and for adequate, if limited, movement on land." Oddly, the book never shows a drawing of Ambulocetus, but does have an illustration of a skeleton of a 400-million year old fish with a small underside fin bone the authors claim "must have evolved" into legs in four-legged animals. Man's imagination is not found wanting here. Out of millions of fossils collected and stored in museums, is Ambulocetus the main piece of evidence for evolutionary theory?

Richard Benton says that Charles Darwin had hoped the fossil record would eventually confirm his theory of evolution, but "this has not happened," says Benton. Darwin hoped newly-discovered fossils would connect the dots into a clear evolutionary pattern. The book attempts to do that with its fictional drawings of apes evolving into pre-humans (hominids) and then modern man. Yet the book is not without contradictions. It says: "It remains uncertain whether chimpanzees are more closely related to modern humans or to the gorilla."

The horse is shown as evolving from a small, four-toed to a large one-toed animal over millions of years. There are different varieties of horses, yet there is no evidence that a horse ever evolved from another lower form of animal, nor that horses evolved into any other form of animal.

Another evolutionary puzzle that goes unexplained in the book is the pollination of flowers. How did bees and flowers arrive simultaneously in nature? What directed the appearance of one separate kingdom of life (insects) with that of another?

The book describes 6 1/2-foot millipedes and dragonflies with the wing span of a seagull, but gives no explanation for them. Life was unusual in the past and not all forms fit evolutionary patterns. Consider the popular supposition that life evolved from the sea onto land. That would make more advanced forms of intelligence land bearing. But the aquatic dolphins defy that model, since they are among the smartest mammals.

The book maintains an "out of Africa" scenario for the geographical origins of man, but recent fossil finds in Australia challenge that theory and even the book's authors admit that "a single new skull in an unexpected time or place could still rewrite the primate story." Consider Java man (Homo erectus), once considered the "missing link" and dated at 1.8 million years old. Modern dating methods now estimate Java man to be no more than 50,000 years of age, a fact that was omitted from this text.

Creativity, invention and language are brought out as unique human characteristics. Yet the true uniqueness of man is not emphasized. Humans biologically stand apart from animals in so many ways. Humans can be tickled whereas animals cannot. Humans shed emotional tears, animals do not. The book does not dare venture beyond structure and function, beyond cells and DNA, to ask the question posed by philosophers --- does man have a soul? The Bible speaks of a soul 533 times, this "book of life," not once.

Gould's temple is science. He calls the scientific method "that infallible guide to empirical truth." Science works by elimination. It can only work from experiment to experiment, eliminating what is not true. It can say what is probable, it can never say what is true. Gould appears to begrudge the shackles of science by stepping outside its boundaries in overstating what it can accomplish. Whereas creationists await the day they will stand in judgment before God, for the evolutionists Gould says "Someday, perhaps, we shall me our ancestors face to face." Imagine, standing there looking at a man-like monkey skeleton.

One cannot fault the flaws in this book. After all, it was written by highly evolved apes.

You would have expected more time and detail to the ermergence of the nervous system and the Cambrian Explosion. A more up-to-date section on human evolution (no mention of Ardipithecus Ramidus) but on the whole the book is a good synthesis of the state of the knowledge in this field.

This singular book gives a very nice popular overview of the state-of-the-art in paleontology, chronologically covering everything from the Archean to the evolution of man. It is a beautifully illustrated and well-written book, although the text is perhaps sometimes a bit too technical and dense for the paleontological novice.
And please don't buy some creationists' claims that this is science fiction. The contents of this book is based on material from thousands of scientific articles in peer-reviewed scientific journals such as "Nature" and "Science", representing the fruits of the hard labour of paleontologists from all over the world. And the fossil record, even if it is convincing in itself, is far from the only support for evolution. Independent evidence for evolution can also be found in biogeography, development, molecular analyses (gene DNA, junk DNA, mtDNA etc), anatomical analyses, and even field observations of new species evolving. This large amount of evidence is why evolution is considered an established and undisputable fact. Of course, if one rather than facts wants comic book fantasies such as humans coexisting with dinosaurs and evil scientists conspiring to hide the truth, then one should look for creationist books instead. Or comic books.

As an American having lived in Singapore for much of the past 30 years, it seems to me Mr. Hellander hasn't spent much time there. Much of his 'facts' and 'tips' are out of date, or just plain wrong. His 'tips' on hotels and restuarants in particular seem to be based on marketing data, and not real world experience. If you are planning to go to Singapore, there are many other, better written and more accurate, books to read. This would not be one of them. Insight and Essential Explorer do a much better job.

...We found this book to be a very solid reference for transportation and side trips. Compared to Fodor's Singapore guide, which we also carried, this book has more accurate and helpful information on sightseeing and transportation options, e.g., local places to buy bus or ferry tickets for side trips in Malaysia and Indonesia. The book is also a good source of ideas for exploring outlying islands, forests, and neighboring cities.

We were not impressed with the "Places to Eat" section...With two broad exceptions, the descriptions of "Places to Eat" and "Places to Stay" are too brief to be of much use in choosing a specific restaurant or hotel. However, each publisher covers hawker centers reasonably well...Lonely Planet's treatment of budget and alternative lodging arrangements--such as camping--seems fairly comprehensive. Finally, you will find more shopping advice in other guides, although this book's shopping section is not bad.

The information in the book is well organized and generally easy to find. While it is not a "pocket size" guide, its size (approx. 5 x 7 in. or 12.5 x 18.5 cm) makes it very easy to take along in a backpack, camera bag, or briefcase. At 200 pages plus maps, it is light enough to go almost anywhere.

For getting around in the city and to more remote locations, we found ourselves relying on this book. If you are familiar with Singapore, have already arranged accommodations, or are more interested in exploring and side trips, the options in this book can take you much farther afield without stress. First time travelers to Singapore (other than those with extremely limited budgets) or those who go only for the shopping may find the Fodor's guide more helpful.

Lonely Planet maintains a very good website...which features detailed content, including updates about Singapore and other locations. I have rated this book four stars, a very usable little reference that will likely become more useful the more you visit. Combined with the website, the book can prepare you well for nearly all aspects of a visit to Singapore, especially if you intend to use Singapore as a hub for excursions elsewhere. More detailed descriptions of hotels, including further treatment and recommendations in the top half, and more material in the shopping section would give the book a stronger appeal to a broader audience.

While this guide was useful in all the mundane ways (accomodation, eating), I'm grateful to for the way it got me thinking about some of the less understandable aspects of Singapore. After a couple of days of walking around S'pore I began to wonder at the odd sense of artificiality about the place, and the strange way my hosts and others talked of the city-state. I was glad to be reffered to Stan Sesser's book *The Lands of Charm and Cruelty*, which told me of "the fear that even the best educated Singaporeans feel towards their government." I am also grateful to this guide for steering me towards Ian Buruma's essay "The Nanny State of Asia," in his book *The Missionary and the Libertine*, which went into a lot of detail about the police state behind the facade of Singapore's clean toilets, etc. The guide was useful in all practical matters, but by dealing with some of the unpleasantness that is the reality of Singapore, I came away with a better understanding of the place which grew increasingly creepy the longer I stayed. Lonely Planet Singapore is an excellent, thoughtful guide that did what it was supposed to do, yet also led me to other books which helped enrich my business trip. For understanding some aspects of Chinese behaviour in a business setting, I also recommend Bo Yang's *The Ugly Chinaman and the Crisis in Chinese Culture*. Paul Theroux's *Saint Jack* is a novel set in Singapore - though written in the 70's, I found the attitudes and actions of many of the characters still relevant to locals and expats of Singapore today.

I bought this for my daughter seventeen years ago. I was determined she would know the facts so wouldn't learn the harmful nonsense that I did as a child, and that taking the mystery out of sex and treating the fact casually was the healthiest way to go about her sex education. The toughest thing about it was that, having treated it as practical information with no hush-hush nonsense, I occasionally had to read it to her as a bedtime story, at her request, I couldn't refuse without making it into a big deal or making it seem naughty and secretive. That was slightly embarassing but I hid it and got over it and eventually she moved on to other books. She did NOT turn out to be promiscuous, as another reviewer suggests would inevitably happen. With the mystery taken away from the subject, she formed a very healthy attitude to sex and was never mislead by the misinformation her peers bandied about due to their lack of knowledge and the heresay. She also grew up feeling that she could easily talk to me about sex and her body, if she ever wanted to, and that it wasn't a taboo subject between us. Too many people grow up making mistakes in their sex lives because they were never given the information that allowed them to make informed wise choices and talking to their parents about it was taboo. This book ensures that ignorance wont be their downfall and knowledge does not automatically lead to experimentation in the way lack of it often does. A brilliant book for children of seven upwards - obviously, parents choose when their children are ready to know the facts but don't leave it too late.

My mother gave me this book when I was about 10 years old. I am now 40 and I still love it. I have 5 children and I am giving them the chance to enjoy this as much as I did. I felt that my questions were answered in a language I could really understand and that I wasn't embarrassed. After I read it as a child, I was able to talk with my mother. She and I had a great talk. After each of my children have read it the same thing has happened. We talk and laugh, but we're not embarrassed. I have 3 boys 16, 12, and 2 and 2 girls 13 and 11. I thoroughly enjoy this book and share it with everyone I know.

My mother tried teaching me about sex starting at about age four or five--I'm not sure I was ready to hear it at that point, but, as life would have it, a therapist had a copy of Where Did I Come From? on her coffee table when I went to go see her at age six. I was curious about the book, since the pictures were engaging and the topic matter was obviously interesting to me, so she read it to me. It was interesting and fascinating, and funny--the pictures were cartoony enough to be specific but not threatening or gross. I actually recall asking her to read it to me a number of times, and I asked tons of questions. I can't say how I would have responded to having my mom read it to me--a neutral third party was probably the best person, for me, to hear it from, just because my mom tended to get very self-conscious teaching me about sex, and that made me uncomfortable (although, God bless her, she did try!). I really enjoyed the book as a child, and it taught me everything I needed to know to understand what sex and puberty were so that by the time those things happened, I knew not only what was going on, but because it was so easy to ask questions with the book, I knew I could ask more questions of my mom and other adults in my life (doctors, health teachers, etc)(and find more books) when the time came. (I actually can't stress that enough--when it was about time for my friends and I to start menstruating, we actually went to the library (without our parent's knowlege) and took out a book called "Period" to tell us more about it (another great book--I don't know if it's still in print or not-- just the right speed for 10-12 year olds). And that helped a lot too.

If you're looking for a way to ease into talking about sex with your kids, Where Did I Come From? worked very well for me when I was 6 (I did actually know what sex was, since my mom told me about it at 4 or 5, but I ENJOYED learning from this book--I think because this one was down to earth and funny. Humor can help a LOT!) And like some of the other reviewers, learning about sex early did not prompt me to have sex early--I waited until I was 19 and then waitied again until I was 23. And I know that the fact that sex WASN'T a mystery to me had a lot to do with my abstaining from it. Teaching your kids about sex doesn't have to be a horrible experience. This is a fun book, and your kids should be distracted by the silly pictures so they won't be looking at you nervously sweating, wondering what to say. Plus, the book will say it for you anyway. I highly recommend the book.

Most of those amazing Flash films share have the very same secret: mathematics, especially geometry. Many basic and advanced techniques in this area need to be taught. A review of some basic concepts would also be helpful. It's true that a lot is done by trial and error, but those who grasp the basics are the ones who know what can be done with what is available.
This book has beautiful, colorful pages and many contributors, some with great ideas - learned from some imagination and from some trial and error.
Yet this one book fails considerably. Great opportunity, great idea. But no math is really taught, no basic technique is really given. What can be found is only a mixed bag of ad-hoc math solutions to produce some nice effects and little meat.
What is wonderful about this book is its potential. What is tragic about this book is its end result.

This is honestly one of the best books that I've picked up in a long time. There are so many books lately, that appear to be nothing more than a ploy at being the first book on the latest release of such and such software application. Flash Math Creativity avoids using interface clips from the Flash authoring environment, in order to concentrate on the content and not on something that has a much more limited shelf life. This book has so much to offer beyond getting acquainted with Flash 5 or MX or whatever. Becuase of the choice of displaying only raw code, it's probably not the best choice for a beginning Flash user. The examples, although excellent, aren't always well annotated, and often leaves you scratching your head -- but that's part of the fun.

I really appreciate the fluid examples, and the challenge of using the provided content for further investigation. These experiments should keep me busy for some time.

The graphics are quite beautiful and it would be hard to look at them and ignore the value of these creations on the basis that it doesn't have a practical application in the area of web design, as one reviewer stated. Plus, when did I start reading books and enjoying Flash only to do corporate stuff.

After having had this book a year now and well into Flash MX, I still find this one of the best resources for moving Flash MX (or Flash 5) into a level of creativity not available by mere hacking through script or twiddling with tweens. Even now I keep finding new little gems in this book. However, as some reviewers have found, this is not for those saddled with sluggish imaginations or sense of exploration.

This book is one of the few that assumes some background in or appreciation of math as a tool for developing algorithms. It's not a book for everyone, and one reader rightly pointed out that it's not a primer in math. So if you don't have math savvy, this book may not be your cup of tea. However, from what I saw, one need not be a math whiz to work through the different kinds of interesting algorithms contained in this book, and you will learning something about both Flash and math.

One of the best lessons this book can offer (besides the sheer joy of experimentation even though you're not sure what you'll create) is how to use different elements of geometry and a little algebra with Flash to do some very interesting things. After beginning by following instructions to make a snail spiral, I quickly found myself doing my own experiments by changing different vectors, values, colors and whatnot just to see what would happen. I was surprised by my own results, and then I took elements from different chapters, mixed them together for even more new discoveries.

This book is not a paint-by-the-numbers book, and unless you like to explore for the sheer joy of the exploration and learn something for no particular reason other than it's sort of cool, the book is not for you. It is not a "practical" book in the sense that if you learn how to create a Flash site for some suit, but it is very practical if you'd like an invitation to discover concepts in their own right.

Finally, I found it ironic that such a book using Flash 5 would be published almost exactly at the time Flash MX was unveiled. Well, the algorithms are even more appropriate for Flash MX because you can do so much with movie clip drawing methods with MX that were not available in Flash 5. It's probably not even going to have to be revised for Flash MX because the kinds of people who would buy this book would have little problem in taking its wisdom and doing even more with it in the new Flash.

It's both amazing and pathetic how many rucksack travelers to India follow every word of this book as if it were some holy scripture. So many travelers spend their all of their time with their noses in this book, trying to fill every last moment following each and every step recommended by the book. In the meantime, all too often, they fail to experience India itself. Such devotion to a travel guide is a bizarre phenomenon. Without a doubt, this book is an indispensible guide for those who truly need assistance in knowing on which Bombay street corner they should tie their shoe laces. There's too much chit chat and lame humour in this book (although, granted, it evidently appeals to some). To the book's credit, there are some nice city layouts and state maps. However, for travelers who prefer information without all of the weak attempts at humor and for those who prefer to make their own opinions rather than to blindly follow someone else's words, I would wholeheartedly recommend Robert Bradnock's India Handbook. I've traveled India with both books, and clearly Bradnock's is, in my opinion, the superior of the two.

This is the second time to visit India.Both time I took the same Lonely Planet. Always I choose hotel from it and felt not bad. In some small city, hight rank hotel means good servie and the price was not so high as you image it. First all the price listed in the book is as same as in the hotel, so try to cut off nearly 30% off is the very important thing to do during the trip.
Also I visited Jaisalmer on May, but if you following the book you will never go there in such cray summer. In fact, the summer was high enough, but still interesting. No more tourist means you can enjoy alone, and only myself in the hotel you can get nearly 50% discountdown for low season. If you read you can find a lot of things from the book, but on the trip everything is changed, you never image the book can guide you everything. Try to ask person around you, and get the most reasonable price.
I will plan to go to india again, by the guide of Lonely Planet, but I think I need a new version.

When Lonely Planet India first appeared in 1981, it raised the standard for all India guidebooks in the comprehensiveness of locations covered and the detailed information useful to independent travelers, especially those on lower budgets. Twenty years later, it remains the guidebook I personally rely upon most, despite my familiarity with India from extensive travels since 1980 researching my historical novels such as India Treasures. I first learned about that wonderful nonprofit home-stay organization Servas from a Lonely Planet guide, which led to many of our best experiences in India, including lasting friendships. Although my wife and I aren't backpackers, and we're probably mid-range in terms of the amount we spend on accommodations and food, the book is extremely helpful. It's the most up to date and highly detailed regarding such information as transportation options within India, the scams travelers can encounter, and a wealth of other tips too numerous to get into in a brief review.

Given the India guidebook's thickness and weight, I've found it convenient to cut it into sections and only take the parts with me for the regions I plan to visit. It's still desirable to get supplemental maps for any city or region one plans to spend much time in, as the maps in the book are usually pretty minimal in terms of detail. And other guidebooks do indeed have useful information this one doesn't (browse the travel shelves in your favorite bookstore to find the additional guides most suitable for your own interests and style of travel). I also advocate reading the better novels set in India, to experience insights into daily life that guidebooks can only hint at.

No single guidebook on India can be all things to all persons for all occasions, but this one surely comes the closest, especially for travelers who don't have their arrangements taken care of on organized tours.