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The authors do a very good job in detailing out all of the research they did to come to their conclusions. It looks like they read every book on the subject and talked to about 90% of the key players in the event. They give us all the instances where the statements that Dean made were just not completely correct and detail the many instances where Dean was completely wrong in many of his statements. They also have an interesting dup in the form of Woodward, which was an interesting tidbit. Overall it is hard to completely take all responsibility away from Nixon. The statements he made on tape and the full range of dirty tricks and abuse of power items that Nixon did just went too far to think that the issues around a Watergate cover up would be beyond him. The book is very interesting and is full of great insight into the administration. If you are interested at all in Watergate then you will really enjoy this book
As distasteful as it may be to some readers, the work generally supports the long-held claims of the G. Gordon Liddy camp, i.e. that Woodward & Bernstein's accounts in "The Washington Post" and their following books were merely an extension of John Dean's version of Watergate, wherein Dean is innocent and everyone else is guilty. However, while the book vindicates Liddy's testimony as to fact, it does not paint much of a flattering picture of the convicted felon otherwise.
Colodny & Gettlin expose Dean's supposed role of "fall guy" for what it is: self-serving lies, and lies that were (or should have been) known to the Watergate prosecutors who used his perjured testimony, given in exchange for leniency, to bring down the Nixon Administration. A carefully researched and meticulously documented thesis is posited by the authors, namely that Dean essentially sent the White House up the river in order to save his own neck and conceal his own critical involvement in literally every aspect of the Watergate crimes and cover-ups.
Specifically, an overwhelming case is made that Dean, in order to squash his own involvement in a seperate legal matter pertaining to the surreptitious use of DNC headquarters in Washington as a front for a high-class call-girl service, and in which his own future wife Mo was complicit, instigated the burglaries at the DNC in hopes of removing evidence belying his association therein. The DNC burglaries were conveniently tucked into the overall dirty tricks program against the advice of most of the operative conspirators, who, as Liddy has stated, saw no value in hitting the DNC. The value of the break-in, the authors show, was to Dean and Dean alone.
The other primary bombshell dropped in "Silent Coup" is the very under-reported fact that journalist Bob Woodward was, astonishingly, a former Naval Officer involved in extremely sensitive communications intelligence, and that Woodward almost certainly briefed Alexander Haig and others in the Nixon White House in an official capacity prior to his departure from the Navy and rapid rise to the unlikely position of star reporter for the Post, and, conveniently, the lead newsbreaker in the Watergate matter! This direct link between Woodward and the Nixon White House should have disqualified Woodward from reporting on the matter. It did not disqualify him, because those who should have known about the link apparently either didn't know, or didn't care.
This fine history of the Watergate era covers many other pertinent related topics, including the establishment of a top-secret communications "back channel", which Nixon instituted in order to sidestep the State Department and Pentagon in sensitive dealings with the former USSR, Red China, and in the prosecution and settlement of the Vietnam War. The evidence shows that the back channel was illegally compromised by Haig and the Joint Chiefs of Staff. The implications with respect to the larger Watergate scandal are addressed in detail by the authors.
The work also touches many historical issues exposed by the Watergate investigations, not the least of which is the implication that Nixon may have known the truth behind the Kennedy Assassination, and that some those connected to Watergate may have been directly involved, namely E. Howard Hunt, Frank Sturgis, and perhaps some of the Cuban "Plumbers". Again, this history encompasses more than just Watergate by virtue of the enormous amount of studious research that was necessary to document the central arguments contained within.
The importance of this book is further magnified by the fact that a large number of the players in the Watergate affair are deceased; fortunately for history, the authors had the opportunity to interview most of the now-dead key players prior to their passing.
This book is must reading for anyone interested in Watergate. The book's radical rethinking of the common wisdom of Watergate is both refreshing and disturbing, not only in its treatment of the facts of the case, but as an expose' of the secret agenda of Bob Woodward.
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Those disappointed by the other Tales books will find this a better one, with more information into a neglected part of Krynn's history.
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Vathek is a caliph who is loved but also feared by his people. In fact, if he really loses his temper, just the sight of his gaze can cause death. His court makes The Satyricon look like a sunday school with its voluptuousness and excess. There are even five wings of his palace, with each one dedicated to a sense with names such as "The Delight of the Eyes" and "The Palace of Perfumes". Oh, the decadence! Of course someone as attached to physical gratification as Vathek is sure to stomp on the moral and religious boundaries of Allah and get in trouble.
Much like God and Yahweh in the Book of Job, Allah allows Vathek to be tempted and tried by demons as a bizarre test of his faith. Actually, maybe in both cases it was a test of God's faith in man. The faith that man will do the right thing in the end. That he will turn away from evil. That he will have an epiphany which will redeem him. Vathek isn't so lucky.
An evil being in the disguise of a man, called the Gaiour, comes to Vathek's court with all sorts of magical artifacts which seem to give their bearer otherworldy powers. Vathek becomes entranced by the thought of having powers over spirits and other men and begins to follow a direct line to eternal hell. In order to court evil spirits, Vathek becomes a mass murderer, a blasphemer, a betrayer, a killer of his own people. He is helped in this by his mother, Carathis, who hasn't even heard the word goodness. She constructs a tower much like the Tower of Babel, in order to reach to the gods and to serve as storage for her arcane items.
The book, much like Dante's Inferno, becomes a little much at times. I mean, how many deeds of evil can we experience before we go, "ok, he's going to Hell now!" Sometimes you sense that some of this is intentional and tongue in cheek. At other times, you're horrified at the evil that most of the characters do. Any characters that are good are trampled upon by the evil. The last couple of pages are truly disturbing. I liked this book and would recommend it to anyone that keeps an open mind about fantasy or who is interested in the question of how much knowledge is too much knowledge.
In the standard Gothic tale, allusions to Roman Catholicism, thought of by respectable Englishmen as a dark, oppressive, and half-pagan faith, were part of the conventional apparatus. Beckford chose instead to imagine the world of Islam, an even more exotic milieu that added some flashes of bright colours to the dark and sorcerous background of his book. His choice of an even more exotic setting allowed him greater freedom in portraying characters who defied social convention and fell into exotic habits of mind.
My understanding is that it is a matter of some debate to what extent the English text of -Vathek- is a translation from the French, or an original English composition. I do not have the French text in front of me, but it has been represented to me that Beckford's "original" French is rather like the French of Oscar Wilde's -Salome-, and needed extensive editing to be acceptable to a French readership.
At any rate, -Vathek- is a prime example of early dark fantasy. The description, of course, will be richer than you are used to, but Beckford's prose actually seems to move quite quickly. Fans of H. P. Lovecraft or Clark Ashton Smith will find that it is quite easy to slip into. And the tale is indeed a vivid one, right up to the exceptional ending when Vathek and Carathis are damned to the halls of Eblis, their hearts seared with unquenchable fire.
This is a good edition of the story, and the notes and maps are helpful.
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Also, I have used this as a guideline when I consulted a small group that needed help with internal controls.
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Also, the labs turned out to be quite challenging for the introductory course and the given level of knowledge, but exploring telephones, sound amplifiers, radios, and such were interesting.
For a casual reader interested in the field, this book will help you get a general idea of RC circuits, MOSFETs, transistors, inductors, and other EE components, but otherwise, you should reconsider.
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