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Also you will find the most primitive tribes and the most courageous and resolute missionaries.
It is possible to find a lot of things in this history: abnegation and faith, adventure and hope, but also emotions and sadness... over all: reality!
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The photos display the pieces so well that some just seem to glow and brighten on the page. It makes it difficult to look at a tree or salad bowl without imagining the possiblities.
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Contributions for this outstanding 375+ page work were supplied by individuals such as the late Norman Vincent Peale, Corrie ten Boom, Dick Van Patten, Charles W. Colsen, Gary Smalley, Joan Wester Anderson, and Dick Van Dyke.
All stories are presented in a very readable level in which the reader can relate to the themes discussed and are short enough that single stories can be read in a session and then pondered. Your life will be more spiritually fulfilling and be more positive upon completion of reading this book if you take these stories to heart.
Do yourself a favor... A MUST read!
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Actually, the information blurb from the Library Journal linked to the book's entry here states: 'Reference collections desiring more complete coverage will want Alan Gardiner's Egyptian Grammar (1957. 3d ed.) despite some obsolescence in the treatment of the verbal system.'
I actually learned hieroglyphs using that text at the University of London in the 1980s. But I have assembled a collection of more accessible books on how to learn hieroglyphs as refreshers and for sharing. I have four texts, and this was the first of the lot.
If you are truly interested in learning Egyptian hieroglyphs for an upcoming trip to Egypt or to visit a museum with a collection (I amazed a friend once by being able to read an inscription at the museum; I confessed that of the hundreds of 'paragraphs' of hieroglyphs in the collection, that that was one of only two I could decipher without my notebook), Collier and Manley's 'How to Read Egyptian Hieroglyphs' is a good choice for learning.
It begins with a basic description of the way in which hieroglyphs are used (some signs are words, but actually very few, and others are sound-meaning symbols). Collier and Manley introduce a transliteration system to ease your way into pronunciation (and pronunciation is very sketchy, given the fact there are no recordings from ancient Egypt). Symbols can vary occasionally for sound, meaning, and determinative value.
The pattern of hieroglyphs is also variable. Generally, you always want to 'read into the face', i.e., the picto-glyphs will be facing the direction from which to start -- more often right to left than left to right, and columns go top to bottom. There are no punctuation marks and no word breaks -- this can make meanings hard to decipher.
Consider the example:
IAMNOWHERE
which could be broken into
I AM NOW HERE
or
I AM NOWHERE
and in this case, context might not help provide which meaning is the true one. Or perhaps the author is poetical and sees the trouble of distinction and means that trouble to be present.
No wonder hieroglyphs are hard!
Collier and Manley's book is excellent in basic vocabulary building and basic grammar. And, if you're like me and will make flash cards, you'll become a better draw-er too.
There are exercises, and pictures of inscriptions to practice on, and a key to the exercises in the back of the book.
Written at the British Museum, this is a textbook for learning to read hieroglyphs such as you find on the walls of a museum. It is not a complete grammar and won't teach you how to read complex literture, but will give you a complete enough command of the language to read most common material.
The book is well-printed and nicely bound, and is small enough to take to the museum with you! It contains a wealth of material, a glossary, king lists, and information about Egyptian gods.
Many of the exercises are drawings or pictures of wall paintings or carvings, making the book fun to use. Answers to exercises are given at the back.
If you don't know which hieroglyphic book to pick, this is the one!
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I highly recommend it if you are taking holidays anywhere in New England, the Martimes, Portugal, Spain, the southwest coast of England or my place - Newfoundland.
I gave it to my father, who is a commercial fisherman, and he really liked it: "Felt like reading about yourself." Enough said.
By a lucky accident, I read Cod right after reading Kipling's Captains Courageous, which is set on a cod trawler working the Grand Banks in the 1890s. The two books reinforce each other -- one the historical summary, the other the detailed exploration of the daily life of those involved. A great combination.
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