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Any brother looking for the Rituals for each degree and its lectures should look elsewhere.
I greatly preferred this audio book over the others I've heard. Instead of someone else talking about Jack, or him reading his book to you, you actually get to hear him talking and telling his stories in a realistic conversation.
The rapport between the interviewer and Jack was good. The informal style made it quite listenable. The short segments made it easy to listen to while I commute.
Overall an excellent choice.
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Zubro made me feel cheated. I was teased with an engaging read, only to be left unfulfilled by the outcome. When you read a mystery there should at least be enough clues for the reader to make some viable guesses at who the murderer is: that just isn't the case here.
For another thing, the action never stops, the pace never flags. True, the gun battle with Mexican drug lords is a bit much, but it's entertaining. Imagination is not Zubro's weak point. He shows plenty of invention in the fifth excursion of his very own Hardy Boys.
But familiar problems weigh down this novel. Tom and Scott still do not have strong, distinct personalities (Adam Niklewicz's cover says it all), and their relationship continues to seem shallow and unreal. Although they frequently have sex they rarely exchange meaningful dialogue or simple gestures of tenderness. In his effort to stress the manly-man aspects of Tom and Scott, Zubro robs them of personality. They have no interesting flaws or weaknesses. They have no distinguishing marks or characteristics. But to be fair, in ECHO OF DEATH Tom and Scott are their most real. They cry, they bleed, they argue--and I don't remember them working out once. I could get to like these guys
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1. The authors come from a decidedly left-of-center perspective, which tilts how they view the world. Hence a moderate group may be described as a mildly conservative one. This is not a major flaw obviously. 2. Much of the material is rather dry, as in most real research. This isn't pleasure reading, and shouldn't be bought as such. 3. Satire is used way too much in title headings - it's not as bad as in some books, but pretty blatant, and it distracts from the quality of the work. 4. The opinion that liberals and others on the left should be an equal part of the debate so that we get a balanced picture is good, but the idea that those groups should rely more on think tanks and foundations is silly. The book's major point that I got is how those vehicles remove thought from the process in favor of ideology, and encourage close-mindedness. If liberals copy think tank stratagems, it's their loss. I personally would hope all ideologies abandon these inherently systems.
Anyhow, I'd recommend buying this or borrowing it from the library, but with these reservations and the caveat that you shouldn't expect too much.
In fairness to the reader, this book is not a light read. The story is not fluid. It's a book for the serious political researcher, journalist, or political scientist.
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Tom and Scott begin to openly support gay rights, but soon become symbols and targets of the opponents. Things begin to turn ugly forcing Scott to hire bodyguards. Scott assumed that he, being the more public figure, would be the target if tragedy struck. Instead, while Tom is at the Human Services Clinic, a series of bombs go off destroying a whole block, killing many people. Tom is lucky to survive, but is badly injured. Scott wonders if Tom ultimately was the target. He begins his own investigation that will lead to a dangerous person with a deadly goal who will do anything to attain it.
ONE DEAD DRAG QUEEN is as much a relationship drama as it is an amateur sleuth mystery. The tale stars two heroic, realistic males trying to make the world a better place. Mark Richard Zubro has written a mystery inside the mystery. The technique can slow down a story line, but works extremely well in this plot because the author never loses sight of the main theme and ties the subplot back to it. By providing color and insight, the secondary characters are vital to the beat of the tale and lead to a special treat for readers.
Harriet Klausner
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