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Tom and Scott begin to openly support gay rights, but soon become symbols and targets of the opponents. Things begin to turn ugly forcing Scott to hire bodyguards. Scott assumed that he, being the more public figure, would be the target if tragedy struck. Instead, while Tom is at the Human Services Clinic, a series of bombs go off destroying a whole block, killing many people. Tom is lucky to survive, but is badly injured. Scott wonders if Tom ultimately was the target. He begins his own investigation that will lead to a dangerous person with a deadly goal who will do anything to attain it.
ONE DEAD DRAG QUEEN is as much a relationship drama as it is an amateur sleuth mystery. The tale stars two heroic, realistic males trying to make the world a better place. Mark Richard Zubro has written a mystery inside the mystery. The technique can slow down a story line, but works extremely well in this plot because the author never loses sight of the main theme and ties the subplot back to it. By providing color and insight, the secondary characters are vital to the beat of the tale and lead to a special treat for readers.
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We traveled with this Frommer's, Rick Steves, Lonely Planet and Rough Guides through France, Belguim, Austria, Switzerland, Germany, Netherlands, Czech Republic, Hungary, and Italy. We liked Rick Steves' recommendations for lodging, Frommer's for restaurants and both for sightseeing. Lonely Planet and Rough Guides were not used if in a Frommer's city. If in a Rick Steve's city (but not Frommer's) we used Lonely Planet for restaurant recommendations (not as good a Frommer's but better than Rick Steves).
Background: Two travelers, professional, early 30s with enough money to stay out of the hostels, but did not want to blow the bank of 5 star lodging. Rick Steve's packing philosophy. Both traveler's love to eat!!
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I'm a fan of the detective/whodunit genre, and have read many and occasionally indiscriminately, but this book left me wondering if the author did any research into police procedures and lingo at all, because if he did, it did not reflect in the story. Seemed a little amateurish to me. By the time I reached the middle of the story - with so many red herrings tossed left right and centre arbitrarily and without follow-up - I stopped caring who the murderer was. Truth be told, I was really rather disappointed.
I did enjoy the interaction between Paul and his kids though, but they were few and far between. If you're looking for strong characterisations and solid plot, this may not be the book for you. But if you're looking for some light reading before bed after a long day at work, pick this one up.
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The first half of the book was quite enjoyable actually, if not a little slow. I easily began to sympathize with Tom when he faced hate and disdain at every turn. Zubro often managed to turn these confrontations into a display of quick wit and strength of character by Tom. His strength and resolve during this time really made it easier to place myself on his side throughout the story.
However, at one point I had to put the book down because I became physically ill. Usually, violence (whether it be a western gunfight, aftermath of a war, or a SciFi alien gobbling humans a piece at a time) doesn't affect me. But the sequence describing the torture of one of Tom's friends was just too much. I didn't see any point of that gruesome scene at all. It added nothing, and caused me to drop several stars in this review.
By the end I did manage to repress that aspect and get back to the main point of the story - Tom redeeming himself. And I did enjoy the low-key transformation of Tom's when he realized that he had prejudices as well. The South wasn't all toothless hillbillies in overalls and bigots out to kill him. Whether or not that's true, at least he began to reflect on himself as well - which made me like him even better.
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In the first of the series we meet highschool teacher Tom Mason and his celebrity ball player lover Scott Carpenter. When these two gorgeous hunks are not working out or having sex, they are solving mysteries--call them The Thin Men. Now I give Zubro this, he can construct a decent, fast-paced mystery. In fact, he is better at plotting a mystery than, for example, the much-revered Michael Nava (whose Henry Rios mysteries wouldn't challenge an eleven-year old Nancy Drew fan). But the writing is awkward, often stiff, and Tom and Scott are as lifeless as the mannequins they so resemble. And that's odd, seeing that Zubro is reasonably deft at sketching minor characters.
A SIMPLE SUBURBAN MURDER is for me one of the strongest entries in the Tom and Scott franchise. The mystery is tightly written, the Chicago local realistically drawn, and it's an appealing premise: gay lovers and partners in crime-solving. A sort of Nick and Nick Charles. If we are grading on the Pass/Fail system, than Zubro easily passes
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The handbook will greatly improve a student's ability to retain and utilize the Spanish he/she learns in the video series. There are many exercises relating to each episode and the Mas Alla del episodio readings add extra information to the story which is not in the videos themselves.
I teach Spanish at community college and have used the manual and videos for a number of years with excellent results.
And yet there is much to be said for Zubro's work. His plotting, though predictable, is crisp and clean, a balance of action and analysis, with all loose ends tidily knotted. Through the (currently) eight books of the series--not even counting the Paul Turner series--Zubro worked out a formula which has served him well, although his characters, ex-Viet Nam vet and high school teacher Tom Mason, and southern baseball star Scott Carpenter, never evolve. When we first meet them they have already been a couple for eight years. Scott, we are given to understand, is initially closeted, but it never puts much strain on their relationship. The differences in their personalities are never explored--possibly because there aren't any. The books are written in a passionless, simplistic style ideal for teaching English in ESL courses.
In ARE YOU NUTS?, the seventh book of the series, Tom echoes his 1989 entrance by finding a body in the school library. (No wonder the PTA is in an uproar; it probably has less to do with Tom's orientation than the fact the man is a walking health hazard, an academic Jessica Fletcher trailing death and disgrace in his wake). As usual one of Tom's closest friends and allies (there's still some alive?) is arrested for the murder, and Tom and Scott (Scott, suffering mild depression--and who could blame the guy) set off in flat-footed pursuit, following the blueprint so successfully laid down eleven years earlier.
That, eleven years after Tom Mason stumbles on his first body, there are still very few gay mystery series' probably explains the relative popularity of Zubro's books. It's interesting that this series is published by the Stonewall Inn imprint and Keith Kahla, who recently asked in "Having Our Say" why so many gays seem to have abandoned the written word? Just a clue, Keith, but possibly if publishers offered something a little more substantial in the way of genre fiction, readers might be more interested.