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However I wonder what the other reviewer from Fort Worth wrote: it is quite complicated and not stricly related to the text. Maybe if he could elaborate....
thanks
JC
Timing is more exact than direction. This accounts for the price reduction over recent years. Carolan's comparison of 1987 with 1929 is different, but every bit as amazing as John Murphy's Intermarket Worldwide Crash analysis of those two pivotal panic moments.
Upon pondering Carolan's concepts, I developed a home-made projection indicator (via Metastock) which gave me chills as to how it could pinpoint turns in the US stock Idx. A key was to correct his table in the back (p155) "Natural Time Days" to weekly (Friday only) data. Using current data of Boolean logic where 1=HHV(H,5days) & -1=LLV(L,5days), and then subtracting a sum of the current "Even Spiral Days" from the current "Odd Spiral Days", Nodal turning points into the future of the data series could be isolated. Projections in different markets carried the same patterns. Major volatility breakouts could be isolated within 3 days. The quality of these patterns was consistent across various markets, but was unusual in that the "indicator" would "compress" to where the smallest turn would lead to the biggest market whop. Thats the poop for the technically inclined... I lost interest in pursuing this when eSignal locked my eyes on all that intraday streaming data.
Upon examining Carolan's comparison of the 1929 & 1987 panics, I believe it impossible for thinking readers to ignore the stunning observations he makes. We like the ocean's tides are quantitatively moved by forces bigger than ourselves. This book is a classic I do not intend to sell. Would love to see others pursue research in this area.
Some of the stories are great, but this book could have used one or two more stories. At 233 pages, it is one of the shortest books in the series. On top of this, the first two stories were pre-Lovecraft.
While it is interesting to read these Lovecraft inspirations, these stories along with Shodow, whioch most readers will already own, take up the first 88 pages.
Nevertheless I enjoyed nearly all the stories, most of which were new to me.
Random selections of some of the better beasts collected herein (not mentioning Shadows over Innsmouth because it doesn't need recognition) include:
The Harbor-Master, by Robert W. Chambers, one of "preLovecraftian" stories mentioned that actually merits a look not only because its a well-written piece but also because it shows where Lovecraft procured ideas for "The Innsmouth look" and Devil's Reef. I give it a five star rating.
Fishhead, by Irvin S. Cobb, is also another precursor to Shadows over Innsmouth that further illustrates the "Innsmouth Look." It is a strange look into the mentality of the public at the time, plus the mention Reelfoot Lake (I've lived near there and its frightening) sends a four and one-half star shiver down my spine.
The Deep Ones, by James Wade, described by the editor as "Lovecraft's version of flipper," is another piece that deserves recognition. Besides being a nice framework focusing on the 60's that deals with Innsmouth, that title alone gets it a jovial 4.5 star rating out of me.
and
The Innsmouth Head, by Franklyn Searight, an excellently written piece that warrants a pat on the creative back of the author by these hands. It poses the five-star question, "What do you do when fishing off of Devil's Reef and suddenly finding yourself hooking a bipedal reptilian?" which shouldn't be answered, "I keep its head and chuck the rest, of course!"
All in all, its a nice read because it shows how people, including Lovecraft, perceive words and then build upon previous thoughts in their own ways. Besides, Deep Ones need a little love (and sunglasses for those unblinking eyes), too.
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A 'Must Have' for Weird Tale, Lovecraft, or any horror fan.
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My main complaint lies with the photographs and how they are arranged and labelled. The order is roughly chronological but somewhat haphazard. On page 90 for instance we go from plates and pots of the 70's and 90's to seven pages of tiles in chronological order, to some pots and animals of the 20's through to 50's, and then on to some70's Delphis...why?. Would it not be better to just have a section on tiles, a section on 50's pottery, a section on Delphis and so on. Each section could have a series of well-labelled shots of typical Poole pottery of that era or range, including size\s and shape numbers.
I would have also liked a more comprehensive list of marks and at least some list of painters\ paintresses and their marks, particularly of the Delphis range. Delphis and Aegean have become highly collectable and in my humble opinion could have had a section to themselves.
These small criticisms aside Collecting Poole Pottery is a useful and informative book for those interested in this beautiful pottery. You certainly won't find better value for money on the subject. If only someone would bring out a book purely on the Delphis range I'd be happy.
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