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Also the math section is very tedious. Get this book!! Its definately worth the price. Don't believe the first review...the guy is just misleading...probably never gave SAT.
Good Luck!
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new and different approaches to Anton Zarnak' from action, to horro and even some comedy mixed-in. More anthologies should be this
fun.
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Sadly, 'Tales out of Innsmouth' was not a book that I thought that I would get into. I decided to give it a chance, but things didn't look good from the outset. I've played CoC for years, I've gobbled down every book on, by, or about Lovecraft that I could lay my hands on, I know most of the Old Ones on a first name basis, and quite frankly, the Deep Ones, Dagon's hideous children and the inhabitants of shadowed Innsmouth have never seemed to do to much for me.
Until now.
From editor Robert M. Price's masterful introductory essay "The One That Got Away", 'Tales out of Innsmouth' is just one pleasant surprise after another. Every tale and short story in the book is a unique and intriguing look at some facet of the Deep Ones - the whole book is an experience in redefining one of the best known critters in Lovecraft's universe.
The most intriguing part of the book, in my opinion, is John Glasby's reworking of Lovecraft's original notes for the story that would introduce the Deep One's to his mythos. Entitled "The Weird Shadow Over Innsmouth", this strange take on Lovecraft's vision shows what could have been, and is lots of fun for a faithful reader of Lovecraft's work who may feel like they've read it all.
Other stories, particularly Gregory Luce's cinematic "The Deep End", Scott David Aniolowski's unique take on "The Idol", Brian McNaughton's horrific "The Doom that Came to Innsmouth", and the hilarious "It Was The Day of the Deep One" by Peter H. Cannon, make this book well worth a look. Players and Keeprs alike who want to add a new dimension to their Call of Cthulhu games with more fleshed out Deep Ones should invest in this book, and even folks who just dig a good horror story will undoubtedly find a lot to love about this book. Lovecraft would be proud.
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Second point that I want to make is that the author thinks all producers have factory outlet stores or that distributors don't have a supplier. But this is probably my business administration background asking for a real perspective on prices, instead of just one isolated part. Mr. Dolan please read some distribution channel management literature! There are suppliers and there often is a retail channel that has some power in setting their own prices (especially in EUROPE)It is not clear from what perspective the author is looking.
And last of all, if you write a better version, please change the title, the best thing that I can say about the current title is that it fits the book.
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Not a complete listing, but for most collectors, this one will do quite well.
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Among the real gems in this collection are "The Dunwich Horror" itself and the story that most influenced/inspired Lovecraft's tale, 'The Great God Pan". Compared to some of the more recent tales in the collection, the writing style and vocabulary might seem too overblown, slow moving or ancient, but it is from these beloved tales that so many others have been inspired.
Given the unevenness of most Mythos tales, this collection makes a nice addition to a Lovecraft library, having at least one story that will charm the reader.
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First, Haugen's writing style is annoying and childish. An engaging use of humor and metaphor are apparently beyond his skill.
Second, Haugen's story is unconvincing. The case against the efficient market hypothesis has been made much more rigorously and interestingly by other authors (e.g. Andrei Shleifer, Hersh Shefrin, and Richard Thaler, among others). Haugen in some case makes mountains out of statistical molehills and misses vital information in others. In short, Haugen is neither convincing nor complete in his critique. The field of economics covered here has a name, by the way, which Haugen never once cites: behavioral finance.
Third, in many cases Haugen is just plain wrong in his assertions. The cases are too numerous to count, but I'll give two examples from page 12. First, Haugen asserts that if no one uses the CAPM to construct their portfolios then markets cannot be efficient. This is not true. The efficient market hypothesis can hold, as Milton Friedman pointed out, if people act AS IF they use the CAPM, even if they don't really use it. Second, of evidence that markets generally react to new information quickly and without bias, Haugen says "Not true." Which is overstating the case, if not outright misrepresenting it. While there is some evidence of investor overreaction and/or underreaction, the case is far from closed. Moreover, anecdotal evidence of occasional over- and under-reaction does not prove the efficient market hypothesis to be a "Fantasy," as Haugen claims.
Fourth, and this point is somewhat related to the third, Haugen is far too full of himself. Assertions of his own intellectual superiority cloud his arguments and reasoning. This can be dangerous when dueling with men like Eugene Fama, Harry Markowitz, Bill Sharpe, and Milton Friedman. More importantly, it leaves Haugen apparently very comfortable making blanket, absolute statements about financial economics that no self-respecting, respected, or respectful economist has any business making. And I say that not only because Haugen is very frequently wrong. It also isn't very becoming. And since the material in this book is reviewed in far superior books, there is little reason to pay much attention to Haugen and his rantings.