The reader gets a great look at the daily life of a B-17 crewman. We learn the way in which he lived with death on a daily basis. WARNING: This book is impossible to put down when it gets going.
The book is also a great contribution to the memory of the Fifteenth Air Force. Having been usually overshadowed by the Eighth Air Force, the Fifteenth was stationed in North Africa-Italy, and bombed strategic targets throughout the underbelly of Europe. The Fifteenth absored horrible casulties while bombing infamous targets including Ploesti, Steyr, and Vienna. McGuire and his fellow airmen lived in cruder and more inhospitable conditions than the England-based Eighth.
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Frank is an incredibly skilled image maker, able communicate on many different levels with a single image. Jack Kerouac is the perfect person to write the intro to this book. Both artists worked in a similar way, using travel, speed and chance to communicate fleeting, yet deep, feelings about our complex culture.
Perfectly enjoyable by anyone with an interest in American culture, but essential for those practicing documentary photography.
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The first story is from the demented mind of Jim Thompson. This story, called The Killer Inside Me, is much better than The Grifters, a book by Thompson that I read some time ago. The Grifters seemed to be pretty one-dimensional with respect to its characters. This story is the exact opposite. A deputy sheriff in a Texas city has a terrible secret. He plays dumb on the outside, but inside he is a cunning sociopath. A long simmering resentment leads to a terrible revenge. Bodies quickly stack up as a result. This seems to be the story that Thompson is best known for and it's no surprise why. This is a dark, twisted tale with a grim ending.
Patricia Highsmith wrote a whole series of stories concerning Tom Ripley. The one included here is The Talented Mr. Ripley, probably better known due to the recent film with Matt Damon. This tale isn't as noir as I would have liked, but it still has enough twists and turns to keep anybody in suspense. Ripley is a low class conniver who ingratiates himself into a wealthy family who wants him to go to Italy and bring back their son. Ripley sees the potential for bucks and meets up with the kid and his lady friend. Of course, things take a turn for the worse and the bodies start stacking up. This story was probably my least favorite out of the entire collection.
The next story, Pick-Up, by Charles Willeford, is a depressing tale about two alcoholics who go bump in the night. The story follows the adventures of this alcoholic couple as they attempt suicide, check themselves into a mental hospital, and drink themselves into a stupor. After the female half of the couple dies in another suicide pact, the story switches to a prison tale. The end is somewhat of a twist, but really doesn't impact the story that much, in my opinion. Again, not really noir as noir can be, but still a fine story that can stand by itself.
Down There, by David Goodis, is a wild ride of a tale. Full of suspense and death, this is a great story that deserves to be included here. A family of ne'er-do-wells drags their talented piano-playing brother into their personal problems. The background information on Eddie, the piano player, is phenomenal. The tragedy that has struck him once is bound to repeat itself again. This story has great bit characters that really liven up the background.
The final story, by Chester Himes, is The Real Cool Killers. This is noir on acid: pornographic violence, massive doses of grim reality, and characters you're glad to see get killed. The story is set in Harlem and involves two tough cops named Grave Digger Jones and Coffin Ed Johnson. Someone kills a white guy in Harlem and the cops try and track them down. This story contains one of the funniest descriptions of a person falling off a balcony that I've ever read (and I've read a few, disturbingly enough). The writing has enough similes and metaphors to give Raymond Chandler an apoplectic fit. A cool story that certainly deserves a place in this book.
If you like noir, read these two LOA novels. They are long (together they're almost 2000 pages) but it is definitely worth the effort. These kinds of stories are just a great way to while away some free time and relieve stress.
Individually, I would rate the stories in pretty much the order they appear in the book. "The Killer Inside Me" is the most powerful, in my opinion, and is a great indroduction to Jim Thompson if you haven't read his work previously. "The Talented Mr. Ripley" is also excellent, and is a must read for any fan of crime fiction. What I found more interesting was the contrast between the protagonists in the first two novels. Both are cold-hearted killers, but you couldn't find two more different voices. Its a tribute to both Mr. Thompson and Ms. Highsmith that you actually root for these people to get away with their crimes.
The other three novels are good, but they pale in comparison to the first two. "Pick-up" is a good study in a relationship between two alcoholics who know they are alcoholics and are okay with it. It takes awhile for the crime to be committed, but its an interesting journey. I didn't care for the twist ending, but that's just me. "Down There" was interesting to read, if only because it was the basis for a great movie. "The Real Cool Killers" was the only story of the five that I had trouble getting through. I think that was because I didn't really care (or even really believe) that A) a group of street punks would dress in the manner they were described in, or that B) a pair of street detectives would be as violent, feared, and given such free reign as the ones in this novel.
All in all, a good book to add to your collection, if only for the one-two punch of Thompson and Highsmith (by the way, that would be a great name for a law firm).
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A transplant to Southern Cal. will quickly gain the inside track to where to go and what to plant to make the best of this unique climate.
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McCloskey's book was first published in 1957, and the illustrations show this--no life vests in a lot of the boating pictures, children swimming without being watched over by a lifeguard or adult, and so on. Still, that's not a bad thing--it shows the protective, exclusionary nature of childhood and the risks children take without even being fully aware that they ARE taking risks.
The illustrations are lovely. These paintings depict Maine as being beautiful without neglecting to show the dangerous side of coastal life as well (witness the storm scenes towards the end of the book). There is a caressing, rhythmic feel to the text which subtly imitates the tidal pull of the ocean. What a perfect gift for anyone who vacations in Maine--or wants to.
This is no less of a joy to read than any of the other books written by Robert McCloskey. If anything, it seems almost more lyrical and more developed than his early books.
One item of particluar note is that the illustrations are in color, as opposed to the single color or black and white of his other works. It is wonderful to watch the progress of his art through the various books, ending with the beautiful art in this title.
This is a book every child should have, and will keep, hopefully, until it is time to hand it on!
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