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This is as near to an authorized biography as you can get. Wallis was given full access to all the recorded material on Phillips as well as to a great many people who actually knew the man and worked with him. It's a rollicking story.
Using fiction techniques of characterization Wallis shows us an eccentric, ambitious young man who evolves into a successful philanthropist -- and philanderer. Phillips gave tokens to the children of the community but overindulged and neglected his own son until he turned to alcohol. He was a man who appeared devoted to his family six months out of every year, then spent the rest of his time with his mistress in New York City.
He wasn't such a saint in business, either. He took over smaller companies to build his empire and almost fired a Vice President "Boots" Adams because he thought Adams was too ambitious for personal gain.
Legends about Phillips abound and Wallis has recorded them. There's a story, for example, of Phillips paying the mortgages of community churches and herein lies the weakness of this book. He doesn't say whether this generosity is documented or it's simply a tale told by sycophants, and he sure talked to plenty of them.
Wallis weakens his authority by neglecting to support his facts. He speculates. Without documentation it's impossible for the reader to separate fiction from fact. The writing style is that of fiction and that's all the more reason the reader needs to be able to tell what is real fact and what is speculation.
If what you want is an exciting story of the West and people who made great fortunes in the oil fields, you'll love this book. It's well written and well researched. If you want only fact, however, you'll have to write your own book.
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Brubaker creates a great family-tangled-in-the-past mystery a la Ross Macdonald and adds a cast of supporting characters for the private detective that is only rivaled by those created by Robert B. Parker, from a persnickety crime-scene photographer to a bellicose national-agency private operator.
The real contribution this book makes to the genre, though, is its protagonist, Jack Herriman, whose youth makes for a refreshing contrast with most classic detectives but whose former morally questionable lifestyle, which began at the age of 14, gives him a moral depth of greater immediacy than that of most private eyes. While other detectives have seen everything, this kid has already done everything. This gives the story a new perspective, which Brubaker makes the most of.
I hope Brubaker takes time out from his regular series, Deadenders, to write more Herriman stories. And I hope Michael Lark sticks with the book, too -- his work is as good here as it was in Terminal City.
Ed Brubaker currently scripts he BATMAN monthly comic, the CATWOMAN comic in which he revamped the character, POINT BLANK, SLEEPER, a SLAM BRADLEY back-up and THE COMPLETE LOWLIFE. Also a cartoonist, Brubaker's work has been nominated for many Eisner Awards. Michael Lark is a favorite artist on noirish-type comics. His graphic novel, THE LITTLE SISTER, written and drawn by him, based on Raymond Chandler's Philip Marlowe novel of the same title. Other work includes TERMINAL CITY, short stories for Vertigo's WINTER'S EDGE, SUPERMAN: WAR OF THE WORLDS, and BATMAN: NINE LIVES.
Brubaker's natural feel for crime writing lends Jack Herriman's world the luster of a dark and gritty reality. San Francisco is accurately portrayed without ever stepping too close to becoming a travelogue or a stereotype. The mystery and murders at the heart of the story, the years of loss and betrayal that come to culmination and spark to unleash the homicidal blaze that rocks Jack's world and leave him both more and less than what he had been are all played out honestly. Brubaker's got a gift for dialogue and allows the characters to come on stage and introduce themselves in ways even the excellent first-person narration can't quite do. Jack's world is full: he has his uncle and his uncle's girlfriend, Paul Raymonds--his dead father's partner, Steve Ellington--a friend and private eye for a big investigations firm, and an ex-girlfriend of his own that he can't quite get over. Besides getting entranced in the rich mystery that Brubaker presents, readers also get to wander through the impressive tapestry of pain, misery, loss, guilt, and half-truths that are Jack's life. The story offers quiet jokes, deep characters drawn in a few knowing lines, and the intensity of a steadily depressed spring. As Jack narrows the scope of his investigation, readers know that all hell is about to break loose: especially when additional bodies drop out of the woodwork and the violence escalates. Michael Lark's artwork is awesome: dark and moody, readers can smell the smoke in the seedy bars and will check the seats before sitting.
SCENE OF THE CRIME: A LITTLE PIECE OF GOODNIGHT is a wonderful graphic novel in the vein of Raymond Chandler's Philip Marlowe detective novels. Brubaker says that Ross MacDonald was his favorite crime novelist, and a lot of the movement and rhythm of this tale shows that interest. Private eye fiction lovers who have never discovered the intricate joy of a graphic novel couldn't find a better place to start exploring the genre. Fans who already are familiar with Brubaker's work on BATMAN or CATWOMAN will want to add this one to their collections if it's not already there.
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So I give MacDonald a 5+, Phillips gets a zero. Averages 3.
From the onset the best quote I found in this book "knowing the Heart Of God" is, "To hold a doctrine or an opinion with the intellect alone is not to believe it. A man's real belief is that which he lives by".
This and establishing the principle that Intimacy can be increased by Obedience, is the base argument for the Holiness Pentecostal way of life towards Sanctifaction and Holiness. Isaiah first chapter verses eighteen and nineteen are often cited for conveying this idea. I found it an excellent primer to convey and discuss the Christian notion of obedience for a wife or betrothed which has nothing to do with the idea of obedience in the contemporary world. And for the man or husband, I showed why the attributes of God should be mirrored through him as God's image in a relationship. This book is about establishing a relationship with God.
The title struck me because I just realized how fragile an omnipotent God's heart can be. Through my suffering I understood how I can see God's heart broken. Jesus wept, as I. I believe he still weeps. Try preaching "Intimacy Through Obedience" at your next women's meeting and notice the climate change. Notice how the end result will be for the hearers to merely fall back on opinion which the author has a great deal to say about.
Although the staunched legalist may find the fiction, counter-arguments and exegesis debatable. For those truly led by the Holy Spirit to find the perfect truth this book gives a gentle nudge in that direction with a touch of humor. In the end the only action needed is simply to know God through Our Lord and Great God Jesus Christ and obey him. Does not the scriptures say, "This is my beloved Son, in whom I am well pleased; hear ye him"? This hearing is obedience.
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Great book for female or male readers who like history.
The novel shows the feelings of the settlers as well as the Indians of King Phillip's War 1675-1676.......both sides loved and lost family members and friends.
The tension is constant and the book is "too soon finished".
Mass. readers will get a lot of local color out of it - such as the events that led to the naming of Turner's Falls, but all readers will get a gripping story of a war whose basic themes would be repeated over and over for the next 200 years.
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